As a weak undead, Chiaki Miyake has not appeared in public before.
But he has been joining the Kamiya Group for a long time. He has worked for so long and received many requiem candles as salary.
After digesting these candles, Mr. Miyake's strength has improved a lot.
He is no longer a weak wandering soul with no rating.
Thanks to this, Mr. Miyake can move freely within a certain range of reality.
Of course, he doesn't have the [painted skin] that can completely disguise himself as a human like Princess Bunche, so his actions in reality are still relatively low-key. He will not appear in front of the media at all, and will basically only appear in GENIE's house in the real world.
Headquarters, as well as the newly established Night Tour Club.
Even when communicating with human employees inside the club, he always wears a mask.
Chiaki Miyake will only take off his mask when his brother comes to visit him and is alone with him.
Therefore, this ace scriptwriter still has a sense of mystery.
Perhaps Chiaki Miyake is very satisfied with "returning" to human society in this state.
For a person who died in vain——
After becoming an undead, you can be sheltered and have a stable and safe living environment; you can continue the career you loved during your lifetime and be respected for it; you can even meet your loved ones face to face.
So what more could he ask for?
And all of this is the result of Chiaki Miyake’s hard work!
I am sincerely grateful to the great and generous boss, Mr. Kamiya!
Chiaki Miyake took the time to come to the Night Club today to inspect the work.
In order to repay Kamiya-sama for his kindness, the script writer was very dedicated to the operation of "Hyakuki Night Walk".
After all, "Hyakuki Night Walk" is a newly launched magazine. If you want to steadily increase the magazine's sales, it is definitely not enough to rely solely on the new manga "Noodles" that Miyake is responsible for.
A large number of outstanding cartoonists and editors must be discovered and cultivated, and other cartoons in the magazine must be of good quality.
So up to now, Mr. Miyake would take great pains to personally read all the comics published in "Hyakuki Night Walk".
He has such energy.
When he came to the night club today, Mr. Miyake noticed Shimokawa and others at a glance.
The short comics submitted by Yoji Shimokawa are a bit concerning.
The original comics of the young man were packed in airtight kraft paper portfolios.
But Chiaki Miyake is not human after all.
He can see the contents of the comic manuscripts through the file bag.
Although I couldn't pry through all the manuscripts like this, it was still okay to see part of the contents.
Just a small reveal.
Anyway, Mr. Miyake saw——
The comic that Yoji Shimokawa brought was based on Satoru-chan who appeared in "Miss Mary" as the protagonist.
And in the story he described, he also gave Wu the identity of the virtual anchor.
Chiaki Miyake knew that Satoru-chan was really working as a virtual anchor in reality, but this character setting was not mentioned in "Miss Mary".
Out of curiosity, he asked Editor Mizushima, who had originally arranged to meet Shimokawa Yoji, to wait later.
Then I went to the reception desk on No. 6 and reviewed the manuscript myself.
…
Swish--
The original manuscript of the comic was turned over quickly in Mr. Miyake's hands.
Opposite him, Yoji Shimokawa was sitting on pins and needles, his hands unconsciously rubbing his thighs and trouser legs.
He was very afraid that the cartoon he had put so much effort into would be deemed worthless by his editor.
But there was nothing I could do. I could only wait, waiting for the editor to speak, just like a suspect waiting for trial in court.
Finally, Mr. Miyake finished reading the last manuscript and spoke slowly: "Shimokawa-kun, would you like something to drink? Tea or coffee?"
Hearing this sentence, Shimokawa Yoji felt like he was being pardoned, and leaned back in his chair with a tense body: "Tea, thank you."
Behind him, Hidaka Tsunayō didn't know what was going on. He approached Fumiya Takahashi and asked in a low voice: "What is going on?"
"If you invite me for tea, it means there is something going on. The editor wants to continue talking about the comic manuscript. If you are not interested in the manuscript at all, it is time for us to leave now."
Takahashi Fumiya did some homework before coming to Night Travel Club.
For newcomers who submit a comic manuscript for the first time, if the editor is willing to invite them to tea, it basically means that the manuscript has initially passed the test.
He had previously searched online and asked about the precautions for submitting articles to magazines, and heard that other comic magazines were like this.
"Where are you two? What would you like to drink?"
Chiaki Miyake turned his attention to the two young people sitting in the back.
Hidaka: "Coffee, thank you!"
Hearing this, Takahashi bumped his friend's ribs with his elbow: "You are so rude, idiot!"
"Ah? Mr. Editor asked us."
"Really-" Takahashi had no choice but to agree, "Tea, please excuse me."
Seeing the active look of the young people, Chiaki Miyake just laughed, although his gentle smile was hidden under the mask and could not be captured well.
He called the receptionist, ordered three drinks, and then started reading "Satoru-chan's Fall" again.
While watching, he asked again casually: "Shimokawa-kun, are you still a student?"
"Well, I just went to college this year."
"Is this your first time drawing comics?"
"This is the first time officially."
"That's it."
Mr. Miyake turned his attention back to the manuscript.
In fact, the more I read this manuscript, the less interesting it becomes.
But after all, it was drawn by a newcomer who was officially drawing comics for the first time.
A freshman student...
Although Chiaki Miyake himself officially debuted in high school, he is a gentle person and does not look at any new manga artist in a condescending manner.
Moreover, this Shimokawa-kun is still young after all.
Mr. Miyake creates his own works and is known for his suspenseful and profound plot stories, as well as gorgeous fighting scenes.
Comics that focus on cute daily life are not his area of expertise.
But it’s just for appreciation, so of course there’s no problem at all.
Although the short comic "Satoro-chan's Fall" has obvious flaws, it also has very unique shining points. The story is quite interesting and the flaws are not outweighed.
This Shimokawa-kun is able to draw like this for the first time in formal painting. As long as he trains and exercises well, he will hopefully be able to carve a flawless jade into a beautiful jade in the future.
Since it is here to review the manuscript, Miyake will of course start from the editor's perspective.
The so-called editor must have a discerning eye.
It is not only about finding outstanding talents who can be put to great use, but also about discovering new talents who have potential and are worth cultivating.
There is no doubt that Yoji Shimokawa belongs to the latter group.
"Anyway, let's give him some credit first, and then talk about the shortcomings in the comics."
The experienced Mr. Miyake thought so.
Three cups of drinks were quickly delivered to the reception desk. Miyake would not take off his mask, so naturally he would not drink. He put down the manuscript in his hand and said: ""The Fall of Satoru-chan", the story is very interesting. The comic is the best
The most important thing is to be interesting, and Shimokawa-kun, you have a very good talent in this area."
"Thanks."
"Then, let me talk about some of my own opinions. First of all, the story part. Judging from the original work you presented, it is more like a light novel than a comic. There are too many explanations and explanations in the text. If
If you don’t use comic characters to advance the plot, then there’s no point in using comics.”
Mr. Miyake continued to be persuasive: "As for drawings, your sketching ability is very strong. However, comics must have a certain style, and you used too many lines. The characters and the background are not well distinguished. Personally, I think
, your drawings should consciously incorporate more distortion, which will help form your own style."
Chiaki Miyake spoke a lot slowly.
Some people affirmed Shimokawa, while others continued to point out his shortcomings.
But for those being evaluated, criticism is always more harsh and sharp than praise.
"Um, uh, sorry."
Shimokawa Yoji lowered his head a little awkwardly as he listened.
Takahashi Fumiya in the back suddenly realized something.
He had already watched "Satoru-chan's Fall" and found it very interesting.
But I always feel like there's something I can't explain.
The editor in front of me pointed out the problem right to the point.
Amazing.
Chiaki Miyake glanced at Yoji Kawakawa.
After hearing a lot of criticism, the young man was a little frustrated.
But he obviously listened to what he said.
Being able to accept opinions is a very good quality, and Miyake likes such juniors very much.
He continued: "Shimokawa-kun, I have a feeling that you are the kind of person who is good at planning, knows what readers want to see, and knows exactly what to use to attract readers, right?"
Just as he lowered his head, Yoji Kawakawa raised his head in confusion: "Yes... right."
This is indeed true.
From the plot to the arrangement of storyboards, he carefully conceived every detail of "Satoru-chan's Fall" for a long time.
All I think about is how to show the cute and lovable side of the character as much as possible, and how to further attract readers who read this comic.
Miyake: "I think so. There are two types of cartoonists, one is the inspiration type and the other is the layout type. Painters who focus on inspiration may not worry too much and rely solely on intuition, enthusiasm and innate talent.
Painting is based on the sense of smell. And layout-oriented painters will focus on analyzing market intelligence and make rational calculations to paint their works."
"Generally speaking, most of the writers who can draw top-selling and popular comics are inspirational geniuses."
Hearing these words, Kawayoji became even more frustrated, but then he heard——
"Don't be too frustrated. I'm not saying that layout-oriented painters are not good. In fact, it's okay to analyze market trends and control readers' needs. After all, comics are drawn for readers."
From Miyake's point of view, this is something that can't be helped.
The step-by-step calculation is indeed inferior to the skillful hand, which is completely natural.
But this does not mean that there are advantages and disadvantages between these two types of painters.
Whether he is good at layout or relies on inspiration, it is a manifestation of his talent as a cartoonist.
In fact, even he himself is a layout-type creator.
"It is more difficult for layout-type painters to succeed than inspiration-type painters, but once successful, it means that they can understand the market and completely control readers' needs, which means they can continue to output high-quality content. On the other hand, inspiration-type painters
Once an artist runs out of inspiration, he is likely to face a series of works that are cut in half or unfinished, or where one work becomes a hit and the next one becomes unknown."
"So, Shimokawa-kun, I think you have great potential. If possible, I hope to continue to pay attention to your subsequent development."
"Um, I..." Shimokawa Yoji didn't know what to say for a while.
After only about twenty minutes of conversation, he was so impressed by the editor in front of him.
There is a feeling of "I am committed to you from now on".
Takahashi Fumiya, who was watching the whole process from behind, was also amazed by what he saw.
From his calm onlooker's perspective, Yangji definitely benefited a lot from what the editor said. Even if his friend kowtows to the editor at this moment, he must be willing to do it.
of.
It seems that the editors of Night Tour Club are very professional.
But speaking of it, is this reasonable?
It was just the first time we met, the first time I saw Yoji's drawings.
Why does this editor seem to see everything about Yoji at a glance?
Whether it's ability or quality, all aspects.
He is not so much an editor as he is a person with super powers.
But thinking about it this way, it's a bit of a pity.
"Mr. Mizushima" has such a terrifying talent, but he is just an editor in the night club who welcomes new cartoonists.
If his position was higher, if he was a senior member of the Night Tour Club...
Takahashi was still thinking when he heard "Mr. Mizushima" speak again: "Shimokawa-kun, I hope you can take "Satoru-chan's Fall of Sloth" back and revise it carefully, and then you can try Tou Toishan
prize."
Toriyama Prize.
This is an award for new cartoonists created under the instruction of Ms. Shiori Kamiya after the establishment of Yoyo Club.
Named after Toriyama Ishiten, a famous yokai painter from the Edo period.
New cartoonists who can be selected for this award can receive a bonus of 200,000 yen and a commemorative shield medal issued by Yayu Club. The qualified selection is 500,000 yen and a medal, and the new cartoonist who finally takes the crown will receive
, will receive 1 million yen, Toriyama Trophy.
After the establishment of the Night Club, the Toriyama Award was not the only award established. It is obvious that it has spared no effort in attracting and cultivating cartoonists.
Just from this point of view, we can also know that their plans are very broad.
After all, there is financial support from religious forces such as Juqiong Shrine and Yoshikoji Temple, so money is not an issue.
Chiaki Miyake: "As long as the performance of "Gatoro-chan's Fall" can be improved to a higher level, there should be no problem in winning the Toriyama Prize. By then, this manga can also be published in "Hyakuki Night Walk". If it can be published,
There will also be a salary of about 12,000 yen for one page. Of course, because the characters from "Miss Mary" are used, the copyright of the comic belongs to the Night Club, which you should have known beforehand."
"Last issue, can Yoji's works be serialized in "Hyakuki Night Journey"?" Hidaka Tsunryo interjected from behind.
"It's just a short story, and it's still early for serialization." Mr. Miyake smiled, "Of course, I personally hope that this comic will appear in serial form in "Hyakuki Night Walk" in the future. Hmm.
...Well, Shimokawa-kun, Yeyou Club has currently signed contracts with many mature cartoonists. If you are willing, I can arrange for you to be an assistant. This process should allow you to learn a lot."
Chiaki Miyake really hopes to see "Satoro-chan's Fall" published in a serial form in "Hyakuki Night Walk" in the future.
This comic has good potential.
And if this is the case, Wu-chan won’t need to worry too much about the spread of his faith in the cultural field in the future.
Of course, before that, Yoji Shimokawa's abilities must be greatly improved and improved.
Isn’t this the purpose of establishing the Night Tour Club?
No matter how powerful Mr. Su Liu is, no matter how powerful he is, there are only 24 hours in a day.
Only by absorbing and cultivating a group of outstanding cartoonists who belong to the Night Club can we export cultural works and provide better support for the propagation of various ghost stories and beliefs within Takamagahara's influence.