Chapter eight hundred and eighty fifth praise does not mean winning
"Wow..."
The cinema, which accommodates more than 1,000 people, was almost full. When the movie ended, the audience stood up and applauded.
He Xin and the few Chinese audience also stood up and clapped their hands politely.
I have to say that Li Lianjie is still very popular overseas. The promotion of "White Snake" has focused on Li Lianjie from the beginning. The facts also prove that more than a thousand Western audiences on the scene were all aimed at Li Lianjie, especially when playing.
When the scenes of the play appear, Western audiences who have never seen the world often burst into marvels.
Objectively speaking, "White Snake" claims to invest 200 million, which is quite real. At least the special effects such as human-shaped snake body and water-filled Kingsoft in the film can be said to be on one level compared to Hollywood blockbusters. In addition, the combination of Cheng Xiaodong and Li Lianjie,
The fighting scenes are guaranteed to be very exciting.
But, in addition to these eye-catching visual effects and action scenes, the plot and the characters' emotions are obviously out of touch. Compared with the special effects, the emotional scene is too weak; although the title of the film is called "White Snake", Li Lianjie plays the role of
Fahai has too many scenes, so that the love between Baishe and Xu Xian seems too hasty.
More importantly, He Xin thought Bai Suzhen should be the kind of virtuous and kindness of Zhao Yazhi, gentle and graceful, but Miss Huang swayed violently as soon as she came up. She was already close to her eyes, and she even threw a few charming eyes.
The strong sense of déjà vu of a fallen woman came to her face.
It can be seen that Cheng Xiaodong wanted to imitate the version of "The Green Snake" by Mr. Xu eighteen years ago. Unfortunately, Miss Huang is not as charming as Lao Wang, nor is she as active as Lao Wang, and she should love her clearly.
A clear and tense inner drama.
Miss Huang appeared with a charming appearance, and then the clever mouse brother, rabbit, and prime minister of the Turtle came to discuss how the bold and forcibly Suzhen slashed the water and forced the farmer Xu Xian. When they met again, they took the initiative to push him into the water...
Let me say that the water in the narrow river is so deep, it’s so deep, so clear!
The two of them kissed in the water, kissed them forcibly, looked at mung beans, met their eyes, kissed them... In the next scene, the two of them came out after finishing their work.
Well, this seems to be no longer described as an ordinary misunderstanding woman, but more like a misunderstanding woman who often becomes a fool.
Xu Ruoxuan's fox demon and Cai Zhuoyan's Xiaoqing have no room for performance. In a blink of an eye, Miss Huang has a stunning Medusa look, and she starts to cause a mountain torrent, similar to "2012"
The kind of shot made many monks wet...
As the biggest competitor of this year's National Day, He Xin is completely aware of it. Although the Western audiences at the scene reacted enthusiastically, these are all outsiders watching the fun. Domestic audiences have all been taught by Zhao Yayu's "The Legend of the White Snake"
Influenced, I guess I can't appreciate this kind of thing.
Back at the hotel, He Xin immediately discussed with Xiao Douding to increase the publicity of "Thirty-three Days of Love". There is no way. In the past, he always leaned on a big tree to enjoy the cool air. This time, "Thirty-three Days of Love" is new.
Hao Media independently released the film, and the publisher of "White Snake" brings together two giants, Bona and China Film. "Thirty-Three Days of Love" is definitely at a disadvantage in terms of filming schedule. This is not counting "Xinhai" by Li Bailian and Yan Shilong.
Revolution and Deng Chao and Sun Li's "Painted Wall".
The reason why "Thirty-Three Days of Love" in the original time and space is that in addition to the relatively unpopular schedule in November, there are no strong competitors, but more importantly, the spread of word of mouth. Although "Thirty-Three Days of Love" has many fans of the original work
But this time, the most important thing is to spread the word of mouth in the shortest possible time and seize the initiative so that we can turn the trend back.
...
Many times, watching movies is the same as watching beauties, and love at first sight will definitely happen. For example, in the first scene of "Border Storm", Tong Yali stands in a mirror, white clothes, white hat, black hair, and silent and blurry.
The green of the river bank can be seen in the distance.
This scene easily reminds the Italian audience on the scene of the first scene in Italian director Fellini's "The Road": The whole river is desolate and the girl is walking forward with firewood on her back, and the sound of calling her name comes from a distance...
…
The first shot of a movie can often set the tone of the whole movie, and the atmosphere it exudes shows whether the movie is literary or commercial.
"Border Storm" sounds like a commercial film with a police and gangster crime theme, but it is a literary film with a unique style at heart.
At the beginning of the movie, He Xin took Tong Yali to attend the funeral. Ni Dahong wanted to pull his daughter to run away, but Tong Yali's words: "Do you want to kidnap me too?" Ni Dahong let go of his hand and also introduced the whole story.
Then the first chapter of the Dog seems to be inconsistent with the beginning of the film, but the knowledgeable Western audience is not surprised, because Quentin's "Inglorious Bastard" which was popular two years ago is like this.
Technique.
In this chapter, Xu Guangtou's performance is very eye-catching. For example, he looked up and down and left three times before entering the house, but he didn't just look at it casually.
Going down, I saw a pile of soil in front of the old house, and I confirmed that it was empty and no one lived in it. It means that this was a temporary stronghold he found, so this environment should be quite unfamiliar to him.
Upwards, he saw that the lights in the corridor at the door were broken, and he installed a brand new incandescent light bulb. Why did he illuminate his door? Because the sense of security of the bad guy comes from, I am in the dark, others are in the light. But the next
When the plot is about meeting a policeman who is well versed in the psychology of a criminal, this strange light bulb reveals his identity.
Finally, he went left and saw the power button in the off state, which indicates that he would move his hands and feet in the corridor next. Also in the subsequent plot, there was a camera at this position.
But what is even more eye-catching in this chapter is not the character Xu Guangtou himself, but the box in Xu Guangtou's hand. Xu Guangtou was guarding a box while waiting for someone to trade at Mengxiu Station. The connector brought a box, and the other one was a unique product.
,One is money.
After the connector changed the box, he walked straight away. But the camera turned around and saw Xu Bald Head walking in the corridor with two boxes. The camera kept chasing the two boxes in his hand, a close-up! The audience was a little puzzled
Once you turn, you will be able to reflect it immediately: Damn, you are so bad!
Then there is the story of the police and sister. The sister is straightforward and willful. One of the lines: "This is an on-the-scenes issue, but it is actually an emotional issue." It has the finishing touch.
It should be said that Song Tie performed very well. The scene of the plastic wrap killing was very realistic, and the camera also pushed the emotions just right. He Xin sat in the cinema and could clearly hear the sound of the audience gasping for air conditioners. Some of them
Even timid dared not look directly at him.
Chapter 1: When Xu bald man falls into the French Open, the next chapter of memory presents a story similar to "This Killer Is Not Too Cold". Kidnapping I Fall in Love with You, although it's a bit old-fashioned,
A necessary element of love in a movie, especially this kind of deformed romance in cultivation, can further inspire the audience's enthusiasm for watching movies.
Of course, the theme of the film is far more than love. In the third chapter of the daughter, a particularly interesting scene is that the rescued He Xin and Tong Yali returned to her father's dentist's house. There are two diamonds intertwined up and down on the door. When the door is closed,
A heart appears in the light and shadow. But this is just the effect of light and shadow, not the real heart, it represents the true love and falseness of the light that is seen in the house now.
Then, the dentist betrayed He Xin.
The whole film is divided into four chapters, dog, memory, daughter, past events. Multi-line plot, multi-line protagonist, beginning and end echo, disrupting the timeline. Each character in this sandbox-like narrative technique is centered on himself.
When telling stories, there is a unique perspective and interpretation method. When he appears in a world centered on others, he will be placed in a different perspective, have a different image, and interpret different content.
, and by putting the world of each character together, the audience can see a real world.
Moreover, many of the details set in the movie are extremely exquisite and extremely important. Every seemingly unnecessary shot or character action is set behind it, which is intriguing.
The whole movie uses details to bury the content the most deeply is the end of the movie, the death of the policeman, the death of the killer, the death of Du Xiao, the keys and money, everything seems to be arranged, everything seems to be before it happens.
He Xin seemed to be expecting.
At the end of the movie, the three of them were recreated again with the scene of He Xin going out. While the subtitles were scrolling, the music of the ending song "The Last Supper" sounded.
As the lyrics sing, “They say it’s the last supper, they don’t know us at all. Only we want to, only we intentionally, will this be the last supper…”
...
"A Du Xiao, who was at the end of the road, completed a redemption of conscience and conscience. The ending was very orthodox but unexpected..."
"The stylized author film, structured three-line narratives and deliberately broke the rules through flashbacks and flashbacks. It is not very similar to a Chinese film, and it has a Hollywood flavor..."
"Stockholm syndrome, coup, black eating, chain games, blood, love, and revenge. Although it is a style that imitates Quentin, it is still a great movie, and He's performance is as outstanding as ever!"
After the premiere of "Border Storm", it won many praises and the audience's reaction was also very enthusiastic. The key is that this is a movie that is not difficult to understand. As long as you don't eat popcorn and don't make small moves with the male (female) friends around you.
It's not difficult to interpret.
At the same time, the Venetian Film Festival magazine scored the films that had already appeared. Polish master Roman Polansky's new work "Kill" won comprehensive praise from film critics, ranking first with a media score of 3.9.
The new work of young British director Steve McQueen, "Shame", is starring the popular "Fashark" Michael Fassbender. It not only attracts attention on a large scale, but also has received praise from many film critics, with 3.48
The division follows closely.
The opening film George Clooney's "March 15" ranked third with 3.45 points. Surprisingly, "Border Storm" ranked fourth with 3.07.
As for the "Seedek Barre", which is known as the epic masterpiece of Wanwan, it has a very bad reputation, ranking at the bottom with 1.78 points, and even seven film critics scored a low score of 1 star.
"Border Storm" was undoubtedly successful at the Venice Film Festival. It was screened three times, and it was basically full. Influenced by the audience's enthusiasm for watching movies, film merchants came to contact each other and earned almost 200 in just three days.
Ten thousand euros, and several companies in North America are also discussing.
On the afternoon of the 7th, He Xin, Cheng Er, Tong Yali and others ended their trip to Venice early and returned to China to start a domestic publicity roadshow according to the original schedule.
There are two imported blockbusters released on September 9th and "Border Storm": the American main theme movie "Captain America" and the 3D adventure thriller "Deadly Abyss" produced by Cameron, which is also quite fierce in competition.
However, "Border Storm" performed well, with a total box office of 6 million, 13 million, 11.2 million in three days of its premiere, surpassing "The Deadly Abyss" with a total box office of 30 million, second only to "Captain America" and ranked in the weekly box office with a total box office of 30 million.
Runner-up.
This result is incomparable to many popular commercial films produced by Xinhao Media before, but both He Xin and Cheng Er have met. This result, coupled with the news from Venice, is enough to recover investment and make a profit.
But the only regret is that before the closing ceremony of the Venice Film Festival, they never received invitations from the organizers, which means that the magazine ranked first among the top eight "Border Storm" in the main competition unit, which ranked first among the top eight films in the main competition unit.
Not destined.
In the early morning of September 12, Beijing time, the 68th Venice Film Festival awards were announced. Polish master Romain Polansky, the highest-rated magazine, also failed to win the Golden Lion, and the Russian movie "Faust" unexpectedly won.
The highest award.
The Italian and French co-production "Inland" won the jury award.
The Silver Lion Award, the second most valuable director award, was unexpectedly awarded to Cai Shangjun, the director of the Chinese film "Hong Kong Sea" which was not open to the public.
How to say it?
Maybe it is the elements that you want to forbid, and we need to support and encourage.
Of course, Cai Shangjun and his film "Comes of People" that are destined to be released in China. Cai Shangjun became the sixth Chinese to win the Best Director Award for the Three Major Film Festivals in Europe after Yan Hao, Wang Jiawei, Zhang Yuan, Yang Dechang and Lin Zhengsheng.
The director is also the second mainland Chinese director to win this honor after Zhang Yuan.
Although his "House of People" was not released on the public, he still might have sold several more countries because he won the award.
In terms of actor awards, "Fashark" won the best actor for his appearance in "Shame". In contrast, in terms of competing for the best actor, he was surprised by Hong Kong actress Deanie Ip in "Sister Tao".
In addition, the Best Newcomer Award specially set up this year was won by two young Japanese actors, Aya, Taiwa Nikaido Tomi.
Ainoya Kazuta is the guy who plays a monk in "The Legend of the Demon Cat" and the perverted murderer in "Detective Chinatown 3".