Seeing the barrage sent by Annan, Delicious Feng Goose was startled.
Then he reacted quickly——
Yes, this is indeed necessary.
"This friend is very smart. He is not bound by conventional thinking. He is half as smart as me."
Lao Goose complimented casually: "I didn't read the letter just now, because I subconsciously thought it was the same as the content of Child God before. But it is a new environment now, so I really need to confirm it again..."
With that said, he opened the envelope.
There are still fragments of Ai Lei's diary in the envelope.
When preparing the back plate as usual, Yummy Wind Goose realized it.
This diary mentions that "Amos's painting is hanging on the wall and looks like a corpse outside the window", which is actually a psychological suggestion.
After the wandering child reads this letter and looks back at the corpses in the hall, he realizes that "the paintings have turned into corpses." It is precisely because of the foreshadowing of this letter that the sense of fear will arise because of "something has happened."
"anticipate" and become more profound - or in other words, be able to react immediately.
This is a technique used in many horror games and horror movies.
The producer will mix some fragmented information into the main information and give it to the audience, using methods such as curiosity and fear to mobilize the user's attention.
For example, if "suddenly seeing blood stains" the audience will become nervous; if "seeing the back or a person with bowed head" they will subconsciously want to know the front; if they see "a group of people gathered together" they will want to know the inside
What is it? After finding a "closed cupboard" and entering a "closed space", you will want to know what is inside.
This principle has a simple application.
In the early years, some scary old pictures were popular on the Internet. Generally speaking, they were similar to a very long suspension bridge, but when you pull it to the end, you will suddenly see a ghost face.
This is because when scrolling down, people's subconscious sense of curiosity is aroused. Therefore, people can realize the horror the moment they see the ghost face, instead of being stunned for a moment to react - there is no doubt that the latter will be greatly diluted.
Sense of fear.
The same goes for turning back after reaching the end, and opening the door when entering a new unfamiliar space. It is precisely because the sense of curiosity is fully mobilized that people can expose their sexuality in a state where they have the strongest learning ability and are most sensitive to things.
contact with those horrible things.
Only those who read this letter can clearly realize the fear of the painting turning into a corpse; and when the shadow changes, the first thing that appears in their mind is "there is someone outside the window" instead of thinking that they are dazzled or dazzled.
I saw it wrong.
Then the problem comes.
This letter is on the fourth floor and is supposedly useless.
It could be the key to the diary in the cupboard... just like the knife was the key to the tomato on the second level.
If tomatoes represent food and blood, and knives represent cutting and death, then the diary and the fragments of the diary must also indicate something...
——No, it’s not just that.
What would happen if you get the knife in the second level, but instead of entering the nightmare of the second level...but directly enter the third level?
On the third level, if you have a weapon in your hand, then maybe you won't be so disadvantaged against Brother Sledgehammer.
If you're lucky, you might be able to defeat him once...
Delicious Wind Goose's mind was spinning rapidly and he murmured:
"Yes...yes...
"If you get the clothes on the first floor and the knife on the second floor, then you can put the knife in the clothes. If you don't hesitate after taking the diary just now and go straight forward, you can let Brother Sledgehammer directly
Appear behind yourself.
"——At this time, the distance between him and Amos is completely enough to be injured by a knife!"
Delicious Wind Goose suddenly became enlightened.
Annan also realized what he meant——
"...I see, I completely understand."
Annan murmured in a low voice: "The reason there are no nightmares on the first floor is because there is nothing in the display cabinets on the first floor.
"There is a piece of clothing on the coat rack, which implies that 'there is a way beyond the nightmare'. That is, the existence of the negative level.
"In the display cabinet on the second floor is a tomato, and the key is a knife. After the tomato is cut with a knife, a lot of blood will flow out... This implies that the homeless people were lured here because of the food. Their possible fate
...It means being squeezed into juice. The tongue in the tomato may refer to Amos's eloquent behavior, deliberately deceiving them.
"So...those dark figures pressed under the chandelier may be those homeless people."
Annan thought of the blood and black flesh everywhere in the basement during Yiyi's live broadcast.
That's definitely not enough for one or two people.
But if all the homeless people he deceived were killed and thrown into the basement to be bled... the amount would be almost the same.
Annan tapped his thigh lightly with his fingers, and the light in his eyes became brighter and brighter:
"The key words on the third level are the diary and the fragments of the diary. The diary undoubtedly hints at the key information point of the 'study' pointed out in Airei's diary, and the fragments allude to the ritual of the 'Skeleton Lord'. The fragments were taken from
The act of tearing out a page from the diary... undoubtedly foreshadows the outcome of Elle's 'eyes' and 'hair' being taken away after the ceremony."
The core mechanism of this copy is nothing else...
It’s that display cabinet!
Whatever is in the display cabinet represents the keyword of the nightmare on this floor!
And what should be placed in the display cabinet?
painting!!
Think again, the hallucination Jiuer fell into on the second floor...
Is that why those small copies are displayed as "Gallery: xxx"?
Because they are actually in the illusion created by Amos's works...
——No, that’s not right.
Players play as Amos.
So this should be Amos entering an illusion created by himself...
Annan suddenly realized that he, the players, and the priests of Yin Jue had all ignored an important point.
They seemed to subconsciously... connect the horror elements that can be seen everywhere in this copy of the gallery with the sledgehammer brother who is chasing Amos.
But what if...
Are those terrifying traps not the same as Brother Sledgehammer?
What if these endless galleries...are actually a means of escape set up by Amos himself?
This is not impossible.
On the second floor, Jiu'er had already shown Annan that Amos could control the space in this building at will... He could easily create complex, twisted, and messy buildings.
structure.
It's just that I can't confirm the location of other people.
Then, Annan suddenly had an idea in his mind.
Brother Sledgehammer was chasing him on the second floor and suddenly disappeared... When he was chasing him on the third floor, he couldn't get through the gate.
That's probably because of this complex, horrifying gallery.