When Fufu said, "In this game, I won't bet on anything."
Whether it's Annan...or Fufu himself, they all know it very well.
——Fufu is already scared.
Although from a rational point of view... Fufu actually doesn't think that Salvatore can win from his hands with his IQ.
But in the last game between Fufu and Annan, he lost so miserably... Looking back now, the illusion that he might be able to win at the beginning was also intentional by Annan.
For him.
Then perhaps "Salvatore, who seems unable to defeat himself", will be another trap left by Annan.
In the last game, Fufu was hit with a "fifteen" at the beginning.
But then, it was "ten".
At that time, Fufu actually had a glimmer of hope of victory in his heart.
Because Fufu knows very well that "fourteen" is also a safety card.
If Annan can really know everything, he should know that from ten to fifteen, except for the "twelve" selected at the beginning, all are safe cards.
It was at that time that Annan did not choose a larger number, which gave Fu Fu hope to win.
—— Could it be that Annan was not sure about all the cards, so he chose cards that were less likely to be selected by Kafni to attack him?
But it wasn't until the end that Fu Fu realized... Annan deliberately didn't play the two big cards of "Thirteen" and "Fourteen" first, just to prevent him from despair immediately.
Poker in this world is not of "hearts, spades, hearts, diamonds", but of "cup", "scepter", "coin" and "sword". It also has four types of suits:
It foreshadows the four righteous gods of "Cup Holder", "Grandma", "Silver Sir" and "Red Knight", so it can be used as a ritual prop.
The three "big cards" from eleven to thirteen in each category have different suits.
For example, in the Holy Grail card, they are "Prince", "Queen" and "King".
In the scepter card, it is the "youngest son", "father" and "grandmother".
But among all the cards, there are two characters dressed funny.
There was a flower ball under one foot, and he was wearing very thin purple-green clothes, with oil paint on his face. He looked stupid, with a smile on his face. But his right hand was behind his back... Some people said that was
A dagger, and some people say there is a bottle of poison hidden in it.
The other one was wearing a hooded red coat that looked like baby clothes. He was extremely fat, his face was clean, and he saluted respectfully and comically.
These two cards herald the "tragedy writer" and the "faceless poet". They can also be called the "clown" and the "ugly".
Players like to call them "Fat Toutuo" and "Slender Toutuo", or habitually call them "Little King" and "Big King".
Wherever tragedians and their followers appear, tragedies are always entangled. Therefore, people regard it as an "unlucky symbol" and dress it up in a funny way in some plays where tragedians appear.
In every tragedy born of trickery and conspiracy, people will understand it as either "the tragedian's followers interfered with it" or "the tragedian himself came".
Anyone who comes in funny clothes - stepping on a ball or playing with a ball - will be understood by the audience as a "tragedian" or a "clown" who "believes in the tragedian".
Therefore, if they can fall off the ball in embarrassment when entering the field, it will actually make people laugh.
The Faceless Poet is different, he is more inclined to a positive role.
As a god who often appears in legends along with tragedians, the Faceless Poet is more inclined to predict "the coming tragic fate" for others.
Faceless poets usually appear in epic poems as sages who convey the truth to poor people who don't know the truth...the most common ones are those court jesters who dress funny but always say some amazing words.
For example, saying to a certain prince "You are actually the child of the queen and the groom", or "It was your uncle who killed your father."
The faceless poet usually does not tell the truth directly. Instead, he will give the other person a long mysterious poem... which usually contains a metaphor for a very important truth. It is not until the other person gets closer to the truth that he can truly realize what the poem is about.
convey meaning.
When Fufu took out these two cards, he really didn't think much about it.
It is simply used as a filler for "fourteenth" and "fifteenth" to reduce the probability of Kafni and Annan guessing the correct number.
But Annan, in turn, used its other meaning to ridicule Fu Fu.
At first, he used the "big ugly" symbolizing the faceless poet to hint to him that everything was already known to him... and in the end, he used the "clown" to insult him.
It wasn't until he received the clown card that Fu Fu realized that Annan had already hinted at him from the very beginning.
Annan must have already thought of a strategy when choosing cards.
He can even give himself room to prophesy!
Annan's wisdom that seemed to be able to know everything really frightened Fufu.
Fufu wanted to take it out on Salvatore before, but after Annan said "Are you sure", he immediately became afraid.
Like a frightened bird.
He realized that Annan was not an eagle that could fly in the sky - he was a dragon.
He even doubted whether Annan had expected that he would come here... and the trap he set on Salvatore could kill him directly here.
Fufu already regrets it a little now.
If he could escape, he would definitely escape after the second game.
But, he can't escape.
He was able to directly enter this nightmare as a god through the mechanism of "the rotten man originally appeared in this nightmare."
If he ran away directly, he would leave behind an empty shell of a corrupt man.
Annan can still influence Fufu's body through the medium of "himself". But Fufu himself has no way of knowing what is going on inside... In this way, he will lose the initiative.
And if he directly destroys this nightmare, it will directly cause the nightmare to be destroyed and curses will overflow. Annan now enters the nightmare in the bank, and the bank is Mr. Yao's temple.
Once the curse of inertia in the nightmare is directly leaked... it will be equivalent to throwing a piece of shit into Sir Silver's temple.
——Fu Fu doesn’t have the courage yet.
Although Annan said he knew what he did in the third game.
But this might actually be a lie - a lure to trick him into revealing information.
The best result is to help Annan complete the "powerful purification" in this nightmare.
At the moment when this nightmare is purified, all evidence will disappear.
——That's right.
Fufu had already thought in his mind that he could actually lose on purpose.
That's why he doesn't bet on anything.
In this way, if he loses, he won't be so embarrassed... Of course, if he wins, he can regain some face from Salvatore.
...Whether you win or lose, it is not considered a loss for the time being.
Thinking of this, Fufu glanced at Salvatore, who played Bella.
Fufu, who was covered in blood, said in a deep voice: "We are still playing cards this time, but the rules are simpler.
"We draw cards from here. This is a deck of cards without the big clown, which is fifty-two cards.
“On the up-card side, only the first card is a hidden card, and the others are all up-cards;
"For the hidden card side, only the first card is the exposed card, and the others are all hidden cards.
"The so-called 'hidden cards' refer to cards that you can't even look at, and must be placed directly on the table. The exposed cards are drawn first.
"The dark card player can actively choose to settle after the end of his card drawing round; or the bright card player can automatically settle when he collects the same suit of open cards [big cards]... For example, after collecting the 'Prince, Queen,'
"King', or 'Son, Father and Grandmother' will be automatically settled."
"When settling, each K-position card counts three points, the Q-position card counts two points, and the J-position card counts one point, but if a set of big cards of the same suit is collected, an extra point will be added. Compare the scores of both sides. If the points are exactly the same,
Then the party that initiated the settlement wins...do you understand?"