The tragedy writer's words made everyone present stunned for a moment.
Although the tragedy writer personally "sacrificed" Annan before... the act itself was disturbing.
——Because this means that the tragedy writer has indeed thought about how to abduct Annan, who is "immune to forced teleportation skills". That's why he is so aware of Annan's characteristics, and also knows how to circumvent Annan's characteristics and take Annan away.
take away.
Just like when I went out and couldn't get back home because I lost my keys, and when I was in a hurry, a neighbor with a bear face suddenly stretched out his hand and grabbed me, and made a loud voice of "Don't be afraid".
Then he took out his house key from his pocket.
——Kafni's eyes became sharp at that time.
Therefore, except for Maria who still expressed her sincere gratitude to the tragedian for bringing Annan back... several other people in the room were full of vigilance towards the sudden appearance of the tragedian.
After all, the difficulties Annan encountered were not solved by him. He only slightly reduced the troubles Annan encountered - and this trouble had nothing to do with Annan's safety. He just needed to explain the "Prince Duke of Winter disappeared".
It's just a situation.
Perhaps only Annan himself would think this is a trouble...
Maria didn't care at all about the attitudes and opinions of strangers other than acquaintances.
As for Noah, even Kafni herself didn't think it was strange - after all, the eldest princess and Philip were much more outrageous than this. When Annan came to visit for the first time, Philip even tried to give Annan to Annan.
Blow up...
Noah people are notoriously lazy and free-spirited. It is normal for a leader to lose control in formal occasions. As long as he can come back at the last moment and not cause trouble to others, no one will say anything.
In this situation, as long as you say "I went out to play, what's wrong?", the eldest princess can only reply "It's okay". Only the people of Winter are too serious to take this kind of thing seriously.
And Salvatore trusted Annan more and more.
He came from the bottom of his heart and did not think that Annan would get into trouble in a place like this. He almost regarded Annan as a god - as if Annan could "predict" any difficulties he encountered and deal with them in an orderly manner.
its solution.
Therefore, he had no gratitude at all to the tragedian. Instead, he felt that Annan's accident was probably related to the tragedian - otherwise, why would he appear at the scene in the first place?
Although this is a preconceived judgment on Salvatore's part.
But this time, his judgment was quite accurate...
The tragedian was indeed involved in this matter, but Annan didn't care much about it. After all, it was rare for a tragedian not to cause trouble... Now that he had finished his troubles and had fun, Annan was very content to come over and wipe his ass voluntarily.
But that's why.
Although the tragedian "made a great contribution" this time, when Kafni and Senior Sal were telling stories, no one paid attention to the tragedian.
Compared to this story, it was written by the tragic writer himself.
But as a god, even though no one wanted to see him, he still squeezed in to chat on his own, which was even more surprising...
"This isn't a story you 'spun', is it?"
Annan questioned.
What he said was relatively tactful.
What Annan really wanted to express was, "You couldn't have killed those two people, right?"
This is indeed something a tragic writer can do.
He himself is the type who can easily twist the fate of others in order to pursue more passionate "wonderful stories".
"No, no, no, then you have misunderstood me, haven't you? I didn't even know this information first-hand."
The tragedy writer waved his hands repeatedly and said innocently: "At least in this incident, I did nothing..."
"In other words, it has indeed been done before, right?"
Annan, who was squatting in the box, glanced at him sideways.
Perhaps because of Annan's soft body, he also suspected that the tragedy writer had enchanted the box with some strange magic. He didn't expect that the box was surprisingly comfortable to squat on... He was a little lazy for the moment and didn't want to go out. .
"Oh, everyone knows this kind of thing. Talking about this is starting to get boring, isn't it..."
The tragedian laughed and avoided answering.
However, his response is actually equivalent to answering this question jokingly - the tragedian is obviously well aware of his own behavior, and there is no evasion about it. However, he still knows that this is a question for ordinary people's morality. Standardly speaking, it is not worth advocating at least.
"Is there any secret behind that incident?"
Maria asked the tragedian: "Which of these two versions of the story is closer to the truth?"
It can only be said that it is indeed a fairy tale told to Kafni, and it is really customized for princesses - not only Kafni can remember it clearly, Maria also has some interest in it.
Although Maria is already the Lord of the Tower, she is also the supreme controller of the Hand of Winter.
But she is actually just eighteen years old this year. She is a little older than Annan and Kafni, but not much older... put by ordinary wizards, she has not even graduated from the wizard tower.
"There are indeed some unknown truths."
The tragedian nodded and suddenly became energetic: "I think you also noticed that I did not mention the real name of the Countess in the story."
"Is it because the United Kingdom asked you to hide this name for the sake of the collective reputation of the nobles?"
Maria responded subconsciously based on the behavior of the Principality of Winter.
With the reputation of the old grandmother, the Duke of Winter can even scold the passing gods for some trivial matters.
But she soon realized something was wrong: "No, it's not right either..."
The tragedian is considered an evil god in both Winter and Theocracy.
In Noah and the underground world, he can travel normally... but obviously there are no benefits, and he will not be allowed to build a temple within the territory that allows public worship. Even as long as he believes in the tragedian, he will be wary of the people around him. Or doubt.
But in the United Kingdom... the tragedy writer is allowed to be worshiped in public, and his status is obviously much higher than that of a "Countess".
Even if the countess was a member of the "Counselor", she would not have been able to order the tragedian to "hide" her name at will.
"The countess did put pressure on me, but not as a 'countess'... but as the master of her tower.
"Speaking of which, His Majesty Annan also knows this countess."
The tragedy writer said with a smile: "Her name is... Ingrid.
"It's the one you know, [Eternal Daughter] Ingrid."