Good guy, he is a real Wolf Slayer. He is more than a little ruthless than a ruthless person.
Dare to dig into the grave of a preparation god, the HR of the light world, the mother and mentor in name of all gods and false gods... She can even be regarded as the biological mother of the evil "worm" in this world.
No wonder Nigel said it was as if he had been distracted by something.
Even if he exhausted his talents for this painting, Annan would not be surprised.
It is indeed the "wound of the world". But the wound of the world itself is not rare, what is rare is "the pearl contained in this flesh and blood."
Nigel thought he was painting a wound in the world, but what he actually painted was what was revealed in that wound... the former god of choice, the driver of the chariot!
It is really rare to personally confirm and depict the corpse of the chariot driver without dying or going crazy.
The death of the Heavenly Chariot driver alone is undoubtedly "creation" level of mysterious knowledge.
In other words, it is precisely because he is an ordinary person that he can barely remain immortal. Because the light of the sky chariot is the "light of sublimation", the closer you are to the light world, the more you can feel the sacredness of the sky chariot.
Nigel is not a supernatural being, he is just an ordinary person. He does not understand any mysterious knowledge either...
Perhaps because of this, he was able to observe the "Tianchai Driver" with his eyes.
He didn't even "see" the corpse with his eyes - he just used his intuition of "beauty" to forcibly recreate the stunning scenery in front of him.
His painting alone has great power.
The portrait that Yaweng painted for his grandmother in the past, which is the painting of Paper Princess, is just a dragon roaring in the painting. In the hot summer, the windows of the entire street outside the painting will be instantly blocked by ice.
That painting can easily attract cold snaps and blizzards...and the painting Nigel painted also has one percent of the power.
As long as the curtain on this painting is lifted, the room will become extremely hot, some things will start to spontaneously ignite, and the mirror will no longer be able to reflect objects, but will continue to emit scorching light...
As we all know, the eyeball itself has a mirror surface.
In other words... it may be difficult for mortal eyes to see this painting clearly. It may even make those who look at this painting become blind.
This is already the category of magic painting.
But its power is obviously much better than directly peeking into "The Death of the Sky Chariot Driver".
This is a kind of filtering, a kind of... apocrypha.
It's like he knew from the very beginning that he could never spy on the driver of the sky chariot. He specially invited someone who was "not an extraordinary person and does not understand mysterious knowledge", but he happened to have an "intuition of beauty" and could observe without the naked eye.
Nigel painted the corpse of the chariot driver.
In this world, I'm afraid he is the only one who can do this.
...But what are they planning to do?
——This is really big news that I never imagined.
Annan took a deep breath and became energetic.
He originally thought that this was probably a problem at the level of "remnants of the Ice Breaking Army", "artificial frost beast experiment", or "self-made curse cellar".
I never expected that this stick would actually hit the chariot driver and the worm.
The inner side of the world - this is not an illusory description.
It is the third level of history, that is, the "history to the deeper level", the history of the "secret" itself. It is like the mysterious knowledge has been sacrificed...the history that stores the "buried mystery" is
The third level of history.
People who live in the first level of history can never observe the third level of history. Just like people cannot see things without light; in the third level of history, there is no "thing" that can make people aware of it.
Light".
Only gods who are themselves related to secrecy, secrets, and darkness can directly search in the third level of history through the power of truth.
What enters the third level of history is like "deleted data." However, deleted data can also be retrieved through special means.
If it is just thrown into the third level of history, it may be reappeared in the world by the special ceremony of the "Mysterious Lady" and the "Silent Lady"...
However, if it is "sewn into the inside of the world", it is like being excluded from the inside. Even if the gods use special rituals, they cannot search for this target.
——But just like cards that are excluded from the face-down display, they may still be recycled.
Even if she is sewn to the inside of the world in this way, there is still a way to get her back.
The moment she herself enters the world, all the information belonging to her in this world will disappear at the same time.
Just like after sacrificing mysterious knowledge, the brain will forget it.
If someone is sacrificed, the [world] will forget about them.
And if fate comes, the world will be torn apart without any information - if that area happens to be the location where she was "sewn inside the world", then she can be dug out again.
"It turns out that the driver of the sky carriage died in Lushan..."
Annan murmured to himself.
But……
Where did Count Felix and Rafaello Santi get this information?
Even the name of the chariot driver no longer exists. I am afraid that except for Lady Silence, other righteous gods do not know where she is buried.
It can't be just a coincidence, right?
A skill that can tear the world apart is a very high-level ritual in itself.
It is about the same level of difficulty as the tragedy writer's high-status ritual "Sleeping Beauty", or the Sui Father's high-status ritual "Dragon's Purifying Fire". A slight mistake may lead to the god's disgust or even hostility.
Not to mention, this ritual requires a large amount of magical materials.
And there is also the manually dug vertical passage...
Construction around an active volcano is very difficult. If too rough methods are used - such as explosives, there is a possibility of accidents.
Spending a lot of money, time and labor, a passage was dug vertically. Then it stopped at a certain depth, launched a large-scale ceremony, and tore a hole in the world.
Just in time, the body of the chariot driver was dug out.
——This is simply like walking in the wilderness, starting to dig at an open space without warning, and then oil spurts out.
In principle, it seems that it can only be explained by coincidence.
But it was such a coincidence that Annan began to doubt its possibility.
Is this really reasonable?
They even knew not to peek at the corpse of the chariot driver, so they specially invited Nigel, who may be the only painter in the world who can depict the image of the chariot driver.
Even Annan himself didn't know what consequences this would have. He could infer its possible impact through Nigel's description of his finished product.
… No matter what, Annan cannot sit idly by and ignore this.
They may not be Annan's enemies, but what kind of disaster will this move cause...
...In fact, Annan himself is not very clear about it.
Because the specific information about the chariot driver does not exist in this world at all.
No one can remember it, no book can record it.
The real "person forgotten by the world".
Nigel will have no more information.
He himself didn't know what he had done... I'm afraid not even the owner of Hugo Tower would know this secret.
The only person who can answer Annan's doubts is probably Sir Silver.
The only good news is that this problem does not seem to be urgent...it will not directly disrupt Annan's prior arrangements and make him take the subway and run back on the spot.
Annan frowned and sighed at this situation that was beyond his control.
I thought that after collecting all the mirrors, I could take a break...