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Chapter 4027 Commercialization

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Even though Teacher He is well-informed, he was a little surprised when he heard the news.

At this moment, Teacher He couldn't help but sigh and said: "These people are really amazing. They can actually think of this method. Every time they go abroad to other countries, they have to show off the other country's superstars and top-rated works. Prepare a copy and have a dedicated person take care of it. Let’s not talk about the cost. What if it doesn’t succeed? If it doesn’t succeed, these works will basically be wasted.

But then again, if this kind of thing is successful once, all the things done before will have to be earned dozens of times or hundreds of times. Professionals have to say that South Korea is much more professional than us in this aspect.

One or two stars are okay, but the big stars in the company have one copy every time they go abroad, which is too much, and the cost is indeed a problem.

It is difficult for our national film company or entertainment company to do this kind of thing. Now it seems that both Japan and South Korea are indeed much more professional than us in this regard."

Ye Ming nodded and said with a smile: "Of course, this is indeed where they are better than us. These countries purely regard the entertainment industry as a commercial industry.

Especially the degree of commercialization in Japan and South Korea, let’s not say it is 100%, but at least it must be more than 95%.

Basically, they have a profit-seeking view. It can be said that their entertainment industry has no human touch. Everything is for the purpose of making money. Generally speaking, as long as you can make money for the company, as long as you can bring benefits to the company. , the company will take care of you and provide you with resources.

But our country is different. Relatively speaking, our country is relatively humane so far. For example, why Sister Hua has become such a big star is because she is humane.

Although it seems that Sister Hua also wants to make money, there is a human touch in making money, and in the professional schools in our country, such as film schools, drama schools, etc., there is also a human touch between classmates.

Although it is not said that every student has humane feelings, for the most part, students in the same college are quite willing to take care of classmates in their own college as long as they do not harm their own interests.

Regardless of whether they are classmates, seniors or juniors, as long as they do not harm their own interests, these academic students do prefer to stay in groups for warmth and take care of their own people, so the entertainment industry in our country is more humane.

But this is just for now. With the rapid development of the entertainment industry, the commercialization of the entertainment industry will become more and more serious. With the entry of capital, the human touch may become less and less at this time.

But no matter how small it is, the humanistic knowledge and humanistic foundation of our country's society is mainly based on human touch. In our country, there is basically no problem that cannot be solved with one meal. If there is, then two meals meal.

A lot of things can be solved just by changing a cup and changing a cup, so when it comes to how things are done in our country, the humane touch is indeed much higher in Japan and South Korea.

In fact, many of the entertainment circles in those countries use their own stars as tools to make money. They have such professional designs just to make better money.

For example, Park Jung-hoon is one of the top traffic figures and one of the most popular kings in contemporary Asia. Whether in Japan, South Korea or our country, he has a lot of extremely popular fans.

So he also has various privileges in their company. As I said, he can prepare all the super giants and top traffic works of the other country at any time. This is not something that all celebrities have.

Such qualifications.

Only top traffic or superstars who are almost as popular as Park Jung-hoon can get this kind of treatment."

Teacher He seemed to suddenly think of something and said: "What if companies in our country follow suit?

In fact, I have to admit that Japan and South Korea are indeed more professional than our country in the operation of the entertainment industry, and we are worth learning from it. If we open an entertainment company and operate it in the same way, will we be able to give their success to them?

How about copying it?"

Hearing Teacher He's question, Ye Ming thought about it for a moment, and then said: "It's difficult. This matter is indeed difficult to handle. The other party's commercialization is indeed highly concentrated. They do everything to make money.

That's all. Anyway, as long as they don't interfere, basically everything this entertainment company does is to make money and profit. But for profit, they do things more professionally than us, and it's easier to make money than us.

And it's easier to succeed.

The popularity of Japanese and Korean idol groups can bring huge profits to their companies every year. This is something that is difficult for us to do so far, or it is difficult to fully learn. What they do in order to make money

There are some methods that we cannot change for a while.

For example, let me compare one aspect of film and television dramas, that is, the industry of screenwriters. In our country, screenwriters can basically be regarded as the most dispensable person in the entire crew.

Basically, it means that anyone can step on it, even a slightly bigger supporting actor can step on it at will, not to mention those directors and producers.

Basically, screenwriters are just tools, and generally they don't pay much attention to screenwriters. Even if they are gold medal screenwriters, even if they are well-known screenwriters in the industry, they are actually ranked very low among the crew.

There is no doubt about this, Teacher He should admit this, right?"

Teacher He was stunned when he heard this. Although he didn't want to admit it, it seemed that it was indeed the case.

The screenwriter is basically the tool person who has the least attention in the entire crew. Although Teacher He wanted to deny it, he still nodded and said: "That's right. It is true that I have guest-starred in some movies and TV series, but the situation is indeed the same as yours.

It's the same thing. Screenwriters are basically just like tool people.

Not even a powerful supporting actor can be bullied, but the editor’s status in the entire crew is not even in the middle, so what you said is also true."

Ye Ming nodded and said, "But Mr. He, please don't forget what is the soul of a film and television work?

The soul of a film and television work is the screenwriter. Whether the whole movie is brilliant depends on the screenwriter. First, the screenwriter must create the entire script, and then there are actors to interpret it.

If the screenwriter is not good at writing, even if he is an actor or actress, he may not be able to make the movie or TV series particularly good. But as long as the screenwriter does a good job with the script, even if he is not an actor or actress but is just a first-class actor, it is still possible.

Those movies that produced popular film and television dramas.

Why are some of them called dark horses? It’s because everyone didn’t see it well before, but suddenly there was a huge box office energy. This means that the screenwriter is good, the actors are good, the director has a high degree of completion, and the three aspects cooperate, this is how it works.

Able to make a good movie.

Only then did a dark horse appear. Among them, the very first starting point is the screenwriter. The screenwriter is equivalent to the foundation of the entire work. If this foundation is not laid well, it will be difficult for the entire work to become a towering building.

But our country does not attach much importance to screenwriters. This is also a fact, but such a thing will never happen in Japan and South Korea.

Let's take the entertainment industry in South Korea as an example. Their country's gold medal screenwriter basically has control over the entire crew. Even the leading actor can be replaced if the gold medal screenwriter is unhappy.

It is even said that there are some very powerful screenwriters with gold medals, and it is possible to change directors, so at least as far as Korean crews are concerned, the status of screenwriters is very high.

It can be said that their film and television works are basically centered on screenwriters. The influence of screenwriters is beyond our imagination. One reason why Japanese and Korean countries’ works are exported crazily to Asia and even the world is because they value screenwriters.

With the rights of screenwriters, high-level screenwriters can control the direction of the entire crew, so if you think about the work they have written, of course they care about it and of course they hope it will be well-produced.

Therefore, if the screenwriter controls the cooking, even if the film is not particularly good, it will definitely not be particularly bad.

Because any screenwriter will never abuse his or her own children. Their works are like their own children. Screenwriters like them also hope that their works will become popular and get better.

So why are Korean film and television dramas often exported crazily throughout Asia?

Just because their screenwriters are very involved, the screenwriters still have a lot of power. But Mr. He, think about it in our country?

Could such a thing happen?

Such a thing cannot happen in our country.

At least so far, this kind of thing is unlikely to happen for a long time. Therefore, our country's film and television works are basically in the hands of two types of people, one is the investor and the other is the director.

As for screenwriters, in fact, the moment the screenwriter finishes writing the script, the screenwriter will basically become a dispensable tool.

At most, when the director or producer, or even the starring actor, needs to modify the plot in the later stage, he will find the screenwriter and make slight modifications. Therefore, the screenwriter of our national film and television dramas is just a tool person.

It's not wrong to say it's dispensable. Anyway, as long as you finish writing the script, you can check out and leave.

This is the current situation of screenwriters in our country in film and television dramas. Even those top screenwriters in our country who have gold medal status as screenwriters may not necessarily be high, but they may be slightly better than ordinary screenwriters.

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