In fact, there is nothing to summarize, I almost summed it up in my acceptance speech.
The data after the launch also proves this.
Generally speaking, the first two dungeons followed the fast-travel flow, so the third dungeon followed the past writing habits and pursued a fast pace, focusing on one event after another, and striving to ensure that each chapter has at least one
What to watch.
The result is insufficient foreshadowing, resulting in a disconnect between readability or what the reader sees and what I want to express.
This is my problem and I need to summarize and learn from it.
I started remedying the first two chapters after it was released.
So I sped up the pace, deleted a lot of the stinky and long farming plots, and focused on the fights with girls and the hard-core blood-spattered scenes.
How can I say the effect... I can only say it is very good.
Therefore, I also determined what people like to watch.
In fact, the writing method of this copy should be that after Wang Quan traveled through time, he had the dream of a knight from reading martial arts novels.
Then he uses specific events to show the serious disconnect between the current situation of the real world and his thoughts.
It means writing the chapters of The Little Beggar, that is, telling readers what happened around Wang Quan through specific events.
Originally I just briefly mentioned it here, and planned to write it down later when I recall it.
However, the effect was very poor, but I also learned a lot.
I have some understanding of inheritance, Kaihe and so on.
Appropriate pressure is necessary, but specific content needs to be written, which is the so-called hatred.
This does not necessarily involve doing something to the protagonist to attract hatred, such as looking down on the protagonist or something like that.
Through the subconscious behavior of ordinary people that is not in line with the protagonist's three views, we can also attract hatred, and it is not so white.
I'll pay attention later.
Then I roughly understand what everyone likes more.
The protagonist is cool and the girls appear to defeat the audience. There are also fights between the monster girls and their interactions with the protagonist.
Even the main character acting cool (pretending to be cool) is not as effective as the girl appearing and acting cool.
The background data clearly reflects this.
But sometimes I still have to write at my own pace. Of course, I will also work hard to learn and improve.
For example, I will continue to tell the story, but I will be careful not to be too pretentious later on.
Increase the proportion of plots and interactions about girls in the overall copy, and don’t write them crookedly.
This is very good feedback that allows me to summarize my learning progress.
I deleted a lot of plots in the middle, which I thought were remedial measures. Although it would affect the overall sense of the copy and make it seem rushed, the benefits did outweigh the disadvantages, so I did it.
There are some places that I really don’t want to delete, such as the plot between Wu and his friends in the first half of this chapter.
In fact, this is exactly what I originally thought.
This world belongs to them, and they are the protagonists, the ones who change the world.
The protagonist is just a passerby, something has changed, but he is not the core.
As mentioned at the beginning of the copy, Wang Quan is just a wanderer passing through the rivers and lakes with no roots at all.
The world does not need to remember him.
Of course, some people will still remember (the little princess).
Do Luo Xiao and Wang Quan like each other now? A little bit, but not as deep as the relationship between Miss An and Ajiu.
This is not because I am in a hurry, but because I plan to slowly develop feelings through daily plots and subsequent dungeons in the future.
There are people who fall in love at first sight, there are people who are childhood sweethearts, there are people who are heroes who save beautiful women, and of course there are people who fall in love with each other over time.
This copy will come again in the future, and everyone can see the tail left behind.
But I guess it will take several dungeons. When this dungeon comes back, it may have become a cyberpunk world or some other type of dungeon world.
Of course the little princess will appear again, but that will happen in the future.
Overall, this copy allowed me to summarize and learn a lot.
All of this is obtained in exchange for achievements, but the passion is still there. Maybe this is the benefit of unlimited originality?
The next instance is the Hellwalker Brawl, which takes place in Luoyang in Wang Quan’s main world.
The girls will have a lot of roles, so I hope it can be written in an interesting way.
I also hope that everyone can give me a chance and don’t give up on me, hehe~~
At the end of the last dungeon, many pits were dug, and the follow-up will slowly unfold. It is still too early now.
We are still talking about the blind date, and there is no single chapter yet.
I remember all the tips and thanks. I will write a separate chapter at the end of the month to thank all the readers who tipped throughout the month. Thank you all~~
So finally, let’s give a preview of the next copy.
[Volume 4: Old Stories from Luoyang]
【This is my hometown, but it seems to be a little different.
At the very least, the electric cars of the past could not run around on their own in the middle of the night, nor could they run around on their own. Buddha statues could not speak, and there were not so many strange things after midnight.
There are also those strange people dressed in strange clothes, they shouldn't be here.
This is my hometown, and these foreigners need to be expelled.】