390. The historical orchestra of La Wu also cross-dresses?
The music progressed in an orderly manner, and with the addition of wind and percussion parts, the music became more majestic.
The nine erhu players went hand in hand, and it was hard to tell who was better. The whole section played by plucking techniques made those present unconsciously feel like they were on a prairie with thousands of horses galloping, dancing to the rhythm of the prairie.
The rhythm of the heart rises and falls.
Horse Racing is based on the music of the Mongolian minority in northern China. The music cleverly combines Mongolian-style scales and rhythms with decorative sounds commonly used in Han music, making the music both cheerful and galloping, and lyrical.
Singing scene.
There are very few people who have dabbled in the national music Qin Jian, except for playing some piano exam tracks adapted from folk songs when I was a child.
At this time, the horse racing piano part written by Shen Qingci in his mind was definitely not comparable to the previous examination repertoire.
Seeing that the music had reached the thirty-sixth bar, and the fortieth bar was immediately in front of him, Qin Jian still couldn't find a suitable emotion to integrate into the music in his ears.
"We can only give it a try first."
With a long whistle of the erhu, Qin Jian straightened his waist, and the moment he bent his upper body forward, he pressed down with both hands.
The moment his left hand touched the bass range, five fingers and one finger and four fingers and one finger began to alternately play rapid tremolo.
After a while, a low rumble with a vibration frequency no slower than the vibrato of the erhu came from the soundboard of the grand piano behind the stage.
This is another feeling of horses rushing and trampling on the grassland. It seems that they are chasing the front, but they have not really surpassed them.
Under the guidance of the nine erhus, the addition of the piano really complemented Shen Qingci's speech, making the timbre of the entire horse racing even richer.
After the piano was integrated and stable, the conductor Professor Hou's expression became more and more relaxed, and he was quite satisfied with the pianist at this time.
Ye Hailing's eyes never left the piano from the beginning. She knew that there would be no problems with the orchestra, and she believed in this orchestra.
Whether everyone's adaptation proposal can be effective ultimately depends on whether this young man can do what his recommender said.
"At least it sounds acceptable so far. It's just that one part is missing. However, it only took less than half an hour from getting the score to playing it off the score, and it was the first time to join an orchestra. It was pretty good to do this.
"
Ye Hailing thought to himself that there are not many young people of this age group in major universities across the country.
Unconsciously, the young figure rising and falling in front of the piano seemed to take her back to a few years ago in her memory. Shen Qingci at that time was also so young.
As for Qin Jian's performance at this moment, Shen Qingci was not surprised. He should be the one who has the clearest understanding of Qin Jian's true level so far. He compiled the score, so he knew that there would be no problems with Qin Jian's performance.
The question is whether he can grasp the rhythm in the music. Chopin and Beethoven, who is accustomed to the major and minor key system, and then get the Gongshang Kaku Tsubasa five flavors, it is not just the things on his fingers that need to be adjusted.
Qin Jian is thinking about it.
After finishing the entire first section of music, the orchestra stopped. Professor Hou told everyone about the speed issues in several places. After all the questions about the parts were finished, he did not forget to confirm the piano that had just been added.
Voice.
“The piano is good.“
It sounded good and no one was dissatisfied, especially those in the front row who had complained about adding the piano to the orchestra. After the first section of this time, they could clearly feel the richness of the music and the tenor sound.
The department is no longer monotonous, which gives them better space to develop themselves.
Qin Jian smiled shyly, nodded slightly and bowed to Professor Hou with his hands clasped in fists.
His humble behavior, which was neither humble nor arrogant, made everyone more fond of him.
As the second section begins, the first thing that sounds is the cadenza like a piano introduction.
This section has no time signature and no bar lines. It is also called Sanban. It is one beat and the performer needs to add his or her own understanding to it according to the music.
The melodious piano rose and fell, but Qin Jian's expression returned to the quietness of thinking.
"National music is our own thing, and it is the highlight of our cultural characteristics that distinguishes us from other nations."
His right hand stroked a long feather-style melody, and Qin Jian's left hand added a vibrato at the end of the note that was not on the score, like a horse neighing from far away on the horizon of the grassland.
"Tchaikovsky also mentioned this."
At this time.
The hoarse huqin, with a sense of desolation in the desert, joins the scattered piano, exaggerating and stimulating the atmosphere of the music with its deep tone.
"sounds so good."
Qin Jian looked at the long-haired girl playing the huqin dancing with flying grace and heroic appearance, and his heart seemed to be infected, and the strength in his hands did not feel heavier.
"It's just that Mr. Chai is talking about the Russian national music school."
"And the branches of our vast Chinese folk music include more than fifty-six essences condensed over five thousand years from the southeast, northwest, and northwest."
Thinking of this, Qin Jian felt even more heroic. It seemed that the cadenza was becoming increasingly uncontrollable in his hands, and Shen Qingci's score was gradually forgotten by him.
As the huqin weakened, the erhu solo part joined the music with a neighing sound.
Qin Jian only had the basic D-Yu pattern left in his mind.
The firepower of both hands was unleashed, and there was no longer any humility. The low high-frequency tremolo instantly suppressed the erhu.
Everyone in the audience immediately focused their attention on the piano.
The next second.
The young Erhu soloist was not to be outdone, his waist was arched even more fiercely, and his left arm pulling the string seemed to be using all his strength.
For a moment, the duet of piano and erhu entangled together and chased each other inseparably.
The chase lasted for about fifteen or six seconds, and in the end there was no winner.
Just listen to the sound of "Wow——————".
The gong sounded in the center of the back row of the stage.
When the sound of the gong disappeared, Professor Hou raised his hands, and all the other voices joined in, pushing the music to its climax in one go, and the whole song that continued all the way came to an end.
When the music ended, some people in the audience applauded and some listened to each other.
Everyone on the stage looked very excited. After doing it all, they felt that it was different from what they had rehearsed the day before yesterday.
Qin Jian, on the other hand, looked thoughtful as if he was outside the situation. He seemed to have vaguely grasped the essence of playing the piano part of this piece, but it was not very clear.
It seems like I have to find time to ask Shen Qingci for advice.
...
It was almost ten o'clock when the rehearsal ended. After the rehearsal, Qin Jian was about to leave, but Shen Qingci stayed behind.
"Let's have a meal together, Qin Jian."
...
There were not many people eating. Ye Hailing, Shen Qingci, and three other teachers and two vocal members were responsible for playing the erhu and huqin.
A group of seven people came to a small restaurant at the school gate.
After eating the meal, Qin Jian had a clearer understanding of the content of this event, and now he felt that his burden was not small, even though he only had to participate in two stage performances.
"Qin Jian, what do you think of Western musical instruments playing national music?"
During the meal, Ye Hailing asked.
"I feel that whether we use Western instruments or national instruments to play our traditional music, the key is that the performers must understand what they are playing."
"What kind of historical background did the creation come from?"
"What is the core spirit that the work wants to express?"