The only difference for Qin Jian is that this time he can leave as soon as he finishes playing, without having to wait for the lunch box to be distributed.
But "Horse Racing" as the opening music is not just for warm-up, its second creation and adaptation are actually closely related to the theme of this forum meeting.
The folk band that added a piano really caught everyone's attention. It's not like no one has tried to combine folk music with Western music before.
In fact, there are countless pioneers who have tried this, but most of them only focus on the musical form and ignore the definition and scope of traditional Chinese music.
Horse racing is an attempt, an attempt with status and depth.
The music includes the breadth of the foundation of Chinese music and the responsibilities that people should bear from multiple perspectives.
This is a comprehensive reflection and understanding of Chinese music.
Some people question that the piano, as a Western musical instrument, can be used to play national music, but it is most widely used in the categories of Western music theory such as staff notation, Western major and minor keys, harmonic polyphony, etc. However, in order to further study our country's music, it is necessary to
We should start from the basic theories of traditional Chinese music such as gongchipu, ethnic scales and modes.
“Can the violin play Gongchipu?”
This is a good question.
"Why not?" Ye Hailing asked the other party on the spot.
The man said: "Since the violin was introduced to China in the late Ming Dynasty, no one has ever used it to play Gongchipu."
Ye Hailing nodded, seeming to agree with what the other party said.
moment.
She spoke slowly again.
"Chinese music needs to understand its origin before it can find a reasonable way forward."
"Mr. Ye Xianjie once said that the foundation of Chinese music is the facts of the past, and it is by no means something made out of nothing in the present or future."
"Gongchipu is a notation method used by our ancestors in the history of Chinese music to record music."
"Since it is notation, there is music recorded in it."
"I think the key to playing Gongchipu is not the instrument itself, but the performer."
"Suppose that when an undergraduate student majoring in violin completes the Gongchipu course in his second year of college, there is no reason why he cannot perform according to the records on Gongchipu in his third year."
"Whether it's Gongchi notation, Yanren half-character notation, folk notation notation, or five-line notation, they are all a way to record music."
"Music has no international distinction. It is the soil that carries the habitat and reproduction of music that is different, which creates a hundred schools of thought contending and a hundred flowers blooming."
"As a new generation of Chinese traditional music people, we have the obligation to develop our own country's local national culture."
"So we should look further and think more."
Under the applause, the theme of this forum meeting was finalized.
Because in the background, Qin Jian listened intermittently, and he did not hear part of the question and answer session.
However, Ye Hailing's words still touched him.
'Only when you know the way you came from will you find the way out.'
Well said.
In the next two days, the forum conducted a detailed study and discussion on the current rehearsal conductor of folk orchestras and other issues. The focus of the problem was the lack of folk music conductors.
Most conservatories only have a Western music conducting system and do not have a folk music conducting training system.
Next, some folk schools and academic schools have raised the issue that the shape and sound quality of Chinese musical instruments need to be improved.
For example, the high-pitched suona has a sharp and flat timbre, while the high-pitched huqin and liuqin should have a rounder and thicker volume and timbre. The most urgent of these is what the director of the Folk Music Department of Shenyin University proposed - "the bass part of the folk orchestra" question."
He said that "current folk orchestras still rely on cello and double bass."
Or to put it another way, this is also the incompleteness of the ‘form’ of Chinese music expression.
This proposal was eventually approved by the Department of Education and Science of the Ministry of Culture and jointly developed by the Huaguo Conservatory of Music and the Huaguo National Instrument Research Center. It is expected to complete a bass-stringed instrument next year to solve the problems discussed in this proposal.
By the end of the meeting the next afternoon, all the issues, big and small, had been raised and resolved.
The third day is the performances of various school groups.
After class in the morning, the Qin family and Shen Qingci chatted for a while about their schedule for the next few days, then left the teaching building and rushed to the opera hall.
Looking at the time on his phone, Qin Jian couldn't help but speed up his pace.
"We'll be at Nanyin Academy soon."
With his actor's card hanging, Qin Jian walked into the venue in a swagger. As soon as he found a seat in the back row and sat down, the flower drum show on the stage came to an end.
The next show is coming soon
The time is just right.
Under the introduction of the host, Ye Yi held two flutes, one short and one long, and appeared together with several teachers from Nanyin.
Wrapped in black cheongsam embroidered with gold flowers, the four women on the stage each have a different charm from a distance.
Automatically ignoring the two male performers, Qin Jian's eyes simply fell on Ye Yi on the left side of the stage.
As soon as the main pipa played, Qin Jian's mood relaxed.
"The Love of Kangmei."
The first part is like a question-and-answer dialogue between pipa and erhu, which opens up the musical atmosphere. Ye Yi plays decorative notes with a crisp short flute, constantly adding to the melody.
In the middle section, when the theme of the music appears again.
The pipa girl passed a string of notes and then stopped.
The next second, all the eyes of the audience were focused on the woman playing the bamboo flute.
The same theme melody, played by different instruments, will naturally produce different flavors.
Ye Yi's tone is mellow, round, and long-lasting. His solo voice attracted the attention of the audience as soon as he came out.
"One tone, three fortunes."
Ye Hailing's eyes couldn't help but wander around Ye Yi's body.
One tone and three luck are not only a very profound luck playing technique, but more importantly - it is the core content of Ye School bamboo flute playing.
Although this is not an undisclosed secret of the Ye family, many published textbooks have detailed explanations of the 'One Sound and Three Movements'.
But listening to the melodious and euphemistic performance full of Jiangnan charm, she always felt that maybe the performer in front of her had some connection with the Ye family.
She knew it was far-fetched, but she couldn't help but think so.
As Nanyin Yuan's performance ended, Qin Jian clapped and left the opera hall.
Performance exchanges continue.
...
On the other hand, Ye Yi hurriedly changed clothes in the dressing room and left.
The two met at the entrance of the opera hall, and then took Fang Xiaoyu out of the school to a large amusement park near the Golden Valley Tourist Area in Yanjing.
This is also the first time that Fang Xiaoyu has come out to play in a few days.
The three of them played until the afternoon and seemed to have no fun at all. Finally, Qin Jian and Ye Yi made a plan.
"Xiaoyu, how about we stay here tonight and not leave? What do you think?"
Upon hearing this, Fang Xiaoyu said excitedly: "Really!? Master, don't lie to me!! I believe you the most!"
Qin Jian knew that Fang Xiaoyu had been thinking about the circus performance and bonfire party in the evening.
On the other hand, the two girls will return to Nanshi early tomorrow morning.