In such a listening environment with a strong academic atmosphere, this kind of treatment should indeed attract attention.
Dilange, who was sitting in the middle row of the auditorium, watched the performance on the stage intently. At least so far, the music was still progressing in an orderly manner in his eyes.
He Jing returned to that strong and powerful performance on the eighth side. After a series of changes, he transitioned to variation nine with triplet accompaniment. The full and solid tone of the piano was completed with octave chords for the reappearance of the doomsday theme of the tenth variation.
Prepared.
The syncopated rhythm with a hint of jazz style pushed the music to a small climax at the end of the unchanged A minor, and then a soft pianissimo once again opened the prelude to the next theme.
The audience has adapted to this seamless transition at the end of sentences.
Qin Jian had to say that this was a very special feeling. Even though he divided the twenty-four variations into three parts, he still made a closing statement after each variation.
He treated each variation as a separate entity.
But He Jing's performance logic has been well told to everyone - she first merges several variations together and puts them into a pocket, treating them as a complete piece, and then uses a method that is close to rationality.
The processing method only relies on the control of the notes to create a performance full of strong emotions for interpretation.
The addition of an intermezzo gives the entire work a complete feel.
At least from what I heard so far, everything is developing in this direction.
Qin Jian suddenly thought of a possibility.
"Is this also considered a second creation?"
He began to think deeply.
Although the presentation of notes and harmonies on the stage has not changed, judging from the adjustments to the phrasing structure, this has completely presented a new form of variation performance.
It can be regarded as maintaining the original flavor of Lage's works while highlighting new features.
Thinking back to the theme of this seminar, the more Qin Jian thought about it, the more he felt that this was what happened.
This can also explain her handling of f?3 in the introduction.
While he was thinking, the music had come to the end of the seventeenth variation.
With a little worry, Qin Jian stared at the piano again.
He now understood why He Jing had a mental disorder in the eighteenth variation.
Variation 18, as the core climax of the whole work, originally adopted a reflection-style variation technique, which requires extremely strong emotional rendering to depict the majestic symphony. At the same time, attention must be paid to how to use the bright B
A major key is used to express a sad outpouring in a minor key.
If she continues to play according to the performance state that she has used since the beginning to control the ups and downs of her emotions, it will inevitably hinder the advancement of the climax, but if she lets go of her emotions, the temperament of the entire music will become a bit abrupt here.
so.
"It depends on her choice."
Qin Jian sighed. The way He Jing chose to deal with it at the beginning meant that she had to make a choice when the music got here, and there was a high probability that his or her mentor's ideas were involved.
The sound of the strings in the red hall is getting smaller and smaller.
At this moment, not only Qin Jian was paying close attention to the stage, but also the three ravines on Dilange's forehead gradually gathered together.
...
The string section fell completely silent.
At this moment, the hands on the big screen passed over the keyboard in a flat posture for the first time.
A soft melody was then brought out.
Soft but lacking fullness.
But Qin Jian seemed to already know the other party's choice.
Each note still maintains its modified posture and is revealed, and when connected together it still gives people a dreamlike sense of delicacy, as if caressed by the fingers of dusk.
The melody maintains this intensity and slowly advances for five bars, then gradually speeds up.
Qin Jian knew that the band was about to join, and he felt that he was about to see the dull scene that followed.
But the moment the conductor waved the orchestra to join in, the magnificent string section seemed to completely drown the piano.
Qin Jian was startled, and Di Lange was also startled.
He Jing is playing on the big screen, but the sound of the piano is almost so weak that it only proves its existence.
Just when everyone was confused, the orchestra had reached its second theme retelling, which was also the final climax.
The volume of the turbulent orchestral music was nearly twice as loud as before.
Qin Jian concentrated and held his breath, and saw He Jing raising her arms high at this moment.
"Bang buzz————!!"
Her lowered arms seemed to set off a bigger wave, and then there was a full-scale cadenza-like performance.
Play solo in a symphony that complements each other!!
This move caught everyone's attention.
Only the conductor still calmly mobilized the orchestra to follow the pace of the piano. Probably only he knew that there was no foul play in He Jing's music.
Qin Jian was stunned. He never imagined that He Jing, who spared no effort, could create a song that covered an orchestra with both hands.
Xia Shu was crazy. The vast music in her ears made her feel how insignificant she was at this moment.
Dilange was thinking amidst the majestic sound of the piano, and as the brilliant performance came to an end, his frown gradually relaxed.
The conductor took over the 19th variation in one breath, and the kind old man smiled with satisfaction.
After coming back to his senses, Qin Jian thought back to the previous paragraph and fully understood He Jing's thoughts.
He couldn't help but admire him again. It could be said that what the other party did was something he never expected. She directly played the Eighteen Variations into a cadenza with an orchestra. In this way, she could freely express herself without compromising her performance.
It will break the paragraph format she designed earlier.
Killing two birds with one stone also sublimated the musical passages to a great extent.
"cool!"
The subsequent music returned to its original track.
Going straight to the twenty-fourth variation, the clean theme of the piano and the Doomsday played by the orchestra merge Paganini's theme with the theme of the Doomsday.
The music rises and falls at its gorgeous peak, and ends neatly.
"bong."
After the performance of the last note ended, He Jingshuang was frozen in mid-air as if being bounced from the keyboard.
...
"Xia Shu! Flower!" Qin Jian reacted immediately and whispered with a side face.
The hall was quiet at this time.
Natsuki, whose eyes were fixed on the stage, was stunned for a moment after hearing the sound, and seemed to have returned to the situation.
"Oh...ohhh!!"
Then he passed the flower in his hand to Qin Jian.
This scene happened within two seconds of the music ending.
The third second when the music ends.
"Wow————————"
“bravo!!!!”
"Wow————————"
The audience rang,
Someone holding a bouquet lowered his body and walked through the boiling auditorium, walking quickly towards the stage.
...
...
After finishing all the performances, He Jing took a deep breath.
After sorting out her expression, she stood up from the piano. When she stood up, she shook hands with the chief violinist first, and then shook hands with the conductor.
"Thank you." She said to the conductor
The conductor smiled and clapped, then invited her to the front desk with a gesture of invitation.
Facing the waves of applause, He Jing bowed gracefully.
She gave herself a good score for her performance tonight.
It may be better, but it has exceeded her expectations. Among them, De Lange's performance ideas based on the analysis of the works took absolute dominance.
But the little tip Qin Jian gave her at the last moment allowed her to find a possibility to perfect it.
When he looked up, he saw a delicate bouquet of flowers stretched out in front of him.