436. Scavenging and Carnival Bread and Horse Neighbor
Liao Linjun's arrival is undoubtedly another surprise for Qin Jian.
Although Qin Jian often calls Liao Linjun "Sister Lin Jun", in his heart he regards her more as his teacher.
During the period before and after the Huayun Competition, He Jing provided more companionship and encouragement, while Liao Linjun broadened his horizons and knowledge in the professional field for the first time.
He still remembered that snowy morning, Liao Linjun was wearing a white coat and holding a tuning fork in his hand.
After not seeing her for more than half a year, Liao Linjun's eyebrows and eyes softened a little, and she no longer looked like the stereotyped female academic she used to be.
I think this is also the result of being nourished by love.
Qin Jian and Liao Linjun were mostly chatting during the meal. Lord Liao Lin wanted to talk about her busy life in the past six months.
It sounds like Qin Jian basically spends time between rehearsals and performances, but it is also a very good experience when you think about it.
When he asked when the other party would return to China, the atmosphere at the dinner table changed slightly.
Seeing the different expressions of the two people around him, Qin Jian increased the depth of the question.
"Can I still drink your wedding wine this year?"
The atmosphere fell into silence for a moment.
"November 24 this year."
Shen Qingci, who had been silent all this time, spoke.
"Wow~"
Qin Jian looked at Liao Linjun with a wow, and saw Liao Linjun's raised lips with a girlish look, "You have to attend when the time comes."
"sure."
Qin Jian calculated the time, and in this year's schedule, late November happened to be after the Chopin Competition and before going to Germany to participate in the Opera Competition.
Even if you don’t have time then you still have to make time.
These two have to be present at their wedding no matter what. The help and care they have given me over the past year cannot be described as great.
Thinking of the scene at that time, Qin Jian was a little excited, "Sister Lin Jun, do you plan to return to Huaguo Yuan in the future?"
"I might go back to Nanshi."
Liao Linjun glanced at Shen Qingci as he spoke, "But I might stay in Yanjing. It depends on the situation."
This answer surprised Qin Jian. He originally thought that Liao Linjun would stay in the Huaguo Yuan after getting married. With Liao Linjun's reputation and status in the circle, he could find a comfortable job in the Huaguo Yuan. With his husband by his side, he would be able to live happily ever after.
If I have a child in a few years, I will feel comfortable thinking about my little life.
And Shen Qingci didn't say anything about it, he just ate with his head covered.
It seems there is still something going on here~
Qin Jian felt that he tasted something else.
"Eat, eat!"
...
...
After the meal, the three of them came to Chaiyuan together.
At this time, there is still an hour and a half left before the concert at Haishi Conservatory of Music.
He Jing only found out that Liao Linjun had arrived when the three of them were having dinner. However, the preparations for the concert were short of manpower, so she did not rush to the luncheon.
While busy, I suddenly saw three people appearing at the door of the concert hall. They quickly walked down from the stage and quickly greeted the three people.
"Sister."
"Quiet."
Senior Sister Haiyuan and Junior Senior Sister, whom they had not seen for a long time, hugged each other.
After a few casual remarks, He Jing returned to the stage and got busy. Everyone on the stage learned that Liao Linjun was cheering everyone on for the afternoon concert, and they all became more motivated.
An hour and a half flew by.
15:30.
The concert started on time.
The opening work is Rach's Prelude in C sharp minor.
...
...
The attendance rate for afternoon concerts was not as good as that at night, and by the time the concert ended, only less than 60% of the people were seated.
However, judging from the overall performance, Haiyuan's concert was still very successful. This time the concert was led by a young professor.
When the professor played to the end of the second movement of La San, that's where Qin Jian left off last night.
"What do you think about the tonality of the third movement?" Liao Linjun suddenly asked.
Qin Jian knew that the other party had watched his solo last night and probably knew what the other party wanted to ask.
After a moment, he replied: "The third movement is also written in sonata form, but the asynchrony of the tonal structure and material structure is more obvious and broader."
"Um--"
Qin Jian paused.
"This characteristic reflects Rachmaninoff's breakthrough in traditional sonata form."
Liao Linjun was somewhat satisfied with Qin Jian's answer, "That's good. I can see that you have made full preparations for this performance."
"It's okay." Qin Jian did not deny this, but "the transition from the second movement to the third movement is still not well controlled."
Liao Linjun smiled and looked at him, "Have you found the problem?"
Qin Jian nodded, "Strength."
"Is there any more?" Liao Linjun continued to ask.
Qin Jian thought about it again and asked tentatively, "Tone color?"
Liao Linjun shook his head and returned his gaze to the stage, "Do you still remember the first lesson I gave you?"
"Of course, I played the Pathétique in the first lesson." Qin Jian answered.
"Then do you still remember the first question I asked you?" Liao Linjun asked again.
"Remember, after I finished playing the Pathetique, you asked me what the color of C minor was, and I said I..."
"I.."
Speaking of this, Qin Jian stopped involuntarily.
Suddenly squinting his eyes, Qin Jian seemed to have caught something again, just like the same scene as the first class at that time.
"Mode...color..."
Whispering, Qin Jian instantly opened the score of the second movement in his mind and quickly flipped to the 19 bars of Part A', which represents the dawn.
The music score is as clear as if it were right before your eyes.
"Starting from F sharp minor, then to B minor, from B minor back to F sharp minor, and after three bars we came to A major..."
a long time.
Qin Jian sighed.
"Finally back to the main key, D minor."
The content of the short nineteen measures has undergone a total of five key changes. When designing, he understood this section as the composer's inner entanglement and contradiction before dawn.
However, during the actual processing on the scene, because I did not control the intensity well, I lost the outline of the music picture during the frequent modulation.
At this moment, after Liao Linjun asked this question, Qin Jian began to reflect.
Speaking of the entire performance design of La San, it seems that I did not start with the mode and color.
I just fill in the colors according to my own understanding of the picture in my imagination, especially in the second movement.
At this moment, the picture in Qin Jian's mind couldn't help but return to the second question raised by Liao Linjun in his first class - 'Why does Beethoven always play C minor when playing the Pathetique?'
same question.
As the top composer in history, Lage is proficient in every mode and he understands the color of each mode.
"So why did Lach set the key of La San in D minor when he composed it?" Qin Jian asked in his mind.
This question opened another door for him.
He has realized his problem. He uses Lach's perspective to describe the music world, but does not use the 'raw materials' provided by the other party.
The music on the stage ended unconsciously.
Liao Linjun did not interrupt the young man who was meditating beside him.
In her opinion, this young man is not her disciple.