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533. Chopin's narration before the countdown

The curtain was opened again, and the background on the stage was still the Red Sun Palace of Zarateros, still exuding residual warmth.

It's just that on the warm stage, all the characters no longer love and kill each other, and the makeup stained by sweat is filled with bright smiles.

The main actors stood in a row, and behind them were the chorus performers.

At this time, Wang Lin, the bass actor who played Sastros and was also the deputy leader of the choir, strode from the far left to the front stage.

He bowed deeply to the audience, then turned sideways and raised his hand in a gesture of invitation, testing Taminu's princely demeanor and walked out.

bow.

applause.

Then, the princess Tamino, the birdman Papageno, the three ladies, Papagina, the black servant, one after another, came out to present their gifts and returned to the procession.

Wave after wave of uninterrupted applause from the end of the curtain sent wave after wave of tributes to the actors.

Finally, under the spotlight, Ning Qianxia, ​​who played the role of Queen of the Night, walked out smoothly.

In an instant, the audience burst into even stronger applause, and the atmosphere in the entire hall reached its peak at this moment.

Ning Qianxia accepted this moment of glory that belonged to her. She felt that she had done her best and was satisfied with tonight's performance.

But at this moment, she was still thinking about another person who had not yet appeared on the stage. Without him, this scene would not have happened.

The applause continued, and when she saw that there was no movement in the orchestra pit, she couldn't help but feel a little anxious.

"Qin Jian!! It's time to take the stage and take the curtain call!!

Chen Tangjie woke up the conductor who was in a daze.

As soon as Qin Jian came to his senses, there was still a steady stream of applause in his ears.

He coughed, temporarily putting aside the three options in his mind, straightening his collar, and nodded to the orchestra: "Everyone will be on stage in a moment."

As he spoke, he strode towards the steps of the orchestra pit.

The moment Qin Jian walked onto the stage, all eyes fell on him, both from the audience and on the stage.

The applause in the hall dropped sharply, and within a few seconds, it became quiet.

Qin Jian finally saw Ning Qianxia's full body shape. Suddenly, he seemed to see the Queen of the Night on the painting on wall 309.

The two looked at each other in silence and smiled.

This smile also represents the affirmation of the two senior executives of Le Figaro Printemps for tonight's performance.

Qin Jian walked to Ning Qianxia, ​​keeping the distance between them. He held Ning Qianxia's left hand up in a gentlemanly manner and turned to the audience again. His smiling expression seemed to hope that the applause from the audience would once again cheer up tonight's night.

The last actor sounded.

The audience naturally understood, and they gave them generous applause again.

Ning Qianxia generously let Qin Jian hold her hand and bowed again.

The two returned to the first row, and the actors naturally left the middle position in the stage queue to Qin Jian.

Under the leadership of Qin Jian, everyone held the hand around them

The group walked hand in hand to the outermost part of the stage again, facing the enthusiastic audience, and gave the last bow together.

“Wow————————————”

At this point, the premiere of Figaro’s The Magic Flute of Spring ended successfully.

Applause bid farewell to the actors, and the mysterious music box space bid farewell to the audience.

"It's really a hearty performance."

At 22:21, a young man wearing sunglasses walked out of the Blue Ocean Concert Hall along with the noisy crowd, followed by a person who looked like an assistant.

“Even better than I imagined.”

The young man was still talking slowly to himself.

His assistant reminded him: "Cai Zhi, the plane back to Guangzhou is about to take off."

...

The day after the performance ended, the show was still actively discussed among insiders and the Yanjing mass media.

A senior opera critic in the Yanjing circle gave a vivid textual restoration of this performance - 'From the moment I walked into the concert hall, I felt as if I had stepped into the Magic Flute repertoire...' For

He said, "...This is a real-life set that I have never seen before."

The music critic also gave high praise to the grand and real epic stage created by the young creators, 'I feel the spirit of ingenuity in this group of energetic young people.'

He also used the words "unlimited potential" to give a high-level summary of the role of Queen of the Night, the soprano vocalist.

As for the music part, 'Throughout the entire opera, we can clearly feel the conductor's understanding of Mozart's music. He used Mozart's perspective to restore the balance and opposition of music in the Baroque period of the 18th century. The whole music is clear and clear.

The whole opera is full of vitality and vitality.'

Finally, he wrote, 'I believe this young team will go further and further, and I look forward to seeing you on the stage.'

This 4,000-word long review also received a large number of reprints and likes overnight. Although it was limited to Yanjing and the classical music circle, I have to say that this is indeed a once-in-a-lifetime review.

A very successful show.

Of course, there were also some other voices mixed in with the cheers.

There are also professional stage people who have pointed out problems, such as——

'Most young singers just follow the script and complete the dialogue given to them by the role.'

‘The acting part needs to be improved’

‘The orchestra and the stage don’t fit well enough’

Qin Jian didn't care at all about criticisms that were not criticism at all, and was even a little proud of him.

Because opera itself is a stage art form that integrates various elements such as story, stage, script, music, actors, dialogue, singing, etc., its complexity is by no means as simple as putting together a stage play and a symphony.

When so-called professionals can only single out performance problems from these college students who have not really been trained and trained on the stage, it means that everyone's other performances have been initially recognized.

There is still a long way to go, and everything will develop in a prosperous and better direction. Qin Jian has this determination.

On the second day after the performance, Qin Jian gave everyone two days off. Those who needed to go to school had classes, and those who needed to rest had a rest.

However, some people were still busy. As soon as Huang Cheng left, he had already rushed to Yanjing Guo Theater to set up a new stage.

Because the club will have its next performance the day after tomorrow.

Qin Jian himself was not idle either.

After practicing the piano all morning, he had just finished lunch with a few people in the dormitory.

"Hey Qin Jian, are you really not coming? If you don't come, we will be embarrassed. I don't know what to say."

On the way back to the dormitory, Chen Tangjie persuaded again.

Qin Jian laughed and said, "That won't work. There will be many interviews you will face in the future. You have to practice hard."

After a pause, "Isn't there Qian Xia? With her here, you don't have to worry. Besides, she is also a core stage actor, so having her as my conductor is unnecessary."

Seeing that Qin Jian decided not to participate in the afternoon TV interview, Chen Tangjie didn't say anything else.

The four of them walked to the door of the dormitory. Qin Jian stopped and said, "You go back. Tang Jie and you, the sound ministers, prepare well and try to do a good job in the interview."

"Then where are you going this afternoon?" Chen Tangjie asked.

Qin Jian smiled and said, "Yeah, I'll give myself a holiday."

After saying goodbye to a few people, Qin Jian walked towards the library.

He, ah, encountered another problem.

——

Rub your hands together and the space reappears.


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