536 The True Coloratura! The Underworld Queen's Swan Song
In April, after a light rain during the Qingming Festival, the sky, which had been gloomy for a few days, suddenly cleared up.
Overnight, green sprouts sprouted from the grassy puddles on campus.
The willow branches are quietly growing new, but the world is still busy.
The Spring of Figaro ushered in their second performance after a two-day break. With the successful experience of the first performance, the young people performed more stably and outstandingly in the second performance.
Time seems to be speeding up during the repeated performances, lessons, piano practice, and rehearsals.
During this process, the entire team's integration was indeed as Qin Jian expected, and they became closer and closer.
One thing to mention here is that after the second performance, Qin Jian negotiated with the orchestra and everyone made a decision - starting from the third performance, the performers of the waiting music will be performed by other members of each section.
Member rotation.
The repertoire is no longer limited to 'Papageno Wants a Company.'
Members of each section of the orchestra are free to find partners to complete some music fragments in The Magic Flute. As long as they pass Qin Jian's review, they can be arranged to perform in the waiting area of future performances.
This can increase the freshness of the performance. In addition, Qin Jian also wants to give everyone the opportunity to get some solo performances, which is also a kind of personal training for everyone.
By the end of the seventh show, it was already mid-April.
The afternoon sun is getting hotter and hotter, just like Chopin permeating the campus at this moment.
Full of rigidity, the angular sound of the piano sounds extremely frenetic under each accent mark.
Shen Qingci stood quietly by the window. In front of the white piano behind him, Qin Jian had already taken off his heavy sweater.
A simple pure cotton black T makes his figure look more upright.
It’s another good year of spring, and the young people’s bodies are maturing day by day.
His forearm exposed to the air was rising and falling rapidly, and the lines of green energy highlighted on the back of his hand indicated his current state.
The Revolutionary Etude in C minor, as the next round of repertoire he personally selected, is also undergoing Shen Qingci's final review.
The overwhelming momentum of struggle presents a heroic beauty in his left and right hands, but if you listen carefully, compared to the revolution he once played, there is less indescribable sadness and anger in his music today.
Without the deliberate blessing of emotions, the continuous strong melody under the expression marks of 'fuoco' and 'cresc' does not deviate from the direction of emotional expression, but becomes more consistent.
In terms of handling musical motivations, he also changed the way he was best at playing in the past, which was to use emotions to drive music forward. Instead, he used what he felt in Warsaw - based on the characteristics of the note duration, by changing the individual
The original time value of rhythm in the rhythm of music combined with performance techniques creates a sense of musical space and time with multiple symbolic meanings.
Take the common dotted syllable rhythm pattern in the revolution as an example. Due to its long and short characteristics and the rapid "falling feeling" of the short sounds after it, the Qin key emphasizes the long sounds in the performance and at the same time reduces the falling feeling of the short sounds.
The processing with clear fingertip highlights further emphasizes this dynamic and uneven rhythmic quality.
With this kind of short motive, the listener can associate the music with the scene that the music originally intended to express, such as the heartbeat of the Polish nation, gunshots in the streets, roars of grief and anger... and other such imaginations.
If you hear, see and imagine, Qin Jian is not surprised.
This time, he did leave the blank space behind the music completely to the listener. Perhaps this also implies the implicitness of Chinese humanities.
There has never been absolute subjectivity or objectivity in music, and using a subjective perspective to create objective music is indeed an extremely complicated process.
But Qin Jian is willing to make such an attempt. When everyone can see more through his Chopin, it will inevitably mean that he has stood at a higher position and overlooked everything.
"The Revolution in Chopin should be the most soul-stirring chapter among the twelve works in Collection No. 10."
A right-hand accented dominant ninth chord in the right hand intensifies and deepens the emotion again, and the music ends in two hard chords.
The moment Qin Jian raised his hand, the tattoo on his left hand flashed slightly, and his face lit up with joy.
"Not bad." Shen Qingci turned around, his expression looked very satisfied, and said, "Let's do the next song."
Qin Jian nodded and felt relieved. Shen Qingci's words meant that his revolution had passed the first level.
Looking back at the piano, he adjusted his mood slightly.
Take a breath and raise your hands again.
"'bin!!!!!"
A sharp and discordant chord cut through the afternoon again!
Shen Qingci's eyes were also amazed. Qin Jian's opening method was something he didn't expect.
Sinor.
Qin Jian's Scherzo No. 1 in B minor is coming to the world for the first time in a gloomy coat.
...
...
Qin Jian's life after leading troupe performances and classes is all about practicing piano.
Even though he was standing on a high conductor's podium and commanding the entire orchestra, he never felt as comfortable as when he was sitting alone in front of the piano.
With one successful performance after another, Figaro's popularity in the Yanjing circle is rising steadily, and he has become a new star in the circle.
More and more media and even brokerage companies are taking aim at this energetic young team, but they avoid any olive branches or interviews with Qin Jian.
In the words of Ning Qianxia during a group interview: "Our conductor is really busy, please don't mind."
At first, many media outlets did not take this statement seriously, thinking that the young conductor who never showed up except on stage was arrogant.
But as Qin Jian's personal information was dug out bit by bit by the outside world, more outsiders learned that the background of this young conductor was far beyond their imagination.
Who could have imagined that a college student who has won two domestic and international awards has unilaterally released a global limited edition CD with DG Company?
This is only part of it. Today, he seems to have also represented China in the 17th Chopin Competition, and the competition is still going on.
It seems that thanks to the popularity of the Le Figaro Spring series, Qin Jian's name has once again entered the public eye.
With the blessing of a young conductor and a pianist with a promising future, Qin Jian indeed has the capital to be arrogant.
But in fact, he just wants to spend more time practicing piano, and Figaro Spring needs to continue to grow. Excessive commercialization at this stage will only affect its development. From a long-term development perspective, it is definitely not advisable.
of.
On April 18, the seventh performance ended, and Qin Jian slipped out of the theater early as usual.
He hurried away in a black Volvo that had just been purchased the day before. Speaking of which, the Yanjing license plate number belonged to Liao Linjun.
As soon as the car entered the third ring road, the phone rang.
Qin Jian: "Hello."
A long-lost voice rang on the phone, "I'm at the entrance of the theater."
Qin Jian:...
After a while, he turned around at the intersection.