At this point, Duan Ran's inner playing state is extremely consistent with his performance.
When we watch a piano player perform live, we usually enter the music from his playing state.
Some performers will use their gorgeous playing limbs to confuse you, and then make you fall into his music involuntarily. There are many such performers in history, and Liszt is the originator of this hexagram, including later ones.
From Ferruccio and Gambatta to the modern Gulda, Argerich and other great piano players, they are all like this.
Speaking more closely, Liao Linjun falls into this category.
Just watching their performance, it seems that you can feel the strong emotions in the music.
The other type of pianist is much more humble and peaceful when sitting in front of the piano. They only use ten fingers to outline a beautiful melody, which is enough to catch the audience.
Fingers are their only tool to convey piano music. The representative figure also comes from Chopin, another peak in the piano world during the Romantic period. Among those who have continued this line of performance methods are Scriabin, Lage and modern
Creamer, Hadlin, they are all masters of art at their fingertips.
Speaking more closely, the same goes for Nobuyuki Tokai.
Of course, different piano works require different expressions from the performers.
The above is not certain. Sometimes Liszt would be as quiet as a sheep when playing Chopin, and occasionally Chopin would use the neuroticism of a poet to express the enthusiasm of the Hungarian Rhapsody.
But what flows in their bones is difficult to change.
Feng Ziyan said so, and Fang Zongyao said so.
Xia Shu is, Li Xianlong is.
Qin Jian is the same, Duan Ran is the same.
When they are young, they are still on the path of pursuing piano art, but it seems that according to their age progress, they have unknowingly reached a fork in the road of artistic specialization.
It is foreseeable that they will temporarily separate at this intersection and embark on their own paths to find themselves.
Some people choose jazz, and some devote themselves to the study of the American modern piano school.
Some people regard Chopin as their lifelong goal, while others continue to try to make further breakthroughs in technique.
Some people choose to stick to the classics, while others fall in love with romanticism - Liszt.
Most of Liszt's piano works are the same as his character. As a high-flying star in the Romantic period, he used colorful, novel and unique harmonic techniques to express his voice, which was considered poor in tone for a long time.
A piano with a dull sound has a colorful sound effect like an orchestra.
Duan Ran likes such colorful music. Perhaps because of her romantic nature, she is too silent in life, so this colorful music world fills her with yearning.
She is willing to devote herself to this kind of music.
Just like the will-o'-the-wisp under her finger at this moment.
Duan Ran understands the will-o'-the-wisp as having a unique sparkling psychedelic sound color.
Therefore, she used a more flexible speed in her performance. In the musical expressions that alternate between strong and weak to express various intensity and emotion, she relied on her finger ability that even Qin Jian envied to imitate the flickering of phosphorus fire in the cemetery at night.
Jumping scene.
The musical atmosphere presented on the stage at this moment is exactly the same.
In the eyes of most people in the audience, Duan Ran can easily control this kind of expressive ability. Only a few people know that behind it, double tones, chromatic scales, various decorative tones, crossovers, super long jumps, every
All kinds of difficult playing skills require her countless sweat.
At the end of the song, applause broke out.
Duan Ran stood up, held the piano, bowed, and left the stage.
Then, she appeared again to applause.
The performance of the second piece began.
It’s also Liszt’s virtuoso etudes, the last one - Chasing Snow.
The music itself is as romantic as its name.
As Duan Ran's performance started again, the atmosphere of the entire concert hall changed again.
Perhaps deeply influenced by Chopin's soft poetic music style, Liszt's piano works also contain a poetic and picturesque aspect. He absorbed the lyricism of Chopin's melodies and combined them with his own unique style and charm, which he also left to future generations.
His gentleness, elegance and beauty.
But as a tremolo etude, this piece still has its majestic aspect.
As for how the performer will choose, Liszt, like Chopin, left this question to future generations.
Duan Ran did have her own discovery in this winter beauty. She did not use a Xiaojiabiyu feeling to describe the beautiful scene of falling snowflakes in winter, but used a rather atmospheric scene description - the flickering and trembling
The accompaniment pattern sets off the smooth melody, as if white snowflakes are falling in succession.
Using the musical characteristics of constant switching between major and minor keys, she focused on using the harmonic changes of her left hand to express the musical scene of the increasingly heavy snow.
Polyphonic rhythms and irregular rhythms have also become her means of stimulating the audience's emotions.
It's fascinating to hear.
The music ends hurriedly, but not too hastily, leaving people with unfinished thoughts and enough room for imagination.
"What a nice view."
As the applause fell again, Qin Jian kept mumbling to himself.
It seems like one sentence is really not enough to express his mood at this time.
"beautiful."
Regardless of his relationship with Duan Ran, Qin Jian would express his feelings in this way in front of anyone who could interpret Liszt like this, regardless of age or sex.
only.
"Is the piano more beautiful or the person more beautiful?"
A question sounded in her left ear like a conversation between friends.
Very sweet mature female voice.
Probably on such an occasion and in such an atmosphere, this question did not sound too abrupt to Qin Jian at this moment.
"The sound of the piano is beautiful."
Qin Jian answered seriously and followed Duan Ran as he left the stage again.
"Aren't people beautiful?" The question on the side was asked again.
Qin Jian smiled, "Of course she's beautiful."
As soon as the words came out, Qin Jian felt a little proud for a moment. It seemed that this was the first time he had talked about Duan Ran in front of others.
Qin Jian's words made Lin Chaoge laugh. Her laughter was not small, and it was also very pleasant. Qin Jian was so laughing that he didn't have the courage to turn around and look at her.
moment.
Lin Chaoge stopped smiling, and the two of them seemed like they had never had the conversation just now.
As Duan Ran returned to the stage again, the applause in the hall rang out again.
After the applause fell, Duan Ran's state of mind was obviously completely open as he sat in front of the piano.
The third track is Hungarian Dance in C sharp minor.
She raised her hands and her arms were in the air for a moment.
The second before the majestic chord sounds.
"You like her very much?"
The question came to my ears again.
“Dang!!————”
At the same time, a heavy-duty chord struck fiercely from the stage.