Anyone who knows it knows that this piece of music is one of the most gorgeous and exciting of all works written for piano and orchestra.
It is also the most magnificent chapter in which piano skills are brought into full play, which is dizzying and wonderful.
It shows the most grand scene of the Russian nation.
As soon as the music entered the third movement, the orchestral part used the main chord in D minor to sound a march theme decisively and powerfully.
The theme is vivid and the atmosphere on the stage is full of joy.
Under the guidance of a motive, the piano enters the music and plays a cheerful theme with horn tones.
It's like the beginning of a carnival.
Qin Jian sat upright, his facial expression returned to indifference, his arms swung unconsciously and freely, and his fingers calmly moved the bright and serious rhythm, depicting the scene of a Russian folk festival.
This scene was not the poet's imagination. Qin Jian was sure that this scene must have actually happened, and Rachmaninoff was at the scene at that time.
Qin Jian grasped the dynamic rhythm of the march, and suddenly raised each fingertip in the seventeenth measure.
Use ato to keep beating to keep the momentum of the music moving forward, and follow the illusory figure of Rach.
The music progressed to bar 27, and the band's performance seemed to be accompanied by bright dancing sounds from afar.
Qin Jian relaxes his wrist and pops up the rhythm points with a pianissimo, maintaining the edge of the music while accompanying the dancer's steps.
A picture of festive singing and dancing was presented to the audience.
Extraordinarily expressive and lively.
An interesting piano performance can break down the barrier between the audience and the interpreter, and this is the interesting nature of the piano player.
This is Qin Jian's lifelong lesson, but he did quite well today.
It is not difficult to find that during the whole process, the expressions of many audience members in the audience changed with the development of the music. Some audience members would gently shake their heads or slap their seats when they heard the emotional parts.
Between wooden handles.
All this shows that they are staying in music at this time.
If a performance is connected with the audience's subjective world time, making time richer and more diverse, then the performance is not just a matter of forty minutes.
Every listener who comes to a performance will bring with him memories of other concerts, which are the love history between the listener and music. Like the structure of Pang La San, the two are an intricate network of relationships: the performance in front of them.
He will give all this new life.
No two love stories will completely overlap, just as every piano player's expression may be exactly the same.
Qin Jian performed the first half of the finale with a hilarious flourish, which left a very good impression on many people.
It's just that the music is like a float in the parade here, moving forward without stopping for a moment.
While flowing, the music quickly developed to 71 bars.
suddenly.
After a tangled stream of triplet sounds, starting after 72 bars, Qin Jian's right hand's five fingers spread out and suddenly fell.
"哐——哐-哐-" continuously creates a row of strong ascending chord connections, which is full of momentum.
This continuous theme can be said to be the focus of the finale movement, which is full of breathtaking excitement.
The scenes in the music also become more grand due to Qin Jian's deep and full playing.
When the scene lasts to bar 103, the music changes key again and enters the minor theme in G major.
In this passionate and singing melody, the Helsinki Orchestra demonstrated their depiction of grand orchestral scenes.
The broad atmosphere on the stage soon extended to the audience, and the different parts of the band seemed to be chasing each other, leading the music into a tense chase.
The piano also took the opportunity to transform into a juggler in a parade.
It is smart, full of the humor and mystery of a clown, and as moving as a music box.
Soft, pure and transparent.
Combined with competing orchestras, it actually blends into a musical color full of romantic fantasy.
The entire hall is like a romantic ocean at this moment.
continues.
Suddenly, Sabina raised the baton and widened the theme melody again. Instantly, the atmosphere of the music was filled with a kind of melancholy complaint, and each part of the orchestra deepened the intensity and level under the baton.
The color of the music changes before your eyes.
At this moment, Qin Jian performed a quick finger technique, and the piano sound continued with a coherent melody, maintaining the fantasy of color.
At this moment there was another confrontation.
However, under this confrontation, the piano part and the band formed a sharp contrast, which greatly enhanced the dramatic tension of the music.
The parade motorcade is also moving forward. They drive from early morning to afternoon, and from dusk to sunset.
The music shifts to the key of E major, and the piano changes from fantasy and humor to cantabile chant, bringing the music back to a lyrical atmosphere, which is an emotion similar to memory and nostalgia.
This melody under Qin Jian's fingering is full of all the beauty of the sunset, like a twilight old man recalling the precious past.
In the music scene, it is like a thin and melancholy old man walking out. He behaves reservedly and does not smile.
The old music fans in the audience seemed to see the giant they had always admired just appear.
It's not just about a player meeting the listener's expectations.
On the contrary, it is a performer who can trigger anticipation and meet the listener's memory.
That memory can only appear in the present, in the music, and the figure of the wild romantic master artist.
Qin Jian was like a bridge expert at this moment, connecting the two worlds in some way.
On one side is the pure yet unnatural illusory world on the piano stage, and on the other side is the ordinary world in human daily life.
He uses superb musical techniques to accurately connect the external performance of music with the internal movement directly and intelligently.
If you sit in the middle of the bridge and play, it will reveal the most private space for music.
The sweet arpeggios here are harp-like and full of dazzling feeling.
Rachmaninoff's unknown inner whispers were narrated bit by bit by the piano.
Every note and every phrase is natural and beautiful.
The music was coming to an end, and Qin Jian's face was covered with sweat again.
243 sections.
The main theme appeared for the last time. After the theme melody sounded again, every audience member in the audience felt an unusual feeling in the hall.
The piano melody comes from far away from the firm march rhythm and the pass instrument ensemble.
The warm atmosphere on the stage gradually thickened.