636. Saliva swallowed in situ by telephone deployment
Duan Ran's performance felt very good, Qin Jian said in his heart.
Without any personal emotions involved, at least he likes it.
As Vaughan wrote in the music review - 'The best pianists are those who can inspire this kind of experience in the listener. She conveys a persuasiveness in her performance that makes me have wonderful associations - if I
How would I feel to be able to play like he did.'
Duan Ran's performance became persuasive at this time, and Qin Jian had the illusion that "I am playing like this at this time."
To this day, many people still insist that the right to perform Chopin's music belongs to those experts.
Since the incident in Bergen, Qin Jian has been reflecting on an issue, 'About the authority of performing a work.'
Perhaps Qin Jian has never received a systematic education in modern European piano, so he does not have much sense of the term "authoritative performer".
Putting aside the "preliminary imitation performances" with a certain purpose, at other times, he focused more on studying the repertoire based on the composer himself.
This includes the composer's feelings about the work, the composer's creative background, and the historical background to which the work belongs.
From Czerny to Beethoven, from Mozart to Rachmaninoff, and now Chopin.
Qin Jian can deeply feel that the composer's own feelings have an increasing influence on his performance of his works.
Of course, in this process, he will never deny the teachings of several teachers, He Jing's correction of his performance standards, Liao Linjun's modal color theory and clavichord teaching methods, Shen Qingci's romantic music playing skills, the old bartender
Bach's polyphonic thinking and old Asaad's counterpoint courses, all of which directly or indirectly influenced him.
Even when listening to live performances by international first-line pianists such as Nobuyuki Totsui, Zillmann, and Barum, Qin Jian was also learning from them.
Whether it is his several leaders or the many international performers, Qin Jian has never regarded them as some kind of authority. He believes that this is a kind of "prejudicial" description.
There are some conflicts between these people in terms of musical expression, but Qin Jian can feel that they are all sticking to themselves.
Behind this expression are their different growth curves, different life experiences, different national cultures, different personality traits, etc.
Therefore, the music they present to the world is composed of ever-changing elements that are fused, fused, fused again, and finally extracted and refined by time and sweat.
Qin Jian believes that this is the only way for every performer to become a classic.
No one can escape from this circle.
Duan Ran was in a stage of fusion and refinement at this time, and even this fusion and refinement was not just for Chopin.
Duan Ran is not like Qin Jian who treats different composers' works in different ways. She has her own distinct personal label when playing any composer's works. It is fierce, fierce and full of momentum, making it sound like she is showing off her skills.
.
But Qin Jian knew that there was a sensitive heart behind this gorgeous performance, and it was an orderly work filtered by reason.
It is undeniable that Rigel and Liao Linjun are both contemporary performers, and both are Duan Ran’s teachers and friends.
The advice they give must have reason and intention behind it.
But at this stage, Qin Jian felt that the most important thing was for Duan Ran to understand, think, and judge more deeply on his own.
So Qin Jian thought that as a person, at this time, the best advice I can give to the other party is probably encouragement and guidance.
...
In the Pengpai Qin room, with the end of Duan Ran's last set of tense major chords, the whole song came to an end.
The humming disappeared after a short period of silence.
Qin Jian's applause rang out next.
Duan Ran stopped his hand and turned around, his little face full of expectation.
moment.
"Um----"
Qin Jian hummed, then put his hands on Duan Ran's shoulders and squeezed them gently, "I like your handling of it very much."
Duan Ran was surprised and said: "Really?"
Qin Jian replied matter-of-factly: "If you put the performance you just played into the performance of a group of musicians, and then blindfold me and let me distinguish it, I can almost tell that it is you in just one bar.
version of."
Duan Ran was a little excited when she heard this, but she still raised a question in her mind: "Don't you think the intensity of certain sounds is a bit too loud?"
Qin Jian asked Duan Ran, "Do you think they are too big?"
Duan Ran shook his head and his eyes were distracted for a moment: "But teachers..."
"I understand." Qin Jian smiled and put more force on his hands, "Of course the teachers' suggestions and guidance are top priority, but as a performer, my idea is that when you need to use a truly extreme method
When dealing with music, you have to dare to adopt it."
Qin Jian knew that Duan Ran had always been like this, going his own way, but for some reason he had become concerned about other people's opinions recently.
After a pause, he gave the other party an example from Chris' Intermediate Guide.
"You know that in the entire system of performers, there is a special type of performers, they are called 'Extremes,' extreme players."
"There are speed extremes, volume extremes, and fingering extremes. They like to use their own different methods to cultivate the edges of the musical soil. They have superior skills and can freely switch between 'normal performance and Extremes', but no matter it is
Whichever way they play, they know exactly what they want to express."
"The most important part of this is the expression part, so the teachers' ideas are important, but before that, I think the more important thing is whether you know what you want to express in this piece."
Duan Ran kept sorting herself out along with Qin Jian's words, so when she heard the other party's last statement about the tone of the question, she subconsciously said: "I am clear."
Qin Jian raised the corner of his mouth: "So what other problems are there?
After receiving Qin Jian's encouragement and guidance, Duan Ran felt a lot lighter in his heart, "I understand!"
Qin Jian liked to see Duan Ran's confident look, but he had to mention some things appropriately, "But there is one thing
Duan Ran nodded with pecks of rice.
Qin Jian paused: "Duan Ran, you must learn to listen to other people's suggestions from different perspectives, and think deeply about the reasons behind these suggestions, including my suggestion. You must always be clear about who is ultimately sitting in front of the piano.
yourself."
Facing Qin Jian's clear gaze, Duan Ran nodded seriously. These two sentences instinctively inspired something in her heart.
moment.
Duan Ran put on the appearance of a well-behaved female classmate: "Thank you, Teacher Qin, for your guidance."
Qin Jian: "Teacher?"
Duan Ran pursed his lips, then straightened his chest and raised his head, like a primary school student in class: "Don't I look like your student now?"
This move made Qin Jian's eyes shift.
'Gulu.'
Judging from the current positions of the two of them, Qin Jian was indeed involuntary.