712. Who won? The suspense of the last three seats
At this time, all the musicians' attention was focused on Marek.
Qin Jian was also paying attention to the podium with his peripheral vision, and his auditory nerves had extended to every corner of the stage.
Music comes into your hair!
Marik draws a 7 upside down with his right hand, prepares for two beats, and prepares for the orchestra.
The moment he lifted the baton in his hand, the orchestra started.
“Buzz——!”
The string section plays the first set of notes.
‘One or two small mentions + medium mention’
Three lines of music score immediately appeared in Qin Jian's mind.
Then the long notes of one or two clarinets and a French horn join in, starting to fill in the harmony part for the sound effects.
At the same time, the tuba bassoon and the bass guitar were added, and the addition of the bass gave the symphony a deep foundation.
The majestic prelude resounded through the hall with strong and hot emotions.
Flute, oboe, two French horns, trombone, trumpet, one instrument after another were added, and a score seemed to appear in Qin Jian's mind.
The symphonic colors move towards the theme in various changes.
Marek was mixing various musical instruments, but Qin Jian was unpacking each instrument.
It's a fun confrontation without conflict.
There are countless ways of cooperation between soloists and conductors, and the best way of cooperation is to compromise with each other after understanding each other's true thoughts.
What Qin Jian needs to do at this time is to fully feel what Marek wants to do——
The specific method is not to look at the other person's body movements, he just needs to listen to what kind of volume each part is playing and what kind of emotion it is.
The scene was grand, but the backlog was what Marik had in mind.
The string group that always keeps the bowing frequency consistent and the woodwind group that plays euphemistically have already told Qin Jian this point.
As a pianist, he also has another identity that cannot be ignored. He once conducted a complete Magic Flute opera.
He is a conductor, and he imagines that the person standing on the podium is himself, so his purpose of doing this must be to hope that all the parts can be ignited together the moment the piano player joins.
So Qin Jian sensed Marek's intention, and the other party had completely conveyed it to him through music.
What the other party is waiting for is for him to join the music game with a high-spirited spirit.
So.
In response to feedback from the soloists, Qin Jian decided to respect Marek's idea.
The tense band intro has reached 03:55 seconds, and the piano part is about to enter.
Qin Jian raised his hand without hesitation. He still had time to turn his head and look at Marik.
Marik noticed Qin Jian's actions out of the corner of his eye, but he didn't give Qin Jian any hint in his eyes.
I saw the hands on the podium waving and pressing down naturally, and the volume of the entire orchestra continued to drop.
Marik's movements became smaller and smaller.
Both Shen Qingci and Yiglaz held their breaths in the audience.
Ygraz bit his thumb and stared at the figure in front of the relationship without blinking. He knew that the first part was coming.
"Dang!!!"
Even though he was ready, he was still surprised by the heavy piano sound.
Perfect timing.
He saw with his own eyes how the hands on the piano dropped the keys.
Perfect strength.
He heard with his own ears how the dynamics of the piano instantly melted into the entire symphony.
Accurate.
So accurate.
At this moment, he understood even more the extraordinary qualities of this young Chinese man.
When a technically strong soloist has the same keen auditory nerve as a conductor——
"cool."
He calls the soloist.
Shen Qingci on the side was already used to it. After hearing the beginning part, Shen Qingci thought it was OK.
Ignoring Igraz, he quietly walked to the last row. He now wanted to listen to the overall effect of the piano in the symphony orchestra at the farthest place from the stage.
On the stage, Marek felt comfortable holding the conductor's baton.
So far, Qin Jian is the player who makes him feel the most compatible with him.
Marek can clearly feel that Qin Jian knows what he wants to do in front of every musical motive, and when he needs it, the other party can always present the sentence he wants in the most accurate way.
For a piano player, this is definitely a rare ability.
However, Marek did not feel that a young pianist with such ability just wanted to obey him until the end of the whole piece.
He had watched Qin Jian's first three rounds of competition, and he knew that the opponent's Chopin music had a strong personality.
But he is not in a hurry. He now decides to give some of the orchestra to Qin Jian to test him out.
Marik's movements gradually became calmer.
The music also calmed down as it flowed.
But this calm only lasted less than a bar, and the volume of the piano part suddenly emerged.
It's not sudden.
Qin Jian, who had been paying close attention to the conductor's movements, noticed the changes in the orchestra immediately. He knew that Marek needed more feedback from him.
Little by little, Qin Jian integrated his own music and ideas into the stage.
The first thing he has to do is to downplay the overall volume of the orchestra in the second theme. He needs all the violin players in the first part to lower their playing volume to 3/2 of the previous level.
His approach is to use his own music to guide him, and he believes that Marek will understand his ideas.
As the music progressed, he changed all the phrases with inserted expressions into a semi-continuous skipping performance.
Instantly the piano brought out a striking emotional impact.
Although Marek did not move, the first violin seemed to have subconsciously lowered his volume during the process.
This subconscious reaction was the natural reaction of the bow player after hearing the changes on the piano.
Professional response.
Under the guidance of the first violin, the entire high-pitched string section lowered its volume within two measures.
At this time, Shen Qingci, who was sitting in the last row, could best hear the changes in the orchestra, and the layers of music colors became more distinct.
Marek completely followed Qin Jian's musical ideas in the remaining part of the first movement and conducted until the end of the movement.
Regarding the completed content, he had several interesting issues that he wanted to discuss with Qin Jian.
Qin Jian also felt that he could have a good chat with Marek.
There was no need for the two people in the audience to intervene. With the help of the official translator, Qin Jian and Marek quickly started communicating.
What is worth mentioning here is that the first question Marek asked Qin Jian was:
"Have you memorized the band score of this piece?"
Qin Jian answered this question with a smile. He said: "I have eaten a kind of fruit. After eating it, I can read the music and never forget it."
Then Marek raised a thumbs up seriously after listening to the translator's translation. He liked this magical answer.
The last part is after all the issues of the three movements have been exchanged.
Marek made a request to Qin Jian, and Qin Jian compromised.
...
At the end of the rehearsal, Qin Jian and the others left, and Adams entered the scene.
After leaving the Warsaw Philharmonic Hall, Qin Jian invited two teachers to have dinner at a nearby high-end restaurant.
During the meal, he listened to the two of them chatting about many past stories.
Before leaving, Shen Qingci told him, "Be calm in the final."