In half a second, the sound of the piano sounded on the stage again with the fingers falling on the keyboard.
'la'
It opened up the imagination of the musical theme.
The lingering melody is as slow as a song.
'Dol'
're'
'mi'
The four clean and bright single notes seemed to be in harmony with each other, but at this moment, they captured the hearts of every audience in the audience.
Combined together, they become their little river.
The musical picture of the four-tone core unfolds instantly.
The human voice replaced by the sound of the piano, "The moon comes out brightly and crescent--" outlines the realism theme of the original work - longing for the one you love.
Sad and infatuated.
Qin Jian cleverly uses the left and right changes between the belly of the finger and the fingers when touching the keys, simulating the change of the piano's timbre into a human voice color.
Exuding magnificent imagination and refreshing romantic feelings.
The twenty-nine-bar theme ranges from calls to sighs. The melody, which begins with four notes, highlights the progressive relationship between the music and the rhythm of the vocals. It directly expresses the girl's longing for her brother.
The piano melody turns gently downward, and the feeling of lovesickness is beyond words.
In the blink of an eye, three groups of chords progress from weak to strong, just like a girl's sincere cry.
The first climax of the whole song seems to be about to appear.
However, it didn't happen. Qin Jian turned his wrist again and cooperated with the mute pedal to minimize the sound of the piano.
The next second.
A string of beautiful arpeggios played in his right hand, and the humming theme melody came to mind this time in his left hand.
The melody shifts to the bass, and the harmonic layers of the texture are like thousands of rivers converging in an instant.
From the first variation.
The flowing water in the small river also has a deep beauty.
...
Piano music creation based on folk songs or music themes of the same name is an important part of Chinese piano music creation.
Although these piano works have different forms.
But they can all be said to have inherited the ever-changing creation methods of traditional Chinese music.
At the same time, because of the different expressions of the creators' individual creations, the aesthetic characteristics of "each has its own beauty, harmony but diversity" are highlighted.
If we say Qin Jian's second creation in the first half still has a flavor of realism.
So starting from the first variation, it is a typical romantic performance technique.
The pentatonic feather mode provided him with unlimited musical ideas.
The first variation to the third variation flow naturally and slowly unfold in each tone level of the soft feather mode.
The continuous progressive sound flow is sometimes like a whisper, sometimes like the voice of the heart, and it is endless thoughts of an innocent girl.
The sound was fast, the sound was slow, causing ripples on the stage.
When the last variation came, the stage returned to a kind of silence.
The ethereal and soothing music seems to take the listeners to ancient times.
The piano no longer tells the worldly noise and love.
The extremely clean sound of the piano is like the sweet singing of birds and the gurgling streams in the deep mountains and forests where there are no earthly desires.
At this moment, the entire concert hall is no longer a modern building in the fast pace of the city.
All the messy thoughts and worries of the audience here are gone with the gentle breeze on the stage.
A cup of tea, two clear sounds, among the gurgling water, how can you forget your worries?
...
The music is touching and has a local plot.
The root of the tree, the source of water.
Music is still music.
Lin Chaoge's soulful singing voice and the little traits in Duan Ran's character are the spiritual nourishment for Qin Jian to obtain inspiration for this creation.
The music is touching, but also contains a modern pianist's thinking and reflection on modern people's lives.
Music goes from finite notes to infinite expression.
Music is still music.
When Qin Jian stated the theme for the last time, he dragged out the "la" sound as the end of the whole section.
The music ends where it began.
It is like a long lament, giving people the feeling that it is full of words and endless meaning.
Perhaps only he understood this.
“Wow——————————————————-”
Enthusiastic applause rang out again.
“Wow————————————————————”
Qin Jian believed that the second wave of applause was given by the Kunming audience to the flowing water of the river.
Wiping his sweat, he stood up, smiled and bowed to the audience.
...
After taking a group photo on stage, Qin Jian was invited to have a 20-minute exchange with Professor Guo Huasheng from the Yunnan Folk Music Research Center backstage in the concert hall.
At the beginning, Li Huasheng’s family gave high praise to Qin Jian’s performance of “River Flowing Water”.
During the exchange, Mr. Li politely asked about Qin Jian’s genealogy.
When he learned that this piece was Qin Jian's second creation today, he was shocked.
Then he gave high praise to Qin Jian's second creation of "Floating River".
In the end, Mr. Li tactfully expressed his desire to see the manuscript of Qin Jian's River Flowing Water.
It's not that Qin Jian is reluctant to share it, it's just that most people can't understand his manuscript.
At the end of the exchange, Qin Jian promised to organize the music score and send it to the other party after finishing this section.
For Qin Jian, if this piece still has some research significance, it would be more appropriate to place it in the Yun Province Folk Music Research Center than to keep it in his own heart.
After the concert, Qin Jianlin and Chao Ge met again.
At the same time, he also met Duan Ran's stepfather, a university Chinese teacher who looked thin and had a dull expression, but his smile was particularly honest.
A few simple words of advice.
"Goodbye, aunt and uncle, you are welcome to go to Nanshi when you have time."
Afterwards, Qin Jian got into the car and left with the staff with the specialties of Kunming specially prepared by the two of them.
The second stop ends at Kunshi Station.
...
02:43 am.
On the plane flying from Changshui Airport to Longdongbao Airport, the entire cabin was immersed in silence.
After a slight jolt, Song Ling suddenly woke up.
In her confusion, she noticed the slight movement around her.
Qin Jian was wearing headphones and waving gestures that she couldn't understand.
She sat up, rubbed her eyes, and looked at the time. It was almost three o'clock.
She gently touched Qin Jian's arm. Qin Jian turned around, stopped what he was doing and took off his headphones, "Sister Song, you're awake."
"Don't you want to sleep for a while?" Song Ling whispered.
"The plane is coming soon. Let's sleep when we get to the hotel." Qin Jian said, "You can sleep a little longer. I'll call you later."
As he spoke, Qin Jian continued to hang up his headphones and once again listened to the video of the club rehearsal sent by Chen Tangjie in the evening.
Song Ling wanted to accompany Qin Jian, but unknowingly she fell asleep again.
...
When the plane arrived in your city, Qin Jian took a short rest. Starting at ten o'clock in the morning, it was another busy day.
...
While he was busy, his two consecutive concerts received rave reviews online.
The voices in the academic circle are not far behind. Professor Guo Huasheng from the Yunnan Folk Music Research Center published an eloquent, thousand-word music review for Qin Jian on the Chinese National Music Network early this morning.
Fans who received Qin Jian's autograph at the previous two concerts posted photos of him and the parties in various social circles.
Qin Jian, who has been labeled by various soft articles as "gorgeous on stage and friendly off stage", has developed into an idol young pianist after two heavyweight concerts.
Of course, Leping’s promoters are indispensable behind this.