851. The sales clue of the pianist's language talent
After Qin Jian left Chen Tangjie's house, he drove directly to the last stop.
On the way, he called Shen Qingci.
The other party was cooking, and when he heard that he was coming, he said, "Just in time, bring me a bottle of old soy sauce. I want Haitian's. Don't buy the wrong one."
So Qin Jian drove to the place, stopped the car and bought a bottle of Haitian soy sauce before going upstairs.
Liao Linjun looked at the door and saw Qin Jian's hands full of things and scolded him, "You are not tired, come in quickly."
Qin Jian entered the house and looked to the left, seeing gift boxes already laid out in the corner of the living room.
At this time, Shen Qingci hurriedly ran out of the kitchen and took the soy sauce from Qin Jian's hand. The first question he asked was, "Have you driven today?"
"opened."
He will go home tomorrow, and Qin Jian doesn't want to drink today.
Shen Qingci frowned, looking like you are so ignorant, and said, "Then eat more dishes, sit down for a while, and I will cook two more dishes."
After that, he went back to the kitchen.
Qin Jian put down the things in his hands and followed Liao Linjun into the living room.
He looked at Liao Linjun's walking posture from behind and felt it was a bit strange. Then he thought about the other person's hand on his abdomen and realized it immediately.
"So fast!"
Qin Jian blurted out subconsciously, and Liao Linjun turned around and sat down.
He muttered, "Why are you so quick? Children can already play soy sauce."
Even so, there was still a smile on his face.
"congratulations!"
Qin Jian thought to himself, "The year of the monkey is good, my junior brother must be smart."
Liao Linjun smiled: "Who knows if it's a boy or a girl? When will you come back this time?"
Qin Jian: "Let's celebrate the fifteenth day."
Speaking of returning to Yangcheng, Qin Jian came here specifically today because there was something he wanted to ask Liao Linjun.
"Sister Lin Jun, how are things going at the factory? I'm going back to Yangcheng for a long time this time. Do you think you need me to run any errands?
When she was in Bergen, Liao Linjun told Qin Jian that she wanted to open a clavichord production factory in China, and the factory was located in Yangcheng.
After the Huayun Competition, Liao Linjun began to devote himself to the preparation of this work. Although Qin Jian was busy during this period, as an apprentice and a native of Yangcheng, he had been paying attention to this matter, but the other party did not talk to him.
The specific situation was discussed.
"The venue has been negotiated. It is one kilometer west of Longhu Mountain."
Qin Jian had an impression: "The location is good. It seemed to be a furniture store before."
Liao Linjun: "Yes, we stopped operating it the year before last. We just talked about it last week. It is estimated that it will be put into production in the second half of this year. After the new year, Porter will come to supervise the work."
Qin Jian: "My uncle told me last week that he would return to China after the New Year. It turned out to be because of this matter."
Liao Linjun: "So you can just go about your business with peace of mind. If you really need it, I will contact you."
After a sumptuous dinner, Qin Jian did not leave immediately.
He took the initiative to stay and perform a small New Year's Eve show.
The content of the program is - Bei Wu.
The last thing before returning home, he wanted to hear what two teachers said about the Beethoven Piano Concerto No. 5 he had recently practiced.
After listening to it, the two gave a set of competing opinions.
Shen Qingci: "Tight structure."
Liao Linjun: "The movement is isolated."
Qin Jian: "This."
Each person's words may seem contradictory, but they all speak to his heart.
Qin Jian asked the two for advice.
It's different from listening to Qin Jian's Chopin and Rachmaninoff or Mozart.
First of all, this was the first time for both of them to listen to Qin Jian's performance of Beethoven's concerto.
Regarding Qin Jian's question, they each gave their own detailed answers from their own perspectives.
Shen Qingci's so-called strict structure is from a perspective of listening to the overall situation. During the listening process, he automatically made up the scene of the band and Qin Jian playing together.
Magnificent and elegant, he heard Qin Jian's ease in the process of blending the two.
He was very clear about this. Qin Jian was playing in a way that imitated Mozart.
This imitation can be seen everywhere in paragraph cohesion and clause processing.
This is completely feasible in his opinion, which stems from the guidance Riegl once gave him - "Beethoven's late works are more similar to Mozart in terms of creative form."
Liao Linjun agreed with this statement, but he believed that Qin Jian's performance did not integrate the three movements.
"The divisions between movements are rigid."
She did not shy away from pointing out that Qin Jian was too rigid in handling the connecting materials between the movements.
But for Shen Qingci, it was this "rigidity" that made him feel that Qin Jian's playing was full of personal color.
In his opinion, this piece itself is full of Beethoven's characters.
He agreed that Qin Jian loves you to "imitate" Mozart's technique in playing bass five, but he did not advocate incorporating the spirit of Mozart's music into it.
The original answer to the question was sublimated into an extremely profound academic debate as the two of them exchanged words with each other.
Qin Jian was no longer the obedient student who would listen to the teacher's explanations, and he soon joined the discussion.
It's just that the issue hasn't become clearer with more debate.
When Shen Qingci insisted that this piece should be performed in a way that imitates Mozart, Liao Linjun directly threw out Hummel's views in his later years.
"Hummel: Master of piano performance, whose reputation surpassed that of his contemporary Beethoven"
"Beethoven's late works already tried to weaken the writing form."
Shen Qingci sneered at this: "This is obviously Koch's personal opinion."
Liao Linjun was anxious: "Although Professor Koch is only a piano scholar, he is an orthodox representative of the fourth generation of Hummeld-Austrian piano."
Qin Jian was busy interrupting to ease the atmosphere.
Shen Qingci didn't say anything when he saw this. This time he chose to admit defeat first.
He and Liao Linjun had countless arguments about piano playing.
But every time the arguments failed to produce a result, they broke up unhappy.
But things are different now, he is going to be a father soon.
"Think more about it."
Shen Qingci gave his final advice about Bei Wu, and he believed Qin Jian understood what he meant.
Just as Qin Jian nodded, Liao Linjun also said, "Try more."
"Ah, yes!"
Qin Jian secretly wondered if it was really that difficult for these two people to admit each other's point of view.
He knew clearly that the root of the argument between the two was——
As both excellent performers, one pays more attention to practice and the other pays more attention to theory.
Shen Qingci has always used performance as an example. In teaching, he mostly takes the repertoire itself as the goal, focusing on teaching by example and focusing on technology.
Liao Linjun, on the other hand, takes guidance as the premise, instructs earnestly, focuses on words, and focuses on thoughts.
Therefore, in their respective fields, neither of them can be easily defeated by the other.
It's just that today Shen Qingci chose to give in. This was probably due to the psychological change of becoming a father.
So the three of them stopped discussing the piano and turned on the TV to watch the New Year's Eve TV program.
The topic also came to the Spring Festival Gala and going home.
——
Near ten o'clock, Qin Jian stood up.
Qin Jian: "Sister Lin Jun, please sit down quickly. There is no need to see me off."
Liao Linjun: "Go back and make a good impression on your family."
Shen Qingci: "Send these two bottles of wine back to your father."
Qin Jian was not polite: "No need, Teacher Shen, really."
Liao Linjun: "You can take it if I ask you to take it. It's not for you."