879. Substitute and Appoint Chen Tangjie's Psychological Activities
It is worth mentioning that after listening to Xie Meng's message, the old bartender in Yangcheng said calmly as if nothing had happened.
Xie Meng was curious who Yegor was.
The old bartender was disdainful: "An old guy who is not worth mentioning."
At the same time, what he was thinking about was that he hoped Qin Jian could have some communication with Yegor.
It's just that his expression looks a little guilty.
Maybe this guilty conscience comes from something that has nothing to do with the piano.
"Okay, Miss Meng, it's getting late, you can get off work."
"Have a good rest tonight. You have to cheer up and accompany me to meet a big client tomorrow."
——
Qin Jian and the two returned without success. After returning to Chaiyuan, Qin Jian asked Zhou Kai to go to work, and he went to the piano room specially arranged for him by Ruggiero.
Throughout the afternoon, he carefully sorted out the track list.
The next concert will be his first Chopin concert of the new year, and he hopes to complete it successfully.
During this period, Ruggiero brought Zhou Kai to see him. Regarding the situation in the morning, Ruggiero suggested that Qin Jian might as well call Yegor directly.
What Qin Jian was thinking at that time was why didn't you make this call for me?
In fact, during dinner last night, he was a little strange and reasonable. As a well-known piano professor in Moscow, Ruggiero always talked about Yegor with an inexplicable hostility.
If hostility is not the right word, then he can at least be sure that Yegor is definitely not on Ruggiero's guest list.
During the private time during dinner, Zhou Kai provided him with some clues, "The Negoz group is not as highly respected in Russia now as it was twenty years ago."
"And in the academic activities in recent years, there is very little news about the Negoz Conservatory of Music."
"Today's Russian piano students are more inclined to go to Europe or the United States to continue their studies after graduating from undergraduate degrees. Famous Russian historical schools such as the St. Petersburg Conservatory of Music and the Tchaikovsky Conservatory of Music are no longer the first choice for young Russians."
Qin Jian was not surprised by these words.
He has long been far-sighted about genre studies and the development of major piano schools.
With the development of the times, in the future, all piano schools will inevitably embark on a path of great integration.
This is due to his personal experience, some kind of guidance from tattoos, and also due to the documents he translated.
According to the literature, Nietzsche said something similar 100 years ago.
"There is nothing more glorious for me than to see the art of my nation flourish on the world stage, but I ask my descendants to remember that the golden age will eventually pass."
Qin Jian knew clearly that the golden age mentioned in the literature undoubtedly refers to the era when the four major piano schools were sweeping across the world's major piano schools since their birth.
At that time, Russia was like a manufacturing machine for pianists, delivering two entire generations of pianists to stages and competition venues around the world.
After translating the entire document, Qin Jian seemed to have personally experienced the development history of Russian piano technology a hundred years ago.
And his biggest gain was not the piano skills he learned from it.
on the contrary.
He can responsibly say that with his current experience, he can provide better and more efficient practice solutions to the same technical problems than those mentioned in the literature.
The content recorded in this document is more than a hundred years old.
At that time, this document could serve as an encyclopedia for reference by the Russian school and even the major piano schools around the world.
But with the development of modern technology and the improvement of modern piano craftsmanship.
After generations of pianists have made breakthroughs in piano performance technology, now looking back at this document, the content recorded in it has indeed fallen behind the times.
but.
There is one thing Qin Jian must admit - he is standing on the shoulders of giants.
Going back to 1900, Niegaoz must also admit this.
Because if we go back in time to the Vienna court piano competition held by Joseph II in 1781, Clementi finally defeated Mozart, who was at the height of his powers and was known for his music, with his miraculous playing skills.
According to space data, after the game even Mozart had to lament Clementi's three-step sentence technique in the game.
"Perhaps he is an out-and-out master performer."
Looking back now, it is obvious that Clementi will never be able to surpass the great Mozart in music creation, but at that time, his performance skills were already the ceiling of the entire Vienna.
In the history of Russian piano art, the name of the earliest professional piano professor was Clementi’s most admired student, the Irish pianist and composer Field.
Field is known by history as the "Father of Nocturnes", and the 12 piano nocturnes he composed became the blueprint for Chopin's later nocturnes.
During his European tour in 1803, Field came to St. Petersburg and fell in love with this land.
So after the tour, he settled in Russia until the end of his life, dying in Moscow in 1837.
In the last 30 years of his teaching career, the vast territory of the North gave him an infinite stage. He also fully proved his worth and cultivated the first batch of outstanding professional pianists for Russia.
Among them are not only pioneers of the Russian school of piano such as Glinke and Dubuek.
Dubuick was also one of the first piano teachers to be invited by Nicholas Rubinstein to teach at the Moscow Conservatory of Music.
Among Dubuick's four disciples were technical masters like Balakirev, who later became one of Russia's powerful groups, and teachers like Razviv who focused on piano teaching.
When the time came to 1860, Razviv was also invited to teach at the Moscow Conservatory of Music.
In the same year, he opened a famous private piano boarding school in his residence, and at different times trained another generation of young talented pianists for the Moscow Conservatory of Music.
Such as Rachmaninov, Igumnov, another founder of the four schools, and Czech pianist Mosheles, who is famous in Europe and is extremely famous in Europe.
After Mosheles became famous, he was invited to teach at the recently established Leipzig Conservatoire.
This symbolizes some kind of reincarnation.
While Moscheles was teaching, a German pianist named Rudolf appeared in his graduating class.
After graduating in 1865, Rudolf went to teach at the Colon Conservatoire.
Gustav Niegaardz, Nietzsche's father and first teacher, graduated from Rudolf in 1870.
Looking at it this way, it is clear at a glance.
Piano teaching that started with Clementi has accumulated in many countries at different times, laying a deep foundation for the Negroz School, one of the four major schools of piano in Russia.
Niegaoz recognized and deeply agreed with this.
Therefore, he warned future generations that the wheel of the times is always moving forward and will never end.
——
Later, when Qin Jian learned that Yegor's ancestral home was in Cologne, Germany, he returned to the hotel and dialed the other party's number in person.
When a friendly German greeting came over the phone, he realized that the other person might not be the weird old man he imagined.