894. Good Night Yanjing Gamma Piano Ensemble Online
But Qin Jian can see a clear context behind every piece of adapted music tonight.
Especially after the whole show is over.
——
When the last piece on the set list was performed, the five performers stood up and bowed together.
The audience applauded them wildly.
An excited young man stood up from the ground and shouted "bravo!!"
The last piece, a piano quintet version adapted from Schubert's Trout Quintet, is the best Schubert work Qin Jian has heard this year.
In his mind, its brilliance is no less than the second Liszt trio.
The warm applause continued.
How could such a performance not have an encore?
Under the applause, several staff members had already walked onto the stage, and they introduced two more pianos.
At this time, the stage was already occupied by seven pianos.
The encore that follows is self-explanatory - the septet.
“Wow————————————————”
The applause became even louder. After waiting all night, many spectators came here just to see the whole Gamma Piano Ensemble united.
Just as everyone is waiting.
A "little red Mary wearing blue suspenders" suddenly appeared on the stage.
She walked to the center of the stage with a funny step.
Then one after another "Maries" appeared in colorful costumes.
Finally, an "Old Mary" came on stage, and seven Marys gathered in a circle, as if they were discussing something, and burst into laughter from time to time.
At this time, the audience in the audience also chuckled instead of applauding, waiting for the final performance.
The Marys seemed to have come to an agreement, and everyone found their own piano and sat down.
The place is quiet.
Suddenly, the little red Mary raised one hand.
This scene in Lima attracted the attention of everyone present.
Then I saw her arm staying in the air for half a second, and then falling lightly.
"When-when, when, when-when..."
The familiar melody theme composed of crisp and bright single notes with syncopated swings brings many people back to the scenes in their childhood memories.
A little man with a red hat is trying hard to find his mushroom, he wants to grow bigger.
The anthropomorphic melody brings such a picture to the listener's mind.
At this moment, "Blue Mary" in front of the second piano suddenly stretched half of his body into the piano, and then he used some unknown method to rub the strings to create a woodwind sound effect.
This sound effect is exactly the sound effect after Mary eats the mushroom.
Laughter rang out from the audience, and Qin Jian clapped along with many people. He knew very well that at this stage, applause is needed on stage.
really.
I don't know whether it was because she was encouraged by the audience or because she ate mushrooms, but Red Mary suddenly stood up. The strength of her hands doubled, and the piano she smashed made a "bang bang" sound.
This dramatic scene once again caused a second wave of laughter from the audience.
Then the bearded yellow Mary at the third piano joined in.
As soon as he appeared, the scene exploded again!
The sub-melody line with a bossanova swing style in one hand forms a sharp contrast with the traditional theme of Red Mary.
Immediately before the fourth piano, Black Mary used her elastic fingers to turn the lower range of the keyboard into various parts of the percussion section.
He diligently performed fingertip yoga on the keys and placed various endless percussion sound effects into the overall music, making the stage more rhythmic because of him.
At this point, the theme, sub-part, percussion, and sound effects team are all working together.
The joyful atmosphere under the golden concert hall has completely made the audience forget that this is a live concert held in a classical concert hall.
Just when the audience was looking forward to what surprises would come next, the surprise came unexpectedly.
"Shua——————————"
A windy upward blow fell on the main chord of F minor.
Orange Mary, who was sitting in front of the sixth piano, moved, and she elegantly played a cantabile triplet motive after scratching.
"chopin!"
Someone in the audience immediately exclaimed.
When Chopin's Fantasia Impromptu motive merges with Super Mario's theme, is Chopin still Chopin?
Let’s put the question another way, Super Mario or Super Mario?
Two voices, one and six, gave the answer at the same time.
It's Chopin's Super Mario.
The organic combination of romantic elegance and modern music fully demonstrates the inclusiveness of music under Koch's adaptation.
Not to be outdone, the second part is no longer low-key. Blue Mary is no longer limited to the rhythm of bossanove. He suddenly changes the key and pushes the music to another possibility with three consecutive super jumps.
When Chopin's Super Mario meets New Orleans Jazz, Blue Mary transforms into the most rocking plumber in the audience.
He stood up and waved his arms wildly, playing impromptu notes one after another.
The music develops for sixteen measures in the harmonious confrontation of the various parts.
In the seventeenth measure, the broken tonal rules and traditional counterpoint finally made Chopin's Super Mario become dizzy.
One head is carried towards the mysterious space deep in the soul.
Suddenly, except for one piano theme, which continues to develop, the other six parts all use pure long-note chord playing, making the stage enter an ethereal place.
"bach!!"
Someone in the audience screamed again!
"Wow————————"
Then came the third wave of applause.
As soon as the solemn Mass was played, the whole place was quiet, and there was no movement at all.
At this time, the old green Mary in front of the seventh piano also joined in the pipe singing before the end of the song.
Qin Jian will never forget Koch's solemn expression at the moment when he entered the music, even if the other person was wearing a funny cuckold.
last of the last.
Koch led the remaining six pianos and pushed the music to its final conclusion in Bach's moving Mass in B minor.
At the moment when the music ended, there was no special sound effect of Brother Mary falling into the pit that some people expected.
After five quiet seconds.
"Wow————————"
The audience once again remembered the applause.
It lasted until the seven Mary brothers bowed and left the stage completely.
Thus, the first online concert of the Gamma Piano Ensemble ended.
——
The meaning is still unfinished. Qin Jian wanted to continue listening, but also felt that it was just right here.
Qin Jian, who had not cried in the audience for a long time, was once again conquered by Bach's holiness.
The moment the Mass in B minor quietly spread out from the musical theme, his tear glands actively pressed the surrender button.
Although it was a bit disappointing, he rubbed his eyes and still had to say something inappropriate for his mood at this time.
He already knew the context of Koch's adaptation.
But in the end, Koch used a cadence that was not Bach's usual technique as he expected.
"It's the end of Haydn.".
Koch used Haydn's coda.
"~"
What its meaning is may just be a Goldbach conjecture that Qin Jian left to himself.
——
Most of the audience had left one after another, and Qin Jian still sat there blankly, facing the empty stage.
Duan Ran, who was in the last row of the auditorium, knew why Qin Jian touched the corners of his eyes just now.
This is the Qin Jian she knows well, and she has no immunity to Bach.
"Well--"
Duan Ran shook her hair. She felt that something was wrong with the atmosphere at the moment!
Realizing this, she immediately left the concert hall, then took out her mobile phone and sent Qin Jian a message.
Then he left the campus happily.
——
The April Fool's Day game for two people has just begun.