928. Brother-in-law and sister-in-law with baby and want baby composition class and concert [Part 1]
Qin Jian's invitation first made Xiao Duanxuan open his oily mouth in surprise.
Then he quickly gave a reaction that surprised Duan Ran.
Xiao Duanxuan nodded without hesitation, and then asked Qin Jian what he needed her to do.
The tone is serious and the eyes are sincere.
She believed that she would not make any mistakes again this time.
However, she never expected that this time, Qin Jian would not need her to turn over the score.
"You have to put on a beautiful dress, hold your cello on the stage under applause and cheers, and play a song with me for the audience."
——
——
At 8:37 pm the next day.
College Concert Hall.
As a set of soft piano chords floated through the audience into infinity.
The scene fell into a brief silence.
"Wow————————"
Neat applause followed.
The silence created by the music was broken. Qin Jian breathed a sigh of relief and put away his right hand that was pressing on the keyboard.
Standing up with his left hand holding the piano, he bowed to the audience, then turned and left the stage, leaving Steinway on the stage to absorb the aftertaste of applause alone.
The first half is over.
He needs to take a break backstage.
There were not many people backstage at this time. Seeing Qin Jian pushing through the door, everyone stopped their discussion and gave him applause and cheers that were no less than those outside the venue.
A Chinese international student who volunteered for the concert gave Qin Jian a clean towel.
"The last scene was great, Teacher Qin."
"Thanks."
Qin Jian took the towel and wiped the sweat from his forehead, and asked seriously, "Sounds good backstage?"
"It's so exciting!" the volunteer expressed his excitement again, "Looking forward to your second half!"
"Thank you for your hard work. Let's go and take a look later. There is a seat next to Professor Langton, with seats 8 and 7."
Qin Jian indicated with his eyes that the manpower here was enough.
The volunteer nodded gratefully, "Thank you!"
The seats in the middle area of this concert have long been divided up.
There's no way around it. Even if it's just a small weekend concert for Chopin Competition winner Schubert, there will be people trying their best to secure the best seats in advance.
"Um, Teacher Qin, can we take a photo together?"
...
After satisfying the other party's small request, Qin Jian came to the first lounge on the left side of the corridor.
Duan Ran is braiding Duan Xuan's hair.
He leaned over and the little man in the mirror also looked at him, "Brother."
"Hey, hey, hey, don't move your head."
Duan Ran gently straightened Duan Xuan's little head, and then continued to braid.
Xiao Duan Xuan could only express his grievances to Qin Jian with his eyes. Qin Jian smiled and pointed at Duan Ran's back quietly, with an expression that seemed to say, "Let's not mess with her."
After a while, a delicate braid full of Chinese style appeared on the back of Xiao Duanxuan's head.
Duan Ran looked at his masterpiece with satisfaction, then looked at Qin Jian provocatively, "Learn a little more."
Qin Jian smiled, ignored him, turned around and said, "Come and have fun."
He called Duan Xuan to his side, pointed to the cello score on the music stand and said something else.
"Don't be nervous once you get on stage. If you make a mistake, just keep going. Leave the rest to me."
Leave the rest to me, this sentence has been verified once.
Duan Xuan nodded vigorously.
"Sister will remind you when it's time to go on stage."
After Qin Jian said that, it was time for the second half of the concert to begin.
Duan Ran walked him to the backstage entrance and gave him a sweet kiss.
After watching Qin Jian come on stage and listening to the passionate applause outside the court, Duan Ran turned around and returned to the rest room.
Xiao Duanxuan was already holding the cello and stroking it quietly.
She walked to the music table and sat down to listen.
After a while.
"Increase the vibrato strength of this note."
Xiao Duanxuan stopped and thought about what his sister said.
After a while, Duan Ran said again in a deep voice, "Let's do it again."
——
The rain and clear fragrance are intoxicating, and the Rondo in D major floating above the stage is like a beautiful woman walking out of poetry and painting.
In front of the piano, Qin Jian's fingers were as familiar as ever. No matter how strong or indifferent his emotions were, his sincerity and devotion were just like the Schubert he understood, neither exaggerated nor gorgeous.
But the words in the work are full of free-flowing cohesion, giving people a high degree of purification.
At that time, the pure works included not only Schubert but also Beethoven.
However, during the twenty years he lived at the same time as Beethoven, Schubert chose another artistic path.
So the former became a milestone of classicism, and he became the originator of romantic attention.
Langton said that Schubert was a poet, and Chris commented that in Schubert's heart lived a girl who knew nothing about the world.
Qin Jian agreed with Langton and did not contradict Chris.
Based solely on the study of Schubert's sonatas, what both of them said makes sense.
From the perspective of a performer, Schubert's works inherit the already solid tradition of classical music, combine it with the spirit of the new era, and form a new musical style.
The most important feature of his creation lies in his lyrical writing expression.
Especially in the use of sonata form, Schubert's works set a precedent for later generations - using long-breathing lyrical melodies to replace the previous writing of the main theme that was very appealing and dynamic.
In the performance of the last sonata in B flat major, Qin Jian paid great attention to the expression of the inner psychology of the work in the performance of the lyrical melody.
Tracing is his unique specialty.
But this will inevitably break the tradition of dramatic contrast between the main part and the deputy part.
If the main part and the auxiliary part of the work are no longer completely opposite, but the emotions of the two are close to each other or even complement each other, is this considered a violation of tradition?
This may be the question Qin Jian left for the audience.
In his opinion, Romanticism's emphasis on the aesthetics of works is ultimately the individuality of art, and does not judge the value of art based on the heroic nature of the subject matter, the theoretical value, or the grandeur of the structure.
Therefore, he boldly insisted on his own personality and released himself unreservedly in the performance of the last piece.
In the fourth movement, which has profound connotations, his performance is sometimes moderately playful, sometimes graceful and lyrical, and sometimes exciting and dramatic.
Mixed in the stormy passages and chords, they are Schubert and Qin Jian.
At the closing moment, there seems to be a bit of Beethoven.
"Wow————————"
Put your hands away and stand up.
Qin Jian walked to the front of the stage in two steps and bowed.
There was an endless stream of people laying flowers. Langton twisted his fat body and moved to the stage with a bouquet of white flowers, and warmly hugged our protagonist.
As a professor, his behavior seems inappropriate, but when he considers that he is Langton, there seems to be no controversy.
And Frank, he also gave Qin Jian a purple bouquet with the name of the Gamma Piano Ensemble signed on it.
Qin Jian took the bouquet and bowed in the direction where Koch was sitting. Seven members of the ensemble, including Katya, are here tonight.
As soon as he got up, the Chinese representative in Vienna from the Vienna Art Center also came onto the stage and presented him with a bouquet of flowers and congratulations.
"grateful."
It wasn't until the corner of his piano was filled with flowers and no one came on stage that he bowed for the last time and left.
"Wow————————"
After the continuous applause lasted for two minutes, Qin Jian returned to the stage.
To express the enthusiasm for everyone, Schubert's "Phantom" was performed.
After Qin Jian adapted this vocal piece, which Schubert himself called a "terrible song," into a piano version, it became more concise and at the same time a bit more fantasy-like.
Applause resumed at the end of the song.
The audience can see that the figure in front of the piano did not return to the backstage after standing up this time.
This usually heralds the end of the concert.
However, Qin Jian walked to the front of the stage and raised his arms to signal everyone to calm down, and then the scene became quiet.
Everyone wanted to see what Qin Jian was going to do, so they sat down quietly and waited.
moment.
Qin Jian walked to the side of the stage and picked up a chair.
Everyone in the audience speculated on the intention.
Placing the chair diagonally in front of the piano, Qin Jian turned around and clapped his hands.
The solitary applause on the stage soon brought applause from the entire concert hall.
Everyone looked towards the entrance to the backstage. At this time, no one knew what was going on.
But when a pink little girl walked out of the backstage door holding a huge violin, everyone was surprised.
Especially everyone in the Gamma Ensemble, they recognized this little girl.
The applause and cheers doubled.
Qin Jian watched silently as Xiao Duanxuan walked to the center of the stage. She bowed to the audience first, showing good stage etiquette.
Then sit down and secure the big guy in front of you.
At this time, Qin Jian sat back in front of the piano, and the audience fell silent in due time.
Dialogue.
The piano sounded and fell, and the cello hummed in response.
The two tones intersect in perfect harmony.
After the ritualistic dialogue ended, Xiao Duanxuan put down the hand holding the bow.
She lowered her head and wiped the sweat from her palms. She felt that the next step would be an important lesson or moment in her life.
It's okay, she breathed out.
She dropped her braid to the right side of her neck to ensure that the end of her hair would not affect her bow-holding arm.
After a moment of silence, Qin Jian looked back and breathed out softly.
On the stage, the combination of one big and one small has indeed raised enough expectations.
"serenade."
Several big shots sitting in different areas almost simultaneously recited the notes that were about to fall in their hearts at the moment Qin Jian raised his hand.
Their tacit understanding stems from Schubert himself and the scene at this time.
Facing a little angel holding a treasure, how can they get rid of the intoxicating melody of the serenade?
The piano played, and the light accompaniment was like the late autumn evening wind sweeping through the golden dead leaves, making a rhythmic rustling sound.
It's a serenade.
The atmosphere of the stage was instantly brought into a clear space by the piano prelude.
When Xiao Duanxuan sounded the theme, a layer of fine particles appeared on Qin Jian's arm.
It was different from any rehearsal in the past two days.
Long-lasting without resentment.
Delicate and without distortion.
Deep and unsophisticated
Also lonely.
On the stage at this moment, Xiao Duanxuan is performing a piece she could play at the age of five in a ten-year-old way.
The pure and clean tone without any modification just flows in the dream programmed by the piano.
When children are emotional, their eyes will show emotions beyond their years.
When the theme came to an end for the first time, a trace of pure loneliness flashed in her eyes.
However, she did not stop. After a series of gorgeous piano scales, her left hand returned to its original position and began to retell the theme again.
The second time, her timbre fluctuated slightly.
A large number of vibratos transformed her into a precocious girl at this moment, seemingly about to experience the adult world.
Her right arm opened and closed more stretched.
The look between his eyebrows is full of yearning.
What's even better is that every time she plays a phrase, the piano behind her will repeat it in another way.
One response after another, the voices blended together.
This is not Qin Jian's design, this is Schubert's manuscript left in the world.
One question and one answer serve as motivation for each other.
The music slowly moves towards the end.
Just three minutes and twenty-seven seconds is like Schubert's short life.
When Schubert passed away at the age of 31, he left behind a set of touching final works.
It was only after his death that he lived a life of poverty that this great treasure was discovered.
The publisher compiled the works written in the six months before his death into a collection called "Swan Song".
Serenade, ranked fourth.
At the end of the concert, Qin Jian once again dissipated the applause from the audience.
He pulled Duan Xuan to the front of the stage and introduced him to everyone in the concert hall, the cradle of classical music giants.
"Duan Xuan."
“Wow——————————————————”
——
This name is bound to be known to more people because of this weekend concert.
Not only as a special guest at Qin Jian's solo concert, a ten-year-old girl can perform Schubert in two states of purity and fantasy.
There were no outsiders under the stage, and everyone had naturally imagined what this child's growth experience was like.
Of course, not every talented and hard-working child will have the opportunity to perform on such an occasion with the most famous pianist today.
However, people who guessed something didn't seem to be too surprised.
After all, the principal cellist of the Paris Symphony Orchestra is also named Duan.
If this doesn't play a key role, then look at the charming little woman standing at the door of the backstage, smiling and applauding.
Her surname is also Duan.
The next second.
She walked onto the stage holding two bouquets of flowers.
Qin Jian took the flowers and kissed her in public.
“Wow——————————————”
“bravo!!!!”
The little cutie beside him was certainly not forgotten. Qin Jian let go of Duan Ran and picked her up.
"Happy weekend everyone."
After bowing, they pull one person or hug another person and leave the stage.
This concludes a pleasant weekend of concerts.
...
The next day, the entire Vienna music circle seemed to be in an uproar due to this concert, and everyone was commenting on this concert.
There are different opinions, with mixed praise and criticism.
The core of the controversy lies in the B flat major sonata played by Qin Jian at the end.
"Is this an appropriate approach?"
Sure enough it turned into a problem.
Finally, a famous Viennese piano critic came out to calm the heated discussion.
He gave a neutral conclusion between the two.
"Schubert's sonatas, like his symphonies, are considered by some music historians to be too loose and not rigorous enough. It is difficult for warm and soft singing melodies to be developed into large-scale pieces with strict logic. However, it is precisely this that embodies the romantic
The arbitrariness of doctrine.”
"However, when this kind of arbitrary lyrical fantasy is controlled by an ambitious man with both hands, it is difficult to say that this is a blessing."
"But what is certain is that today we should try to accept different voices."
"You must know that young Schubert was denied once 200 years ago."