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Chapter 2761 Self-recommendation

 A man who has lived for three hundred years by watching movies, a confused man.

In fact, in two-dimensional stories, there are often discussions about why the protagonist fights and completes those inhuman tasks? Is it for the country, for a certain group, for the people he cares about, or is it passive acceptance?

In sports comics, it is naturally for the group, because the teammates are the people the protagonist cares about most, so they have to win. But once the scope expands and becomes a certain city or a certain country, it will be difficult for the protagonist to risk everything.

All the reasons. Even if the author writes this, readers may not be able to accept it.

So at this time, the protagonist's behavioral motivation is either very secondary, or for the sake of beautiful girls, or passively involved in the crisis, rather than actively participating in the battle. Obviously, this is more in line with the protagonist's setting as an ordinary person, and can also make readers

Get more into the role.

And if the setting is ordinary people, then agencies, companies, and organizations can easily become the protagonist's enemies.

In some works with serious themes, the protagonist is often not set as an ordinary person, but as a civil servant or a knight-errant at the bottom of society. Because only in this way can the protagonist show the conflict between the organization and society in action, and at the same time be caught in the middle.

The protagonist group is also in a dilemma, and they can only struggle to complete their jobs without violating their true intentions, but they have no ability to change the status quo. This type of work, especially cyberpunk works, is very common, law enforcers, bounty hunters

This kind of protagonist who walks between black and white is the most interesting.

So why does the protagonist risk his life to fight? Unless he believes in 'liberating the whole world first and then liberating himself', other reasons don't seem to be very sufficient, and people cannot sacrifice their lives for righteousness or forget their own lives.

For the second character, is it passively involved in the crisis for the sake of the beautiful girl, or is it your own responsibility? The motivation for the protagonist's behavior must be given, so that the protagonist's actions in the story can be understood by the audience.

But in the apocalypse, none of the above motivations can be found. Therefore, the female director would rather watch three hundred years of movies without taking any action or trying to change the apocalypse.

It wasn't until a few years ago that Dema burned the female director's film inventory, leaving the female director to rely on junk movies to make a living, and she became increasingly uncomfortable.

The reason why Dema lost his faith is also very simple. He found the original film of religious teachings from the female director's trophies. After watching it, he discovered that the myth of the savior killing the ice witch did not exist at all. This is a story.

It was just a garbage movie, and his faith completely collapsed. He realized that everything he believed before was wrong, and what he did could not make the world a better place. He was just a simple executioner.

Now the female director was naturally dissatisfied when she saw Dema's appearance. She didn't have the temperament of a villain at all, so she selected four criminals, plus a self-recommended Duran, to form a five-person villain team.

She is now going to shoot a movie of her own. The protagonist is Agni the Flame Fist, which is the hero name she chose. Now she is training Agni to use his self-healing ability faster, and at the same time teaching him some messy skills.

Things. She is developing a world view and personality for Agni, who is a blank slate.

It’s just that her education was not formal at all. For example, she told Agni that people would go to the cinema after death and watch movies forever. Agni didn’t know what a cinema was or what a movie was, but he believed it and believed in people.

After death, it is not that there is no more, but that there is a destination.

This is very similar to the process of primitive people transitioning into death worship. Primitive people have worshiped death very early. Looking at the decoration and burial of the deceased's cemetery, we know that primitive people attach great importance to death. Many times they

It is believed that people can continue to live in another place after death, so funerary objects are utensils for the dead.

Moreover, when people die, they are also very particular when burying them. Honorable people belong to distinguished people, and ordinary people belong to ordinary people. They cannot be buried together.

Agni, who has no education, completely controls his behavior based on his emotions, and his most original motivation is to protect his sister. But his sister died ten years ago, and then it became to fulfill his sister's promise.

Live. But just living has no meaning, so the first meaning is revenge.

Revenge is the motivation to live. The female director taught him fighting, life and death, and acting skills. These added a new direction and new motivation to Agni's life.

For Agni, a female director is a prophet, a sage, someone who can lead him to achieve his goals and guide him in the direction.

However, the female director is actually just using Agni. She has no intention of patiently teaching someone who knows nothing. She just wants to fulfill her wish and just want to make a movie. In fact, she didn’t even have this wish.

If the movie hadn't been burned, she might have continued to watch the movie until the earth was destroyed, or until she was destroyed. Although she was alive, she didn't want to change the world, and of course she didn't want the world to bother her. She wished she could separate herself from

The world builds a wall to separate itself from the world.

It's a pity that there is no such wall. If she doesn't change the world, the world will naturally change her. Life in this world is like sailing against the current, if you don't advance, you will retreat. If you want to maintain the status quo, you need to pay a cost, and the maintenance cost is getting more and more expensive, so once

If people have good ideas now, it means they are about to go downhill.

The same goes for the female director. She thought it was good to watch movies every day, but how could there be such happiness in this apocalyptic world? So the movie was burned and she had to make the movie herself.

Flame Fist is the protagonist she is looking for, and revenge is the theme she chooses. As for the rest, everything is kept simple. The shooting equipment is only a DVD, no lights, and no soundtrack. Fortunately, the special effects will be very real, because all the actors have

superpower.

"This mecha is for you." The female director chose a mecha for Dulan from the collection.

Duran refused: "No need, I want to have a men's contest with Agni."

"Oh, that's right. You really look like a villain. So can you tell me why you want to fight him?" the female director asked with shining eyes. She felt that Duran's performance was very tense and seemed to be able to do it.

Fill in the storyline of the movie. After all, just revenge is too simple, it would be nice if there was some other content.

"I already know his story and know that he is miserable, but I want to use my fists to tell him that the world is inherently cruel, that hard work may not always be rewarded, that good may not necessarily be rewarded with good, and that evil may not necessarily lead to evil.

I want him to know that the operation of this world cannot be changed by personal will. If he really thinks that he can reverse the world by relying on human power, then he will first defeat me." Dulan said seriously, actually giving

The protagonist sets up a test, and Duran personally tests Agni's courage.

"Okay, great. Fighting with such a concept will be more exciting." The female director immediately took out the DVD and said: "I didn't record that paragraph just now. Can you say it again? If you are more emotional, I will record it.

Come down and use it as material."

Dulan said it was no problem. He was an actor now and could naturally meet the director's needs.


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