It was proposed by Mimiron, the King of Wisdom among the Guardians, in order to better deal with the threat of the void in the future.
The guardians decided to try to study the four ancient gods sealed by them. Only by knowing themselves and the enemy can they be victorious in every battle.
Mimiron and Loken cut off a piece of rotten flesh from the sealed Yogg-Saron.
With the help of the mogu, Rai found a piece of Y'Shaarj's head that was accidentally left on the ground when Aman'Thul crushed it.
Tyr and Odin personally went south, killed many gathered bugs, and dug out one of C'Thun's eyes.
Storm King Thorim accompanied Ice King Hodir into the depths of the ancient Kalimdor continent. It is said that when they explained their purpose, N'Zoth in the prison handed over one of his weapons without even resisting.
Root tentacles.
The guardians brought the rotten flesh of these ancient gods to a jungle and opened a new Titan building in the middle of the jungle.
Then it was called Uldir, then it was called Temple City, and then it became the Heart of Darkness.
The guardians gathered the flesh and blood of the four ancient gods, as well as the corpses of some of the ancient gods' men, and began to conduct experiments related to the void underground.
After hundreds of years, by chance, the guardians actually made the flesh and blood of the four ancient gods merge into one.
A rotten flesh ball with its own life and the attributes of an ancient god was born.
He is called G'huun by the Guardians.
The guardians cheered for joy. They hoped to find G'huun's trump card against the void, and it would be best to completely eliminate the four ancient gods on Azeroth.
They studied G'huun for hundreds of years.
Unfortunately, they were no longer lucky this time, and their research on G'huun has made no progress.
The guardians are tired.
The war in the Dark Empire consumed too much of their energy and will, and the passage of time took away their spirit.
Thousands of years of experimentation only produced one G'huun and a pile of rotten flesh.
The guardians held a meeting, and they were disheartened and finally decided to seal G'huun and wait for everyone to recover before returning to study it again.
The Titan writings and paintings on the wall in front of me are the laboratory diaries related to the experiments left by the guardians when they experimented with the flesh and blood of the ancient gods and G'huun.
This is what Tonatius judged from Alexstrasza's intermittent and incomplete translation, combined with his knowledge in his previous life.
Tonatiu looked at a mural in front of him, which showed a detailed explanation of the internal structure of a huge Enlaki monster after it was dismembered.
The guardians, like a group of emotionless scientists, cut off the unfortunate Enlaki from head to tail, even the nails were not spared.
There are many Titanic characters on the accompanying pictures, which Tonatiu cannot understand.
He felt that if he copied the painting and text and threw them in Quel'Thalas or Dalaran, countless mages would rush for them.
Tonatiu spent a long time looking at the carvings and writings on the walls.
I can't understand the text, but I can more or less tell what the guardians did to G'huun or the ancient god's flesh and blood through the drawings.
For example, there is a painting in it, which depicts G'huun being caught on land by the guardian. The sun shining against him should be the sun, or it may be an unknown source of holy light.
This painting may record that the Guardians were testing the sun, or the damage that the holy light could cause to G'huun.
Tonatiu couldn't see the results. The results of the experiment may be in the Titan writings below.
In addition to experiments suspected of being damaged by holy light, Tonatiu also saw experiments similar to fire, physical cutting, freezing, etc.
Poor G'huun, before he committed any crime, he was treated as a guinea pig by the guardians and used a lot of cruel methods.
Looking down slowly, Tonatiu was attracted by a painting on the last wall.
Four ancient gods and a claw are put together on the top, and there are a lot of Titan characters below.
This simple painting attracted him because the claws on it were very similar to a dagger he once held.
Compared with the claws on the first few paintings, the claws in this painting are almost exactly the same as Xal'atath, but lack some decorations.
The God King frowned and looked at the painting.
Xal'atath herself said that she had just arrived in Azeroth and was torn apart and eaten by her own race before she even had time to start parasitizing.
She managed to escape with only one claw left. The rest of her soul and strength rested in the claw, and she wandered around Azeroth for countless years.
It wasn't until the ancient gods were sealed that she dared to come out for some air and cause trouble.
In other words, Xal'atath definitely did not participate in the Dark Empire battle between the Guardians and the Ancient Gods, and the Guardians most likely did not know of her existence.
However, the image of her claws still appeared in the guardians' diary of experiments on G'huun.
This may mean that the guardians are aware of her existence and put her together with other ancient gods. They should know that she may also be an ancient god.
It's a pity that most of this painting is in Titanic characters. It would take Alexstrasza a long time to translate so many Titanic characters.
After scratching his head, Tonatiu was very curious about the guardians' records about Xalatath. Even though the Red Dragon Queen's translation ability was worrying, he still wanted to trouble her.
The God King turned around to look for traces of Alexstrasza and saw him and Shandris standing under a carving and studying it.
That sculpture Tonatiu had just seen, it was the guardian's record of a time when they tortured G'huun... no, the diary of G'huun's injury experiment.
In that experiment, the guardians captured G'huun into the sky and tried to test G'huun's reaction under the moonlight when the moonlight was strongest.
After testing the sun or the holy light, they seemed to be unwilling to give up and tried the moon again.
Reasons related to the Moon God attracted Shandris's attention.
Tonatiu, who was about to call out to the Queen of Life, suddenly felt something was wrong.
He glanced at the huge, empty platform and saw Alexstrasza, Ysera and the two Kaldorei.
Tarok's body was still lying on the ground in the center of the platform, but the key thing was that the Virgin Mary who had been standing next to Tarok's body just now was missing.
Tonatiu immediately felt something was wrong.
He shouted loudly.
"Guardian of Uldir, Her Majesty the Virgin of Purity, where have you been?!"
The God King's loud shout attracted other people's attention.
Tonatiu walked towards them, and they walked towards Tonatiu.
"Look there!"
Tyrande's face turned grim.
She pointed at the entrance. The originally huge entrance had been silently closed at some point.
