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Chapter 74 Comparison (2/4)

Amou is very important!

Not only can he film, he can ensure a good box office revenue, but most importantly, he can also play performances - the Songcheng performing arts team has cooperated with him and made a lot of new things.

The theme park that is still under construction also has brand new performance content - "Flooding Chentang Pass", "Salvation of the Mountain to Save the Mother"...

Anyway, there are a lot of performances to do around the Congregation of the Gods!

The directors are all Amou...

Just use it for the best of your own...

Look, Amu was bored and had an impression series, the first large-scale performance in China that integrates mountains and rivers, and also created Tulando, all of which were the top in the industry...

Of course Zhong Lifang knew the importance of Amou!

but…

To be honest, Amou's box office ability is just that...

Putting "Shadow" in next year's National Day holiday will make it less likely to win the box office championship.

In contrast, "Wushuang" - the box office has exceeded 2.8 billion and is still growing slowly...

The reputation and gimmicks are enough, the second part is predictable success, there is no need to change the shift period...

Very difficult!

If you don’t decide when you encounter something, look for Lao Lu!

This is the recognized solution to the problem that Orange has!

...

Lu Xiaoran has been staying at home these days, either reading books or watching movies. Apart from being a regular person, he has hardly gone out...

I didn't even go to the first episode of "Xieyou Inn" of my wife - Tangtang and the others found Lao Hu to replace her.

Zhong Lifang found Lu Xiaoran in the underground screening room.

High-definition projectors and corresponding screens and audio...

All are the top equipment...

Lu Xiaoran is watching a movie...

Zhong Lifang sat down next to Lu Xiaoran, watched "Blade Runner 2049" with him, and then asked: "Why are you so idle lately?"

“I’m charging…”

"Watching a movie is considered charging?"

"Of course... it's a good learning process for me to learn more about the styles and works of other directors!"

When the two came to the living room, Lu Xiaoran washed her face first, and then sighed: "I really underestimated Hollywood!"

“…How to say it?”

"In the 1980s, they filmed "Alien", "Blade Runner", "et·Alien", "Star Trek"... In the 1960s, there was "2001 Space Odyssey"..."

The Hollywood studio system officially disappeared in the 1960s, while fantasy art represented by science fiction began to take off in the late 1960s.

If we look at the history of American film development, the 1960s belonged to Stanley Kubrick, the master of film masters. Among them, the influence of "2001 Space Odyssey" in science fiction films is self-evident.

Although the special effects of "Planet of the Apes" in 1968 are clumsy, they are already suggesting to the audience: The door to fantasy is about to open, are you ready?

In the 1970s, the "Big Movie" era in Hollywood officially arrived, and "Jaws" emerged. The "Three Types of Contact" and "Star Wars" series provided a broader space for the production and design of movies in the promotion of special effects technology.

Although it is still mainly based on physical special effects, fantasy art has begun to enter the film production in conceptual design.

More and more films are no longer satisfied with shooting real or historical urban spaces, and science fiction and fantasy genres have become the "new canvas" of directors and artistic directors.

The 1980s were a symbol of American economic prosperity, and heroic action-adventure movies became the darling of entertainment blockbusters.

Using the newly upgraded special effects technology, "Han Solo" in "Star Wars" became the absolute protagonist of Spielberg's "Indiana Jones" series after dressing up.

George Lucas continued to lead his concept art team with The Empire Strikes Back and Return of the Jedi, but the brilliance of all sci-fi films in the production design field was completely overshadowed by Ridley Scott's groundbreaking masterpiece Blade Runner.

This film is set against the background of Los Angeles' decadent and dark future industrial city in 2019, giving birth to the "cyberpunk" and "futuristic film noir" genres. It is also a typical science fiction film representative who uses film architecture to implicit social development contradictions and explores future urban issues.

Blade Runner brings science fiction to another new climax!

The 1990s was another prolific decade.

Fantasy art is brought into a new dark fairy tale world by Edward Scissor Hand.

With the rapid development of computer technology, special effects technology has blossomed and bears fruit in "Jurassic Park" and "The Matrix".

Physical special effects produced by Stan Winston Studios were a breeze in the 1980s Terminator and shined in the technical competition for "resurrecting" dinosaurs in the 1990s.

Of course, the "Titanic" by James Cameron, the navigator of the special effects industry, laid the foundation for Hollywood in the overseas market in 21st, and also laid the foundation for the "science fiction nuclear bomb" "Avatar" in the next decade.

Entering the twenty-first century...

Everything is in the same place - what is the most popular now?

Marvel Dafa - tells the story of comic-adapted superheroes one by one by one by one by one by one by one!

...

Lu Xiaoran used to think that Hollywood was nothing great...

Even if you shoot Marvel, a routine thing, the audience will get tired of it one day!

Recently I made up for "Blade Runner", "Star Wars", "Alien", "Star Trek"…

All of me was confused!

Imagine that people played this thing in the 1970s and 1980s!

No, Star Trek was from the 1960s. It was originally a TV series, but later changed to a movie...

"Suddenly I feel that the business model we are playing now is what Hollywood played decades ago!"

Zhong Lifang frowned: "So what?"

"I used to think Hollywood was nothing great, and I even thought that once Chinese-language movies were industrialized, it would be a very casual thing to overtake them..."

"No wonder those people never forget Hollywood... It's so awesome!"

And it’s not that the director is awesome, but that the entire industrial chain is powerful...

In the 1990s, Hollywood imported blockbusters entered the country...

Really, a dimensionality reduction strike!

Zhong Lifang shook her head: "Hollywood movies are no longer important, but not blockbusters. An IP is a TV series - mainly because the times have changed. In the past, American movie audiences learned how to dress up, pick up girls, and how to live a fashionable life through movies. The emergence of the Internet in the new century has caused Hollywood to completely change its business model. Now the proportion of people who go to cinemas to watch movies every week is less than one percent of the ones in 1969."

"The development of technology has brought about diversity in entertainment, and movies are no longer the only ones!"

Lu Xiaoran agreed with this point of view very much, nodded, and asked her: "...why are you looking for me?"

"The matter of "Shadow" is scheduled..."

“…Preserve it next year’s New Year’s Day!”

"New Year's Day? Will the competition be too fierce?"
Chapter completed!
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