Compared with the traditional music industry, although the film industry has been affected by piracy and the Internet, due to the different playback methods and the many recycling channels, investing in making movies is still much more prosperous than making music.

In this plane, as the construction of domestic theaters becomes more and more complete, there are more and more large screens, and movies are just a screening item. If done well, it will be enough to make investors make a fortune.

In addition, many recycling methods such as selling overseas copyrights, TV network broadcasting copyrights, and making DVDs and peripherals. Generally, as long as it is a sincere movie, investors will not lose money.

It’s not enough to make music. Whether you have the sincerity to make a record or not, it is basically difficult to recycle the cost now. Record companies often lose money in making records, and they can only recycle the cost by doing limited concerts every year. Among them, not all kinds of singers can make money when holding concerts, and some singers can also lose money when holding concerts.

Only those music companies spend a lot of money to promote and cultivate popular idol groups like the Chinese entertainment industry, as well as limited number of gold medal singers in the music industry, can they really make money.

If you want to cultivate such singers who can make money by holding concerts, the money you spend on record companies may not be more than you earn in the end, so it seems that it is difficult to make money on this path.

In short, under the current market conditions, it is becoming increasingly difficult to generate income by making music. People who are still working hard in this industry either do not have the ability to change to other industries from scratch, or they really love music and continue to do it while hungry. It is rare that they can achieve both fame and fortune and love music in this industry.

Lin Zaishan and beyond fought hard in this industry, mainly because of his love. Even though he didn't make so much money in the music industry last year, he would still fight hard with this industry to the end.

But it’s okay for him to fight alone. He spends more when he has more money and less when he has less money. In short, he just does what he likes to do. But now he is not alone.

He is now the captain of an entertainment warship.

He could not have brought a boat of people to fight with him to the death.

So many people have to eat, so many people want to make money and do more glorious careers. He can't lead others all the way to the dark.

So he must let the entertainment warship beyond upgrade in a more diverse direction. In the music circle, they must continue to ride the wind and waves, and in other entertainment fields, they must also be competent and targeted.

Among them, Lin Zaishan is more confident in investing in movies and making money in this circle, and he is also the industry that makes the most money in this circle, no doubt about it.

In the past 2008, the Chinese Empire's movie box office has reached a new high, breaking through the 10 billion mark for the first time in history, catching up with North America, and is currently the second largest movie ticket store in the world.

Judging from the current speed of construction and development of the film market and cinema chains, the local box office of the empire in Huadi can surpass North America in less than five years and leaps to the world's first place.

Movie investment is currently another area in which the Chinese Empire's hot money flows into the main hot money in addition to Internet investment.

Now, as long as there are better scripts and creative teams in the market, funders will rush to invest in it.

At present, what the domestic film market lacks the most is money, and what it lacks is technology, talent and creativity.

The problem of lack of talents in the domestic film industry cannot be changed overnight.

Although there is a lot of hot money in the domestic film market, it is too profit-seeking, and there is too little real money invested in the field of technical talent training. In this regard, there is still a big gap between the developed film industry in China and North America, and I am afraid it will not be able to catch up for 20 or 30 years.

The lack and loss of talents have led to the weak film creativity.

The current situation in the domestic film market is that if the type of film becomes popular, a large number of follow-up films will be filmed immediately. Most of the money is spent on imitation and shoddy production, and works that are eager to innovate are rare.

Lin Zaishan was electrocuted last year (made the theme song) and was considered a pioneer of technological streams in domestic films.

This is the first animation movie in China made with pure 3D technology.

Although this technology is not the most cutting-edge technology in Hollywood, the first time in China.

With such great sincerity to make domestic cartoons, the creative team of "The Monkey King" has made good efforts.

In the end, their efforts also received the rewards they deserved, which gave the workers in China who were less impetuous and really studied film technology and made movies a little comfort.

"The Monkey King" won a box office of 680 million last year, ranking fifth among domestic films and 12th among all films. Its box office has set a historical record of domestic cartoons, and it is considered to have a satellite that is not big or small in the industry.

Originally, workers in the industry were not optimistic about the box office of "The Monkey King" that could create too high, because before that, the highest box office of domestic cartoons was only more than 100 million yuan. The very well-made cartoons produced by Hollywood did not exceed 300 million yuan in the domestic box office.

But who would have thought that "The Monkey King" created a box office of 680 million, which was an explosive achievement in the field of cartoons.

Among them, the theme song "Wukong" sung by Lin Zaishan played a significant role in promoting the film. This theme song may have made "The Monkey King" generate tens of millions of box office revenue.

Of course, this is all chat.

The seriousness of "The Monkey King" can achieve a double harvest of reputation and box office, which is due to the creative team's pursuit of technology and meticulous requirement for excellent 3D special effects.

There are not many new scripts in "The Monkey King" that have become the Monkey King is well-known in China and has been passed down for hundreds of years. Various versions of the story have been told. In terms of the story, it is very difficult to innovate.

The crew of "The Monkey King" did not pursue too many subversive changes in the script, but only explored the psychological changes of the Monkey King inward, which made the theme of the story a little heavy.

However, the way of telling "The Monkey King" is not heavy, but it is very novel. It uses 3D simulation technology that the domestic film industry has never used before, and presents a beautiful and superb visual feast to everyone.

The audience who have watched this movie in the cinema are generally impressed by the scene where the Monkey King followed Tang Monk to travel west to seek scriptures. The background sounded Lin Zaishan's "Wukong" sounded, and many people shed tears silently for the scene.

The box office of "The Monkey King" was a big hit, which was generally a victory in technology. It also shows that the domestic cartoon market has a large capacity and size.

One of Lin Zaishan’s initial ideas and directions to lead beyond to the film industry is to make cartoons.

Like the classic cartoons of another plane, "Kung Fu Panda", he can move to this plane.

If domestic film industry technology cannot support such cartoon production, they can even invest in Hollywood companies to do it.

However, Lin Zaishan still wants to cooperate with domestic film companies.

Although domestic film companies have a relatively large gap with foreign film companies in terms of technology, especially special effects companies, which are incomparable to domestic and foreign film companies.

But the more in this situation, Lin Zaishan wanted to support domestic film companies. He even wanted to cultivate a Chinese "Industrial Light Magic" that he had.

Another industrial light and magic was born to create the special effects of "Star Wars" for George Lucas. Later, it grew stronger and stronger, becoming a world-renowned top film special effects company.

At present, domestic special effects companies, or special effects departments of large film companies, do not have such opportunities at all. No one is willing to trust them more and raise greater challenges to them. Their jobs are often projects with very low technical content. If the movies that require high-tech technical requirements, the creative team will directly skip domestic special effects companies, either look for Japanese or go to Hollywood, and will not give domestic special effects companies any chance.

Of course, the reasons for the current bad situation are many. Domestic special effects companies are not good at it themselves and always use shoddy things to fool people, which cannot win the trust of customers. This is also a major reason.

Lin Zaishan thought before that when he moved "Kung Fu Panda", he wanted to find a domestic team to create. The creative team of "The Monkey King" was the team he focused on.

It is said that behind that team there is their own special effects production company, and many young people have returned from Hollywood, full of vitality and enthusiasm. "The Monkey King" is their first big victory.

Lin Zaishan is very willing to work with such a team. He even wants to wait until beyond in the future to get richer, so he can directly collect such teams and special effects companies, cultivate them with greater sincerity and actions, and strive to develop them into the "Industrial Light Magic" of this plane, so that he can "copy" the classic movies in his mind more perfectly. Otherwise, he will only have creativity in his mind, and the film industry technology in this plane cannot keep up, so it will be useless to move.

For example, a super blockbuster like "Transformers", let alone this big IP plane, even if there is, the film industry in this plane cannot create another plane with a vivid Autobot.

If you move hard, the final effect may not be too bad.

In short, it is necessary to have strong technical support that Lin Zaishan will bring all the movie ideas in his mind.

Before this, he will not be in a hurry. He will slowly cultivate the film team here. Anyway, his brain has memory playback function, so he will move it out when it is time to move it. Now wait for the technology to be formed first.

For those works that do not require special effects technical support or that this plane already has sufficient technical support, Lin Zaishan can consider moving them, but he has not made effective plans for which movies to move and how to move them. After all, he can't even worry about music now, and he no longer has the heart to think about movies.

After the Spring Festival, waiting for Sun Yuzhen to return from vacation, Lin Zaishan will have a good chat with Sun Yuzhen, and then have a good chat with film industry insiders. Then, beyond the film department will be established. How to make movies in the future will be handed over to the people in the film department to operate. He only provides "suggestions" (creative).

Lin Zaishan is going to take Beyond to enter the film industry so soon. In addition to the rapid results in this industry, another main reason is to help Sun Yuzhen.

Sun Yuzhen paid too much for beyond, and almost fought hard to make "The Voice of China". Lin Zaishan had long promised that he would help him realize his dream, so he naturally could not break his promise.

After doing "The Voice", Sun Yuzhen successfully completed her historical mission in the TV industry, and then she could go on lightly to pursue her dream of an actor.

Of course, Lin Zaishan wanted beyond to get involved in the film industry not only because of Sun Yuzhen, but also to help other beyond artists open up a path.

Considering that Liu Mengmeng and the others have not even started their first shots in the music circle, Lin Zaishan is thinking about asking them to try to touch the electric shock in the future, which may have a good effect on their popularity.

You should know that Karen Mok, who had a superb voice in another world, became famous first when he was electrocuted, and later became a singer and actress. His singer career and actor career promote each other's development.

In this plane, there are many successful artists who perform well and sing well, and there are also many successful artists who perform well.

Mi Zhiwen and Deng Xiaoying, the current singers under beyond, have little hope of acting, but Zhang Hao and Liu Mengmeng actually have eye-catching personalities and have the opportunity to get involved in the big screen.

The children of believers actually have the opportunity.

In the future, I will move a movie called "Ancient. Dangerous" to let Zhang Hao play Shan Ji and Song Peng play Bao. I think it's very interesting if I think about it.

Of course, this is just a random thought when Lin Zaishan was bored. For Zhang Hao and his followers, Lin Zaishan still hopes that they will concentrate on staying in the music circle to achieve results and not easily enter other industries in the entertainment circle. Otherwise, these guys will be in a state of mind and the band will probably be disbanded.

Liu Mengmeng's electric shock increases popularity is a better choice.

There is also Windsora of the Sand Painting Department. Lin Zaishan thinks she actually has the capital to go on the big screen.

In the past six months, Lin Zaishan has felt it very clearly that the emerging art of sand painting is rapidly cooling in the Chinese Empire.

Perhaps it was the foreign imperial concubine who recognized him as a super celebrity and wanted to establish him as a new cultural model, and no longer promoted time-consuming and labor-intensive but ineffective sand paintings. This put the entire sand painting world into an unprecedented low period and suddenly became destructive.

Last year's Royal Sand Painting Competition was held in the highest art hall of the Royal Academy of Art. The Royal Variety Show broadcast live, and the momentum is so great!
Chapter completed!