Chen Wenzhe is very confident in his craftsmanship and painting.
Coupled with the memories from inheritance, he believes that the final batch of paintings will be very soft and lifelike.
The sum of these qualities is the outermost piece of enamel-colored antique porcelain.
And in principle, the porcelain he fired must be better than the porcelain body enamel porcelain of the third generation of the Qing Dynasty.
It is also because of this that when Chen Wenzhe imitated the enamel porcelain of the third generation of Qing Dynasty,
They are all being collected and not let go.
Because the technology in the third generation of the Qing Dynasty was always a little worse than it is now.
On the contrary, when imitating the enamel flower and bird inscription pen holder, which is known as the first porcelain in the official kilns of the Republic, I went all out to fire the most beautiful porcelain enamel as possible.
Going into the kiln again and again has honed Chen Wenzhe's kiln-firing skills.
He is now very sure,
His kiln-firing skills must have surpassed the master level. He put this level into
Call it the Grandmaster level.
He can already design a suitable kiln firing process according to the effect he wants. This is the master.
Of course, he, as a master, is still relatively fluent now. After all, he has stuffed a lot of experience and techniques directly into his head and cannot easily integrate them.
However, through the firing of Ru kiln, pastel glazing, carmine glaze and other single-color glazes, plus the final enamel color, he has been able to quickly integrate the techniques of his predecessors, and it is possible to introduce new ones at any time.
Not to mention other things, the firing technique of enamel is much more difficult than firing Ruguan kiln.
Before this, Chen Wenzhe had already fired a batch of pastel Zadao porcelain, and even two batches of Ruguan kiln porcelain were fired.
Now every morning I leave the kiln first and then start firing the kiln again.
Then go to the studio to study the firing results,
Finally make another batch,
Waiting to be fired in the kiln again tomorrow morning.
If this cycle goes on and on, it will be difficult for his kiln-firing technology to improve!
"The color of this Ru kiln is almost finished!"
Look at the green jade-like flower cups, the deep blue flower pouches, and finally the azure-glazed flower arrangement!
The flower arrangement he made this time is really blue but not bright, gray but not dark, green but not green. Is this the color of blue after the rain?
"Make something difficult, forget about the color, and make something with a slightly better shape."
After completing a series of pastel zhaodao porcelain, single-color glazed chrysanthemum petal plates, and enamel colored porcelain, as well as the two batches of Ru kiln flower goblets fired previously, all of which were successful, Chen Wenzhe planned to stop the production of other porcelain and return to the Ru kiln porcelain industry.
On top of imitation burning.
After thinking carefully for a while, I copied the Ru kiln in the famous book and mentioned the Ru porcelain in the poem, so let's continue.
When it comes to writing poems, there is no emperor as powerful as Qianlong.
This person is considered shameless, because his imperial poems ruined the most famous porcelain and famous paintings.
Qianlong doesn't like good things.
As long as you see it, you will either stamp it with a seal, inscribe it, or engrave it.
It can be said that he has ruined the most treasures passed down from dynasty to dynasty.
Of course, since he is also considered a celebrity, if there are his poems on it, the value may be increased.
In this aspect, what impressed Chen Wenzhe most deeply was a plate from Ru kiln.
That plate can be regarded as a typical representative of Ru porcelain, and it is a celadon plate from the Northern Song Dynasty.
It has been collected by the Wanwan Palace Museum, and most people really don’t have the chance to see it in person.
There are two special things about this plate. First, the plate itself is special, and there is a small flaw in the mouth of the plate. A small piece was knocked off.
But this does not affect its scarcity, it is still a treasure.
The second one is this plate, which is said to have been Emperor Qianlong’s most beloved treasure.
And there is a poem engraved on the bottom of it.
Of course, except for Emperor Qianlong, no one else dared to engrave poems on it.
Because of this poem, this plate became a priceless treasure, and its price increased nearly 500 times in a few years.
It was not easy for this plate to be collected by Qianlong. Even Li Kuchan once wrote a banner in a porcelain factory in Nanhe: "No museum in the world without you can be said to be perfect."
This also shows that this kind of Ru kiln porcelain is too precious.
Back to the plate itself, that plate conforms to the characteristics of all Ru kiln porcelain. The body color is slightly whiter, but there are some traces of gray. This is commonly known in the industry as the incense ash body.
Another important point is the glaze color, which is usually azure and pinkish blue. Like this one collected by Qianlong, there is some pinkish blue, and the glaze is moist and soft, as pure and beautiful as jade.
Moreover, it is full of slices, which makes it a typical example of high-grade ancient porcelain.
Looking at it from a distance, it also gives people a warm and simple feeling.
Whether it is the shape or the glaze color of the entire utensil, it is almost super perfect.
Collection master Ma Dudu once said that he once missed a real Ru kiln because he did not have enough professional knowledge at the time, and eventually it was taken away by others when he turned around.
After so many years, this incident really made him regretful.
Obtaining a genuine Ru kiln porcelain is a rare thing for a big collector like Ma Dudu, let alone the private players.
It is definitely impossible to obtain many famous porcelains, but if you have seen them, you can still imitate them and play with them yourself.
It would definitely not work to imitate a plate like this and sell it.
However, it is too beautiful and Chen Wenzhe wants it very much, so what should he do?
Imitation, just imitate it and play it yourself!
There are many records of such fine and famous porcelain being handed down from generation to generation, and even Qianlong collected quite a few of them.
During the Qianlong period, the Qing Dynasty was unprecedentedly prosperous, and more good things were brought into the palace, such as handed down Ru kiln wares and paper mallet bottles!
This Ru kiln pink-green Fenghua paper mallet vase once left traces in Lao Wushao's poems.
Dingzhou's white evil has an awn shape, and Ruzhou's Tao Nenqing is specially ordered.
The mouth wants it to be made of solid copper to lock, but the bottom is complete but there are still nails from old iron.
Heyin Dianbi means tranquility, and the nose is sweet even if the hairpin is not hairpin.
On that day, I served Hua to accompany De Shou, but the memory of the Five Kingdoms stayed here.
This is an imperial inscription in the mid-summer period of Wuwu in the third year of Qianlong's reign. The two characters "Fenghua" are engraved on the left side of the bottom, a seven-character poem is engraved on the right side, and two square seals are inscribed "Ancient Xiang" and "Taiwangbu".
It is definitely not possible to imitate such porcelain and sell it as a high imitation.
But if you play it by yourself, there will be no problems at all. If it is done well and displayed in a private museum, there will be no problems at all.
If the quality can reach the level of authentic museum collections, then if it is put into a museum, even if everyone knows it is a fake, it will only make people marvel!
Therefore, Chen Wenzhe has no hesitation at all about imitating such a work.
Of course, before that, he must first imitate a plate collected by Qianlong according to the records, and then imitate the paper mallet bottle.