Because the color of alum red glaze is more stable than copper red glaze, this kind of alum red glaze porcelain generally needs to be fired twice.
That is, the white porcelain body is fired at high temperature, then coated with alum red material and fired in a kiln at low temperature. Therefore, the alum red glaze porcelain variety is also called "red".
For example, the alum red glaze peony pattern plate from Ming Zhengde is usually 4.1 in height and 17.5 in diameter.
This type of plate has its mouth turned outwards and its feet turned inwards.
The glaze is pure white and even, but white with gray in it.
The outer wall of the dish is glazed with six peonies wrapped in coral red, and the flowers and leaves are outlined with date skin red.
There are double red lines on the outside of the mouth and on the groin, a single red line on the lower edge of the circle, and a double circle of four-character regular script made in the Zhengde era at the bottom.
There is also a porcelain goblet with red sea and flying animal patterns during the Wanli Year of the Ming Dynasty.
Ming Dynasty Wanli Year porcelain goblet with red sea and flying animal patterns, generally 8.9 cm in height, 9.7 cm in diameter, and 4.8 cm in base diameter.
This kind of cup has a flat bottom, a high ring foot, a smooth glaze, a milky white color, and a medium-to-purple blue and white color.
The outer wall of the cup is decorated with red sea water, with blue and white dragons, unicorns, seahorses, flying elephants, lions, auspicious deer, sparrows, carps, etc.
The handle of the cup is made of red seawater rocks, and you can clearly see the red-painted craftsmanship.
No matter what technology, it would generally be carried forward by the Qing Dynasty.
Therefore, during the Qianlong period of the Qing Dynasty, Jingzhen kiln produced vases with red lotus patterns.
This bottle has a height of 21cm, a diameter of 5cm, and a foot diameter of 5.7cm.
This is no longer a small device. Chen Wenzhe didn't have the materials at hand, so he wouldn't make one right away.
All the things he was making were teapots from the Qing Dynasty. It was okay for Chen Wenzhe to make a plate at random, but if he wanted to make something else, it would not be that easy.
"This Domu pot is well made."
Chen Wenzhe had seen Domuhu before, and even watched Chen Xingchen and others do it.
This is one of the popular pot styles in the Yuan Dynasty and is a vessel used by the Tibetan and Mongolian ethnic minorities to hold lotion.
The pastel Duomu teapot from the Qianlong period of the Qing Dynasty is one of the classics. This Duomu teapot is 47cm tall and 14.8cm in diameter.
The body of the pot is in the shape of a bamboo tube, and the upper part of the pot is a monk's hat-style cover.
The top of the cover is a squatting lion button, the dragon handle, phoenix flow, dragon head handle and phoenix body flow are all painted red;
The body of the teapot is fully decorated with pastel-colored intertwining flowers and eight-treasure eucalyptus. There are four colorful hoops in the middle of the yellow-glazed teapot;
Because yellow glaze wares were only used by the palace and were of supreme color, they were never used by the people.
The inside and bottom of the pot are covered with green glaze, and the center of the bottom of the pot is square white.
The center of the bottom of the pot is square and on the white ground there is a three-line, six-character blue and white seal script inscription "Made in the Qianlong Year of the Qing Dynasty".
This pot is a typical ethnic tea drinking utensil of the Qing Dynasty, and has the characteristics of Manchu, Tibetan and Mongolian cultures.
It has evolved from the original Manchu and Mongolian milk tea drinking utensil to a palace display and practical utensil.
It is decorated with the Eight Treasures pattern of Tibetan Buddhism and carefully fired by the Jingzhen Royal Kiln Factory, making it a Qing palace tea vessel with exquisite glaze color, exquisite craftsmanship and unique shape.
The shape of the Domu teapot is simple, but due to different craftsmanship, the Domu teapots made are also different.
Generally, the shape of the Domu teapot is cylindrical, with the upper part closed and the lower part open, with a corolla-shaped decoration on the side of the mouth near the handle.
Both ends of the handle have curled floral decorations, shaped like a pot, with short feet.
Generally, the crest is wide and flat without glaze, and the body of the pot is decorated with imitation metal hoops and rivets.
Products with green and white glaze are the most common. The earliest Domu pot porcelain was unearthed. Currently, only one complete vessel is unearthed from the tomb of Yuan Tieke in Shendu.
"Duo Mu" originally means a bucket of butter, which is called Dong Mo (dng) or Duo Mu in Tibetan.
A hat-shaped rim was added to the rim of the mouth, and a handle and mouth were added to form a pot.
The Domu pot is a vessel used by Tibetans to mix and hold butter tea.
Butter tea is called Chasuma in Tibetan, which means general
Pour a small amount of butter and salt into the strong tea made from tea bricks.
Some also add some MSG and milk and other leftover ingredients, and stir until the water and butter blend. It is a necessity in the life of Tibetan compatriots.
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Because they are mostly used by ethnic minorities, most of the existing Domu pots are made of gold, including gold enamel pots.
For example, one of the Duomu teapots that Chen Wenzhe knows about is a k gold tire.
This Domu pot has a lotus petal base and coral buttons.
The cylindrical body is divided into three sections.
The opening area is painted with various butterfly lake stones, mother and child pictures, shepherd pictures, rural scenery and other patterns.
This style of Domu teapot shines with golden light, is full of royal style, and has both decorative and practical value.
Chen Wenzhe had made enamelware before, so he knew very well that there are three types of enamelware: cloisonné enamel, commonly known as cloisonné, chiseled enamel, also known as filled enamel, and painted enamel.
This is made of enamel glaze, which is fixed on the surface of gold, silver or copper through different processing techniques and then fired.
The earliest enamelware in my country was produced in the Yuan Dynasty. During the Qianlong period of the Qing Dynasty, the production of enamelware reached its peak.
During the Ming and Qing Dynasties, due to the royal family's emphasis on Tibet and Tibetan Buddhism, many utensils with national characteristics in the snowy areas began to enter the court, such as the Domu pot.
Due to the large number of canonization and ritual needs in the Qing Dynasty, such exquisite magical instruments and furnishings began to appear in large quantities.
The manufacturing office at that time produced many such utensils.
At the same time, it was also used by the Qing emperor to give to eminent monks, which made the Duomu teapot even more popular.
Chen Wenzhe remembers a pair of wooden pots that were auctioned. The pot is 28 centimeters high. It is made of pure copper, has fine glaze, and is gilded brilliantly.
This kind of multi-mu pot must be a fine product of the Qing Dynasty, and this pair was made for the palace by the Qianlong Yangxin Palace Building Office in the Qing Dynasty.
During the Ming and Qing Dynasties, due to the royal family's reward, Duomu teapots became even more popular and were made of various materials.
There are metal and porcelain items, and most of them are made of metal.
They are mainly various types of metal enamel vessels, which are often found in the world.
However, porcelain Domu pots are relatively rare.
Perhaps because it is relatively rare and enameled ware is difficult to make, the ones currently imitated in factories are actually porcelain Domu teapots.
Chen Wenzhe has the materials, the technology, and the capital to make such a luxurious gold-bodied enamel vessel.
But, he doesn't have time.
Now he can only watch and see how far this ceramic factory he created at will can achieve.
Looking at the imitation Qianlong blue and white flower pot in front of him, Chen Wenzhe felt quite satisfied.
The earliest high-quality blue and white material he could provide was definitely Qianlong blue and white.
so,
This kind of Qianlong blue and white porcelain has been copied by his factory for a long time.
Otherwise, this blue and white floral vase would not be so well imitated.
If I remember correctly, the authentic piece of porcelain should be hidden in the Palace Museum in Shen City.
Its total height is 28.5 cm, its mouth and neck are 6.4 cm, and its foot diameter is 10.4 cm.
The whole pot is decorated with blue and white glaze, and the lid is painted with crocodile flowers. The lid button is in the shape of a ring and can be connected to the ring tether at the end of the handle;
The neck of the pot is decorated with a dark banana leaf pattern, and the body of the pot is painted with a pattern of entwining custard flowers;
There are two rhombus-shaped openings on the abdomen, and two peach fruits with folded branches are painted inside the openings;
The long stream part is fully decorated with cirrus cloud patterns, and the junction between the stream and the pot body is painted with Ganoderma lucidum pattern;
There is a six-character three-line square inscription on the bottom of the pot in blue and white seal script "Made in the Qianlong Year of the Qing Dynasty". The transcoding has been serious recently, which makes us more motivated and updates faster. Could you please use your little hand to exit the reading mode. Thank you