The deposit of porcelain is sometimes an important evidence to identify the authenticity of a work.
For example, the porcelain of the Qing Dynasty, Kangxi, Yongzheng, and Qianlong dynasties, was very particular about its original price.
Especially for regular script, you should pay special attention when using it.
Because the regular script of the Qing Dynasty, which began during the Kangxi period, evolved through the Yongzheng dynasty, and was basically replaced by the seal script during the Qianlong period.
This ewer in the collection of the Palace Museum in Shen City is very beautiful in shape and has a delicate and charming blue and white glaze. It can be called a typical official vessel in the shape of a palace ewer in the Qing Dynasty.
Of course, since we want to imitate, naturally all the imitations should be classic models.
"Huh? There are people who can make enamels?"
Finally, while walking, Chen Wenzhe saw some works with a bit of technical content.
It was an imitation of the enamel flower and bird pot painted by Qianlong of the Qing Dynasty. This treasure seems to be hidden in the Palace Museum in Shen City now.
This small Qianlong-style enamel flower-and-bird ewer is made of copper, with a total height of 8.7 inches and a diameter of 5.5 centimeters.
The teapot has a short spout, and the round button on the top of the lid is made of red coral. The top and bottom of the round button are decorated with gilt copper and lotus petal patterns;
The gilt glaze is pure gold, and the handle and the base of the mouth are also inlaid with gilt pieces, decorated with cloud and beast patterns;
Its gold structure is very stable, and harmful heavy metals will not be released under high temperatures.
Therefore, the lid rim, spout rim and bottom foot rim of this pot are all gilded.
The lid, body, mouth and handle of this pot are all made of sky blue;
The sides of the lid and the center of the pot belly are decorated with green entangled flowers and leaves, purple peonies, and two colorful birds dancing opposite each other, spreading their wings;
In the center of the pure white bottom of the pot, there are four characters "Made in the Qianlong Year" in red and two lines of regular script.
This teapot was a practical vessel in the Qing palace and a typical enamel vessel in the mid-Qing Dynasty.
"Who imitated it? It's very well done!"
"It must have been made by me. Take a look at our current mature products first. These were the hottest sellers when you were here. Of course, the shipment volume is also the largest now. Wait a moment, let's go and see the new workshop. "
Seeing Chen Xingchen's proud look, Chen Wenzhe could only nod.
However, except for the works of the third and third dynasties of the Qing Dynasty, the works of the middle and late Qing dynasties are not so good.
Of course, there were some good things during the Jiadao period.
Teapots in the palace during the Jiadao period of the Qing Dynasty were mostly made of pastel, decorated with pink green ground, flower pictures, hundreds of children pictures, etc., with consecration, and imperial poems were written inside the consecration.
The practical teapots of the late Qing Dynasty had long handles and oval handles.
What Chen Wenzhe sees now is an imitation of a blue and white lotus-shaped teapot with eight auspicious patterns on it from the Jiaqing Jingzhen Kiln of the Qing Dynasty.
In the Capital Museum, there is a Qing Jiaqing JDZ kiln blue and white lotus holder with eight auspicious patterns.
The overall height of this teapot is 31cm, the bottom diameter is 9.3cm, and the diameter is 9cm.
The cover button is in the shape of a ring, with a plate mouth, a thin neck, wide shoulders, a hanging belly, a circle foot that is turned outward, and a long flowing and curved handle from the neck to the belly.
The shape of the vessel is beautiful and steady. The lid is painted with a lotus flower and the belly is decorated with a lotus flower holding eight treasures.
The upper and lower parts are decorated with lotus petals, flowing flowers and branches, and the handle is decorated with curly grass patterns.
This type of pot evolved from the jade pot spring pot, so it is also called "jade pot spring pot".
This pot imitates the Xuande pot of the Ming Dynasty, but is not as natural and vivid as the Xuande pattern.
The blue and white color scheme has flashes of gray in the blue, the brushwork is slender and restrained, and the picture looks dull.
This is a characteristic of the Jiaqing period and is also a typical Qing Dynasty palace official style of holding the pot.
There is also an imitation of the Qing Jiaqing pastel yellow ground consecrated Imperial Poetry teapot, the authentic one is hidden in the Shen City Palace Museum.
In fact, many things from the Qing Dynasty palace are hidden in the Palace Museum.
This imitation Jiaqing pastel yellow ground consecrated imperial poetry teapot is 15.5 cm high and 6.2 cm in diameter.
During the Jiaqing period, pastel ware was still the main variety and could maintain the style of the Qianlong period.
This is a teapot with a yellow glaze ground, which is very noble.
The lid and body of the pot are decorated with many flowers in different colors.
On the top of this pot, the form of a pearl is also used to depict gold leaves.
The edges of the teapot's lid, mouth and neck, and bottom are decorated with purple-red cloud patterns.
The lower part of the mouth and neck of the pot is decorated with a Ruyi head pattern, and the lower part of the pot belly is decorated with a banana leaf pattern;
There is a long diamond-shaped consecration on the ampulla, and inside the consecration there is a red-glazed seven-character poem written by Emperor Jiaqing.
His poem is: "The good tea is a tribute, and the poems must be poured into the moon. Add live fire to the bamboo stove, and the stone hammer is boiling. The eyes of fish and crabs are rising, and the shadows of flags and guns are thin. A cup is refreshing and full of spring. "Light cold".
Below it are the continuous seals: "Jia" and "Qing".
From some files in the Qing Palace Manufacturing Office, we can see that some porcelains from the Qianlong Dynasty of the Qing Dynasty were characterized by the imperial poems written by Emperor Gaozong Hongli of the Qing Dynasty.
These poems were all produced by Tang Ying, the pottery supervisor at the time, under the emperor's decree.
The decoration of imperial poems on porcelain can still be seen in the Jiaqing period, mostly on teapots and tea bowls, but it is far less popular than in the Qianlong period.
The bottom of this pot is made of bean green glaze, and in the white space in the middle is the red glaze seal script "Made in the Jiaqing Year of the Qing Dynasty".
This kind of yellow glaze ware should be a rare and exquisite product from the later period.
There are also classics like this, such as the Qing Daoguang pastel pink and green ground consecrated vase with a hundred flowers.
The Qing Daoguang famille rose flower vase with a hundred flowers on a pink and green ground collected in the Shenyang Palace Museum has a height of 30 cm and a diameter of 6 cm.
The surface is based on pink celadon glaze and decorated with pastel patterns.
The pot has a round belly, curved flow, curved handle, and short round foot;
The cover button is in the shape of a ring, and the cover surface is painted with Ruyi cloud patterns and entangled branches;
The mouth and lid are each painted with gold, and the outside of the mouth has a rouge water-tangled branch pattern;
There are golden longevity characters, red bat and lotus patterns on the front and back sides of the neck;
The whole body of the pot is pink and blue, and is decorated with flowers. The front and back sides of the belly are decorated with lotus flowers, and the inside is painted with a hundred sons.
The handle is in the shape of a flat belt, with an ocher color inside and a curly grass pattern on the outside. There is a red chilong ring on the top of the handle;
The handle and the outside of the pot are both decorated with the Chinese characters "Double Happiness";
There is a pattern on the circle foot, and there is a square seal in red seal script "Daoguang Year of the Qing Dynasty" on the bottom.
This pot has a beautiful shape and bright color.
In addition, the theme is the rare Bai Zi Tu, and also uses gold painting, dragons, etc.
With this type of pot, no matter who you look at it, you will know that it is something used by the royal family.
Yellow glaze ware, dragon-shaped ware, and gold-painted ware are not accessible to ordinary people.
Secondly, there is the enamelware. Chen Xingchen’s example is endless.
Therefore, as long as you think you are capable, you can challenge higher, bigger, and higher.
For example, make some particularly rare and special luxuries.
For example, enamelware among imperial necessities is definitely a well-deserved luxury item.
The person in front of Chen Wenzhe was making a painted and enamel teapot with a raised beam.
"He is the master chef who came from the factory of the young boss of Chenghuang Temple. Despite his youth, his craftsmanship is really good."
There are many young bosses at Chenghuang Temple, but not many have cloisonné factories at home.
Chen Wenzhe laughed when he thought of the big cloisonné enamel piece with cloud and dragon patterns that he bought.