A piece of blue and white porcelain, from the body, glaze, decoration, to the final design, if you master them all, then you can start making it.
To imitate an ancient handicraft, you must understand the characteristics of this ancient porcelain.
Chen Wenzhe has mastered all of this.
Therefore, from the blue and white porcelain of the Tang Dynasty, to the Song Dynasty, Yuan Dynasty, to the Ming and Qing Dynasties, Chen Wenzhe can now imitate all blue and white porcelain.
Among them, the most important one to him is Macang soil.
Of course, even if the blue and white after the mid-Ming Dynasty used kaolin, it was the highest quality kaolin used.
Now Chen Wenzhe's factory has no shortage of it, and because he has developed a modern synthetic clay that has the effect of ancient porcelain, Li Jinli also specially built a clay factory.
It can be said that everything is ready now. All we need is Dongfeng. What is Dongfeng now? It is a whole series of production lines.
All those who make yellow-glazed porcelain have been imitated from ancient times to the present.
Someone who made blue-glazed porcelain also opened a line and started to contact based on the information provided by Chen Wenzhe.
Those who make red glaze, blue glaze porcelain, green glaze porcelain, black glaze, colored glaze and other porcelains all have dedicated lines to start production.
Chen Wenzhe is now making blue and white porcelain. Since he is making blue and white porcelain, he naturally chooses the best national treasure blue and white porcelain to imitate.
Blue and white porcelain, whether it is a vessel or a song, is a far-reaching artistic conception of life and landscape, rich and dark.
This kind of blue and white porcelain, even if you make a plate casually, as long as you work hard, the result will be a treasure.
For example, a blue and white flower-and-bird pattern bearing plate with a diameter of more than 40 centimeters.
Another example is the blue and white lotus pattern bowl, and the white background blue and white jade pot and spring vase!
The emergence of blue and white porcelain is an important symbol in the development stage of my country's porcelain history from white porcelain to colored porcelain.
It is the most successful representative of underglaze color and the most prestigious "national porcelain" in our country.
Blue and white porcelain, depending on the diamond ore containing cobalt oxide in the glaze, is fired at high temperatures to produce different underglaze colored porcelain.
If the cobalt material is well prepared, it will turn blue after firing.
Primitive blue and white porcelain was created in the Tang Dynasty, and mature blue and white porcelain appeared in the Hutian Kiln in Jingzhen in the Yuan Dynasty.
Blue and white became the mainstream of porcelain in the Ming Dynasty, and reached its peak during the Kangxi period of the Qing Dynasty.
All ceramic systems have their own advantages.
Nowadays, when everyone imitates blue and white, the first thing that comes to mind must be the blue and white of the Yuan Dynasty.
"Yuan Qinghua" is a porcelain white with a bluish tint and its flowers are verdant. It is an elegant and quiet "treasure in the world".
Naturally, everyone likes it. Of course, the most important reason is definitely because of the scarcity and high price!
With the right materials, it is really not difficult for Chen Wenzhe to imitate a Yuan blue and white piece.
He now has Yuan Qinghua in his hand. Even if he doesn't, he can go to the museum to have a look.
As long as he sees it, he will know exactly how Yuan Qinghua did it back then.
If modern materials are not suitable, he can even spend a lot of money to completely restore ancient craftsmanship.
No need to bother now, because he has already imitated it before.
Moreover, he has also seen the top imitation of Yuan blue and white. Now if he is asked to imitate it, he can imitate the effect of Ma Cang soil even if he does not use Ma Cang soil.
On the contrary, it is Su Ma Li Qing. For modern people, it is not difficult to perfectly copy the ancient Su material.
I made several large plates, several small bowls, and goblets.
After that, Chen Wenzhe began to make large vessels. The first one was a hexagonal vase with Yuan blue and white flowers and birds and waterfowl patterns.
After finishing this piece, Chen Wenzhe stopped copying Yuan Qinghua.
He has previously made Yuan Qing Hua with themes such as Gui Guzi Descending the Mountain, and Yuan Qing Hua with themes such as Chasing Han Xin under the Moon and Three Heroes Fighting Lu Bu.
There is no need to do it now, so just do it to practice.
When making blue and white porcelain, one must not avoid the Ming Dynasty.
Starting from the Yongle Dynasty of the Ming Dynasty, Jingzhen blue and white porcelain regained its glory. Together with the Xuande Dynasty, it became the most brilliant golden age of blue and white porcelain.
Blue and white porcelain has a history of about 70 years from the Yuan Dynasty to Yongle.
Blue and white porcelain, which was considered tacky due to its complicated patterns, has gradually been accepted by the Chinese people.
Of course, since Yongle, the decorative style of blue and white has gradually moved closer to the sparse and simple direction that is in line with Chinese tradition.
This made blue and white begin to enter the mainstream of porcelain in my country, and became the most important variety produced in Jingzhen.
Yongle blue and white with plump enamel and thin fetal bones gives people a light and beautiful feeling.
The decorative patterns are mainly flowers, birds, melons and fruits, most of which are sparse and beautiful, with natural brushstrokes and always appear so fresh and bright.
During the Wanli period, the types of blue and white vessels were the most abundant, and various types of porcelain boxes and stationery were the most common. However, the production of the vessels gradually became sloppy and deformed.
The decorations have gradually become densely laid out, with unclear themes, and the brush strokes are simple and sloppy. Some are as childish as children's paintings. The dragon patterns are dull and weak, lacking in verve, and the characters are often out of proportion.
The representative blue and white works of Wanli include blue and white pots with figures and flowers. This large pot has a straight mouth, short neck and round feet.
The whole body is covered with white glaze, and the enamel is fine and smooth.
The fetus is compact, the carcass is thick, and the whole device is round and plump.
The pot is decorated with figures and floral patterns, the figures are vivid and lifelike, the picture is clear and comfortable, the colors are bright, the blue and white flowers are delicate and green, fresh and bright.
The characters and flower patterns in the picture are simple and elegant, the brushwork is sweet and sweet, and the image is vivid.
The inside of the circle foot is painted with white glaze and has no design.
In the late Wanli period, due to the exhaustion of Huiqing materials, Zhejiang materials were used instead.
The works using Zhejiang materials include the Clark flower mouth lamp with blue and white floral patterns. This kind of small bowl has a curved mouth, a curved belly, a circle foot and a flower mouth.
The rim of the mouth is slightly outward, and the pattern decoration complements the cup.
This flower mouth cup has a light and thin texture and a delicate carcass.
The whole body is glazed, and the glaze surface is smooth and translucent, with flowers but not full.
The blue and white hair color is rich and gorgeous, the picture is fresh and elegant, and the brushwork is delicate and delicate, which is endearing.
The whole shape is handsome and light, the lines are smooth and free, the proportions are coordinated, beautiful and elegant, making it a rare collection.
By the end of the Ming Dynasty, due to political turmoil during the Apocalypse, all industries were in decline, and the ceramic industry was also depressed and deserted.
After the 19th year of the Apocalypse, the imperial court no longer ordered the construction of official kilns.
Therefore, there are very few Apocalypse Year inscriptions, mainly "Daming Qi Nian System", and there are also "Apocalypse Nian System" inscriptions.
There are more and more various types of pictures, hall names, auspicious words, and hymns in folk kiln wares.
Like the exquisite utensils in the jade hall, all blessings are equal;
There were many false entrustments, including those from Yongle, Xuande, Chenghua, Tianshun, Zhengde, Jiajing and other dynasties. Among them, the only one who falsely entrusted Tianshun with money was Tianqi.
The decorations are still mainly traditional ones, but the decorations with Taoist content are less than those in Wanli period, and the painting style is rough.
The patterns of Tianqi blue and white porcelain are sparse and clear, and the atmosphere of life is stronger.
Thick carcass, rough texture, irregular shape, sand on the bottom of the vessel, collapse of the bottom, and knife marks have become the characteristics of the times.
One of the representative works is the blue and white Wuzi Dengke jar. This blue and white porcelain jar is not small, it is tall.
/
Please remember the domain name of this book:.The Moral Record of the Mortician