"Wu Er and the others have really spent a lot of money. Are they just asking for three large cans?"
Chen Wenzhe was finally willing to put down the Sanqiu cup in his hand. He looked at Li Jinli and felt that Wu Er's conditions might not be that simple.
"Of course it's not just that, there are also some odds and ends. Except for the three large cans, the others are some cups, bottles and so on. I remember you seemed to have made them?" Li Jinli said.
Chen Wenzhe nodded, that's good. Except for the three large blue and white jars that are more difficult to make, the others should be easy.
In this way, he is almost certain to get this Sanqiu Cup.
"What are the others?" Chen Wenzhe relaxed and asked casually.
"It seems to be a child's pillow, a bottle with a double gourd pattern, and yes, a goblet. It's just blue and white with red glaze. This shouldn't be any difficult for you."
Looking at Li Jinli who was very relaxed, Chen Wenzhe was a little speechless.
If he didn't pay too much attention to it before, Chen Wenzhe won't think so now.
Anyone can make a baby pillow? After all, what Wu Er wants is definitely not an ordinary product.
There is also a blue and white underglaze red goblet. Needless to say, what Wu Er wants is either from the Ming Dynasty or the Yuan Dynasty. These utensils are all top-notch national treasures.
"He doesn't want three large Yuan blue and white jars, plus ten other various bottles and jars, right?" Chen Wenzhe asked with a pained look on his face.
"Yes, there are only about ten pieces in total!" Li Jinli said immediately.
Chen Wenzhe was completely speechless, Wu Er was still so greedy, he wanted three fine imitation Yuan blue and white jars, plus ten fine imitations of top national treasures.
"Forget it, the ten top national treasures that I didn't imitate before, I just imitated them all this time."
At this time, Chen Wenzhe also remembered that when he imitated the top ten national treasures in the country, he only imitated children's pillows, gourd bottles, etc., not even the goblet.
Now, he can copy them all.
However, before he made blue and white flowers, he made a lot of Yuan blue and white flowers, but he did not make large blue and white pots.
Now that he is ready, he has the materials at hand, and he can make a few Yuan blue and white figures.
I took Wu Er's request document and looked at it. The first item was not a large can, but a plum vase.
Yuan Qinghua Xiao He chases Han Xin's plum vase under the moon, this is so famous.
This blue and white porcelain once set an auction record for a single piece of art in my country.
However, it seems that Wu Er asked for not one plum vase, but three.
Of course, they have room to operate, and there is definitely only one item that can be sold at a high price!
Looking at the pictures in the document, Chen Wenzhe felt a little emotional, Wu Er and the others were the professionals!
It is difficult for ordinary people to know that Yuan Qinghua Xiao He chasing Han Xin's plum vase under the moon is not the same thing.
There are three bottles of this vessel, one of which is kept in the Jinling Museum. It is a national first-class cultural relic and is prohibited from exporting for exhibition;
One bottle is still missing overseas, with no trace left;
A bottle was sold for HK$840 million at the Australian Island Art Auction in November 2011.
If this is equivalent to RMB, it is more than 680 million.
Such a high price has truly set a record for the transaction price of a single piece of porcelain in world history.
Therefore, to this day, no piece of "porcelain" can surpass its value!
These three blue and white Yuan blue and white Xiao He Yue Chai Han Xin plum vases are rare treasures among the blue and white porcelain of the late Yuan and early Ming dynasties. They have extremely unique blue and white patterns and reflect the extremely high level of firing.
Everyone must have heard of the allusion "Xiao He chases Han Xin under the moon".
But many people have never seen this allusion painted into a painting and tattooed on porcelain.
In 1950, a Yuan blue and white plum vase with the picture of Xiao He chasing Han Xin under the moon was unearthed from Muying's tomb in Guanyin Mountain, Yintang Village, Jinling.
This plum vase is 44.1 cm high, 5.5 cm in diameter, and 13 cm in base diameter.
The mouth is short and small, the rim of the mouth is flat and thick, the short neck is trapezoid-shaped, the shoulders are plump and round, and the convergence is obvious below the shins.
It has a flat bottom with a shallow circle foot, and the shape of the vessel is beautiful and straight.
The body of the vessel is covered with blue and white patterns, the white glaze is thick and shiny, and the green material is rich and dark, which is pleasing to the eye.
The whole body is painted with six layers of patterns: the outer wall of the bottle mouth is painted with a lotus pattern covered with treasures, and the upper part of the shoulder is a lotus pattern with intertwined branches, a pomegranate-shaped center, and gourd-shaped leaves.
The theme pattern on the belly of the vessel is the character story pattern of "Xiao He chasing Han Xin under the moon";
Auxiliary decorations include miscellaneous treasures, tangled angustifolia and lotus petal patterns.
Although the plum vase is covered with various patterns and patterns, it looks dense and complex.
However, after careful processing by the painters, the picture has clear priorities, is complex but not chaotic, has a precise layout, and has a strong sense of hierarchy.
The whole body of the utensil emits a faint gem-like color, and the spots where the green material is dyed leave black spots that penetrate into the fetal bones.
The vivid expressions of the characters painted on the bottle are lifelike.
Xiao He's anxiety when galloping on his horse, Han Xin's hesitation as he watched by the river, and the old boatman's expectation as he stood holding his oar in his hands were all vividly and delicately expressed.
Taking ancient history as a decorative theme, it was often used in blue and white porcelain of the Yuan Dynasty.
This reflects that opera stories at that time had penetrated into all aspects of social life.
And the blank space is lined with green pines, plum bamboos, and mountain rocks, making it look well-proportioned.
This vessel is tall and beautiful in shape.
The decorative theme is rare, the painting is exquisite, and the decorative lines are round and smooth.
The blue and white porcelain is pure and rich in color. It was unearthed from a tomb dating back to the chronological period and is well preserved. It is definitely the best among Yuan blue and white porcelain.
It is not surprising that historical stories are used as the theme of Yuan blue and white decoration, but the exquisite figures of blue and white porcelain are extremely rare.
Due to the limitations of porcelain making technology and the uncertainty of kiln temperature control, large pieces of Yuan blue and white porcelain are easily deformed.
Utensils fired with imported cobalt blue materials, although rich in color, tend to fade.
There will also be brown crystal spots left where the glaze has accumulated.
These characteristics greatly limit the artistic creation of craftsmen, so successful blue and white porcelain with figure patterns is extremely precious.
According to relevant data, there are only more than 100 pieces of Yuan Dynasty blue and white porcelain unearthed from various places collected in domestic museums in my country.
There are more than 200 pieces of Yuan blue and white porcelain scattered around the world.
Among them, very few have been unearthed with pictures of characters and stories.
This plum vase blue and white porcelain has a green, rich and stable color.
Although the whole body is covered with various patterns and patterns, the priorities are clear, complex but not chaotic, the layout is precise, and it has a strong sense of hierarchy.
Regardless of the shape, glaze color, decoration and firing technology, all aspects have reached the level of perfection.
This reflects the superb skills of Jingzhen porcelain craftsmen and represents the higher artistic achievement of blue and white porcelain in the Yuan Dynasty.
The unearthed Yuan blue and white Xiao He Yue Xia Chai Han Xin plum vase provides important basis for our country to study the craftsmanship, painting, firing and life of Yuan Dynasty blue and white porcelain.
There is no way, the origin of this piece of porcelain is too authentic.
In 1392, this blue and white Yuan blue and white vase of Xiao He chasing Han Xin under the moon was buried underground as a funerary object of Mu Ying.