This porcelain jar with celadon-glazed lotus leaf-shaped lid from the Longquan kiln of the Southern Song Dynasty has flint red color in the unglazed areas such as the mouth rim, inner edge of the lid, and the bottom of the ring.
The ring foot is round, with obvious cutting and trimming marks visible on the foot end, and a small amount of kiln slag adhering to the unglazed area.
This lotus leaf-shaped lid jar is a representative work of Longquan kiln plum celadon porcelain.
Its glaze color is soft and elegant, clean and shiny, as green as jade and as warm as spring water.
This feature truly reaches the ideal state of "thousands of green peaks" and "like ice and jade" that our country's ceramics have been pursuing for thousands of years.
Jars with lotus leaf-shaped lids are used to store wine, but it is not easy to make such a practical vessel more beautiful than a viewing vessel.
Needless to say, this lotus-leaf-shaped lidded jar must be authentic from the Southern Song Dynasty.
This type of vessel was actually mostly produced in the Longquan Kiln of the Yuan Dynasty. Products of the Song Dynasty are only found in the Jinyu Village Cellar, so they are extremely precious.
There are many first-class cultural relics like this, such as the blue and white glazed phoenix-head porcelain water infusion from Jingzhen Kiln in the Southern Song Dynasty.
It has a diameter of 2.9, a belly diameter of 8.9, a base diameter of 8.1, and a height of 9 cm.
A circle of contact marks can be seen between the feet and the abdomen, and the ends of the feet are flat.
The glaze layer is thick and smooth, with only two faint opening lines visible on the edge of the mouth.
Since the end of the Tang Dynasty, porcelain has been trying to increase the thickness of the walls of the objects, so that the porcelain wares do not have the heavy and thin texture of gold and silver wares.
Since the Song Dynasty, wars in the north have stopped, and Sichuan has become a veritable land of abundance, with a developed economy and far away from wars.
Open mouth, pointed lips, oblique straight belly, large round feet.
The theme pattern is the Pisces pattern on the bottom of the dish, which is lined with water waves or lotus patterns;
Several precious first-class cultural relics I saw later belonged to Jingzhen kiln, and during the Southern Song Dynasty, Longquan kiln became even more famous.
The water dropper is a study utensil, originally called inkstone, used to drip water into the inkstone pool.
For example, the plum eight-legged Li-style porcelain stove of the Longquan Kiln of the Southern Song Dynasty is an authentic first-class cultural relic.
The main thing is to see the fetal color, and the whole body is covered with green glaze plum.
In this era, if you encounter a Mongolian soldier, you will basically not escape death.
However, it is also very beautifully made.
The two fishes each face one side, the fish pattern is relatively long and slender, and there are no two fish scale patterns under the fish's body.
The white body is grayish, the fetal bones are slightly thick, and the whole body is covered with green glaze plums. The glaze color at the edge is green and yellow, the glaze surface is smooth and moist, and there is no pinhole in the inner wall.
The porcelain dish has a diameter of 10.8, a base diameter of 7.1, and a height of 1.9 cm. It is also wheel-made and belongs to wheel-printing.
There is no obvious glaze accumulation on the inner edge of the mouth.
The war lasted for nearly 30 years. During this period, many wealthy merchants and dignitaries took the river from Sichuan Province to the south of the Yangtze River from the Eight Gorges.
The convex edges and folded edges of the vessel body all show a relatively obvious light white color.
The beauty and harmony of nature on this disc are all captured in one large picture.
Therefore, special people at that time, and even officials, often buried their treasures in the ground to hide them, and then fled with their families.
When fleeing, they carried light and fragile items such as porcelain. During that period of war and chaos, the burial of Song Dynasty hoards became a common phenomenon in that period.
White body, bluish-white glaze, and the accumulated glaze is bluish-green.
There is a shallow ridge on the shoulder, and there are eight obvious octagonal ridges on the abdomen opposite the eight legs, which are slightly curved and undulating, extending from the shoulder to the foot.
The shape of this vessel is simple and elegant, with straight and straight lines, strict glaze, and jade-like glaze color. It perfectly combines practicality and artistry and is loved by people of the time.
Spiral patterns are visible on the inner bottom.
It has a flat bottom, a shallow ring is trimmed around the outer ring, and the bottom is not very flat.
Thin-bodied porcelain appeared due to the influence of gold and silverware.
Therefore, I thought it was a seventh-level cultural relic, so I looked at the large plate. It is definitely a treasure among antiques.
The fetal bones are relatively thick, and the shape of the entire utensil is dignified and regular.
The auxiliary decoration is located on the inner wall of the dish. The inner ring is eight layers of fine petal patterns, and the inner ring is a continuous pattern with single chord patterns at intervals.
The sole of the foot is scraped with glaze, and the inner wall is decorated with molded patterns.
The green and white glaze is applied, and the glaze color is less green and most of the colors are slightly bland, especially the inner wall color is greener and the inner wall color is lighter.
This kind of porcelain is wheel-shaped, with a small straight mouth, round lips, short neck, round shoulders, straight belly and slightly bulging, and a relatively obvious thin convex string pattern can be seen on the belly.
The crank is located on the shoulder, and the handle is carved with three concave string patterns.
Since the Tang Dynasty, your country’s economic development has moved southward.
It has a round mouth, a slightly slanted square lip, a straight belly that is more slanted, and a smaller fold when the belly and bottom meet.
The foot of the circle is very round, and the end of the foot is not glazed and is light brown in color.
Some of the outstanding ones, even with the current top technology, are difficult to perfectly copy, such as the Zhouying porcelain bowl with straight belly and oblique shape from Longquan kiln in the Southern Song Dynasty.
Its caliber is 16.3 cm, its abdominal diameter is 17.3 cm, and its height is 12.6 cm.
A bowl that can be made into a seventh-level cultural relic is definitely complicated. A large bowl made of plum single-color glazed porcelain can be made into a seventh-level cultural relic, which is even more complicated.
This reflects the Song people's aesthetic concept and life interest of pursuing harmony between man and nature.
The Li-type stove is a relatively common antique shape in the Song Dynasty, but the celadon-glazed celadon products of Longquan kiln are the best.
The outer wall is glazed to nearly the bottom, and the inner wall is glazed only to the mouth and neck.
There is no other similar porcelain like that. This is a porcelain plate with blue and white glaze and double fish pattern printed on it from the Jingzhen Kiln of the Southern Song Dynasty.
During the small war between Song and Mongolia, the Mongolian cavalry went south, and the Southern Song Dynasty resisted for more than half a century.
Due to the same category, the blue and white porcelain can only be regarded as a seventh-level cultural relic.
The inner sole center and the sole center of the foot are both raised in the shape of a chicken heart.
There is a slight bend in the meandering flow, and the phoenix head is piled on the flow, and the phoenix eyes are painted with brown glaze pointillism.
But there are not many families who have their whole families destroyed before burying the treasures... There are not many seventh-level cultural relics like that in the cellar. After all, there are hundreds or thousands of pieces of porcelain.
The collection naturally lacks fine porcelain.
Opening patterns are common, and the awn mouth is narrow, slightly wider on the inner side and slightly narrower on the inner side.
Therefore, there are many Longquan kiln porcelains in that cellar, and of course only a few can reach the level of first-class cultural relics.
Fengliu crank handle, elegant glaze color, is an elegant study vessel with exquisite workmanship.
Not many people have survived, and no one has taken out the wealth that was buried since then.
There is no thick glaze on the edge of the inner wall, and the glaze surface is protruding.
Porcelain bowls with bamboo hats are tea drinking utensils, and are not produced except by Longquan kiln, Ding kiln, and Jingzhen kiln.
There are no traces of burns on the inside.
The smallest feature of the bamboo hat bowl is that it does not have a relatively thin tire.
However, with the rise of the Mongol Empire in the northern grasslands, Sichuan Province became the focus of competition between Mongolia and the Southern Song Dynasty.
There are two rows of sea wave patterns in the middle, one is a 4-layer wave, and the other is a 3-layer wave. The water ripples are mostly vortex-shaped.
The foot end is unglazed and is flint red.
When the battle begins, the troops pass by like goads.
It has a slanted mouth, rounded lips, short straight neck, flat belly, caliber and belly diameter, and eight-cone-shaped feet.
If you look closely at the bowl, you will see that it is not that big, with a diameter of 16.3 cm, a foot diameter of 4.5 cm, and a height of 5.7 cm.
The green and white porcelain water is as clear as jade, and the shape is random. The water is like a big pot.