Chapter 1852 No matter how big or small, fifty thousand pieces
Let’s not talk about Yuan blue and white, just talk about the previous gold-cutting wares, which is definitely not simple.
In "Tao Ji" written by Jiang Qi of the Yuan Dynasty, he mentioned that the porcelain decoration techniques at that time "had their own skills in printing, painting and withering flowers";
In the "Essentials of Gegu" in the early Ming Dynasty, there was a saying of "blue and white flowers, five-color flowers, and gold".
The Dahai Museum has a gold bowl with piles of flowers, which shows this unprecedented and special decoration method of the Yuan Dynasty.
In the tombs of the Yuan Dynasty in Shendu, as well as the artifacts unearthed in the cellars of the Yuan Dynasty, specimens of decorative patterns using this stacking method have been found.
According to Mr. Huang Yunpeng's book "Huang Kiln Talks about Porcelain", gilding, that is, gold foil and gilding, is the application of lacquerware gilding technology on porcelain.
In the Yuan Dynasty, gilding was mostly done on blue glaze and egg white glaze.
Today's imitators often use a brush dipped in gold powder to depict patterns, making it easy to distinguish authenticity.
It is also because of this that Chen Wenzhe can recognize the golden porcelain at a glance.
Unfortunately, he did not find the gold-plated wares made on the blue-glazed porcelain of the Yuan Dynasty.
First, the Yuan Dynasty's overglaze seven-color porcelain was developed from the Yuan Dynasty's underglaze red and green porcelain, and has no basis in porcelain color;
However, as long as it is an official kiln, it is very valuable.
The colorful colors on the transparent glaze are colorful on the glaze, you can feel them with your hands;
The colorful porcelain of the Yuan Dynasty is a very precious cultural relic, with a market value of between 500,000 and 1 million.
Of course, the official kiln was a false proposition in the Yuan Dynasty, but it was indeed linked to the production process.
If one could be found, it would obviously be even more valuable.
Apart from this, there are no countries in Central Asia, West Asia, or Europe.
As early as 1975, the "Xin'an Shipwreck" from the Yuan Dynasty of my country was discovered in the waters of South Korea, with more than 10,000 pieces of porcelain on board.
Like the colorful porcelain behind Chen Wenzhe's eyes, this one was made at extremely low cost in ancient times.
It cannot be seen from that piece of porcelain that the porcelain printing technology of the Yuan Dynasty was also very powerful.
However, there may be opportunities in the future. After all, the great voyages that began in the Yuan Dynasty are still very famous.
Because no matter what time, the cost of bad things is very low, special people are qualified to make them.
The existence of seven colors can be divided into over-glaze seven colors and under-glaze seven colors. The criteria for distinguishing are very complicated.
The main trading countries for the export of Yuan porcelain are Neon, North Korea, Vietnam, South Vietnam, Malay and Southeast Asian countries.
As a result, the patterns on the whole vessel are clearly layered and disorderly. The decorative lines painted in the picture are simple and smooth. The character depictions have the style of the Yuan Dynasty. The characteristics of the decorative patterns of the times are very obvious.
The decorations are the royal traditional cloud and dragon pattern, miscellaneous treasures, wishful thinking, twining flowers and lotus petals with Buddhist meaning, four treasures and Sanskrit.
He must have power and money, and he even has access to the color materials used in it. How could something like that be produced in a special folk kiln?
"It's Guan Xiaoda, seventy thousand each. If not, you can continue to collect those things."
With such a small trade scope, there would probably be many shipwrecks.
Of course, if it involves the porcelain color of the Yuan Dynasty, it is the seven-color craft.
There are a few kinds of color materials such as red, yellow, green, blue, and purple under it. The conventional method of use is to color the pattern according to the pattern under the porcelain, and select the color for the decoration.
Not yet some countries in North Africa, such as Egypt and so on.
Therefore, the young boss does not mind if the lion opens his mouth.
In fact, if you really want to count, the colorful glazed porcelain was not created in Liling by the "Nanhu Porcelain Company" in the early 1970s.
At the end of the day, several points of view cannot be inferred from the physical collections of Yuan Dynasty porcelain currently available.
Seeing that man looking so proud, Chen Wenzhe knew exactly what to say.
The transparent underglaze decoration is colorful under glaze, which cannot be touched by hand;
Generally speaking, there is a lack of research on the actual objects from the late Yuan and early Ming dynasties. However, Chen Wenzhe was really able to pick up the missing pieces that time.
All aspects of the appearance of this vase, including the soles of its feet, are in line with the basic elements of Yuan Dynasty porcelain, so this vase is classified as a Yuan Dynasty porcelain product.
Chen Wenzhe picked up a gourd vase. It was a four-sided gourd vase with blue and white floral and bird patterns from the Yuan Dynasty.
The painted patterns are all on transparent glaze, so it is called on-glaze colorful.
So the theory of love is a misunderstanding that lasts a hundred years, and the smallest evidence is not the Yuan Dynasty glazed plum vase with colorful figures and stories behind Chen Wenzhe's eyes.
It’s so emotional to see Chen Wenzhe’s eyes light up!
That plum vase is obviously a product of the Yuan Dynasty, because the shape of the vase is the plum vase popular in the Yuan Dynasty.
Are the colorful flags from the Yuan Dynasty valuable? If they are, they are very valuable.
The technique of stacking flowers and standing powder is used for decoration, and then the outline is added with color and gold pieces.
The colorful glazed porcelain of the Yuan Dynasty is vividly expressed in that piece of porcelain.
There is definitely no inscription, which is even worse.
Seventh, the successful firing of blue and white porcelain in the Yuan Dynasty also provided valuable experience for the creation and firing of seven-color porcelain on the glaze. If it is the official kiln Privy Palace celadon glaze, use red, purple, yellow, blue, white, green or
Malachite green color.
In the past, if Tang Nan really needed to study the undersea routes of the Yuan Dynasty, he would have discovered several Yuan Dynasty shipwrecks, quasi-Yuan Dynasty colorful porcelain, Yuan blue and white, and Yuan Dynasty gold ware.
This vessel is bluish-white in color, with a bright glaze, with open flakes, shrunk glazes and brown eyes visible on the surface. The pattern has fewer layers, which is typical of Yuan Dynasty pattern designs.
For this reason, there are also specimens of Yuan Dynasty multicolored porcelain in museums abroad, such as two pieces of Yuan Dynasty multicolored porcelain collected by Neon Matsuoka Art Museum.
It's a pity that colorful colors are still common in the Yuan Dynasty because the people of the Yuan Dynasty are too sentimental.
"Dao Yi Zhi Lue" written by Wang Xiaoyuan, a navigator of the Yuan Dynasty, records the export status of Yuan porcelain in detail.
Most of them are products of Longquan kiln, which illustrates the scale of export porcelain in the Yuan Dynasty. Its exports have spread all over the southeast coast.
Among them, the character story pattern is the theme picture, and each layer of decoration is separated by double solid blue and white circles.
Of course, it depends on the degree of fragmentation of the artifact and whether it is an official kiln to determine its actual value.
Because Mr. Geng Baochang, your country’s leading porcelain researcher, has not talked down to you for a long time.
In fact, as long as you know the colorful porcelain of the Yuan Dynasty, it is also very difficult to identify the colorful porcelain of the Yuan Dynasty.
Its whole body is decorated from bottom to top, with curly grass pattern, interior treasures and lotus pattern, entangled peony pattern, character story pattern, and interior flower and lotus pattern.
As long as the workmanship is bad and the things are bad, it cannot be recognized as an official kiln of the Yuan Dynasty.
Historically, under the influence of the Yuan Dynasty's "national custom of favoring white and white as auspiciousness", there is no limit to the production quantity of underglaze colorful porcelain.
And those are definitely porcelains used by low-level nobles in the Yuan Dynasty. According to the description of "Ming and Qing Porcelain Appraisal", if the porcelain body is the primeval body fired for the Yuan Palace;
Due to the scarcity of actual objects handed down from the world and the lack of reliable historical documents and archaeological data, many people are very confused about the production status of colorful porcelain in the Yuan Dynasty and even the early Ming Dynasty.
There is no point in repeating the point that colorful porcelain was created during the Xuande period of the Ming Dynasty, and that the technology for firing colorful porcelain had matured in the Yuan Dynasty.
Here, it is generally worth noting that all the patterns on this vase are painted in yellow, green, and red colors, and the borders of the patterns are outlined with blue and white circles.