This Taishi Chair is the only chair named after an official position in ancient furniture. It was first used in the Song Dynasty and its original form was a chair similar to a cross-chair. In the Ming Dynasty, the ring chair with the upper silhouette-like chair ring was called the Taishi Chair.
.In the Qing Dynasty, the Taishi Chair became a special name for armchairs. The backrest of this armchair is at a right angle between the armchair surface, and the appearance is solemn and rigorous, with heavy materials, exaggerated width and complex decoration. These characteristics are all
In order to show the status and identity of the owner, he has completely deviated from comfort and tended to dignity.
The Taishi was originally an official name and a symbol of status. The Taishi Chair, the Taishi Chair, and the chair became noble. In the impression of ordinary people, those who can sit on the Taishi Chair are the best among the people. The Taishi Chair was originally an official.
The chair of the family is a symbol of power and status. When placed in the palace, the meaning of official positions is brought in the yamen. It is placed in the family and also shows the status of the owner. After the mid-Qing Dynasty, furniture production in Guangdong flourished and was originally an official.
The Grand Master Chair of the House Chair has entered the homes of ordinary people. The back and armrests are often carved wonderfully, becoming a kind of exquisite seat full of wealth and popularity. It was popular and later developed to be made of wood such as beech and become a
A family-style seating. In the living room where the important position, a pair of Taishi chairs or matching them with the Eight Immortals table can not only play the finishing touch, but also can also explain the owner's taste and interest.
The Taishi Chair in front of me. The back of the chair is raised above the backrest. It can be seen in the paintings of famous people in the Song Dynasty. It is just bent back and has not become a book-style. In Ming Dynasty furniture, this form is in the throne.
There are examples on it. Until the Qing Dynasty, it was not uncommon to make such a chair back panel, but it was mainly Taishi chairs, screen back chairs, and it was multi-programmed. The chair back panel was a piece of paper-like shape.
In a row, the embossed pattern of "cloud, bat, knot, chime" is shoveled in the middle of the upper part of the backrest. Both the armrest and the backrest are hooked against the clouds, and the corners are round and harmonious, so the method is neat. The chair will not be made earlier than that of the time of making the chair.
During the Jiaqing period, it was a relatively common style of the Taishi chair in the Qing Dynasty.
In the Qing Dynasty, the shape of the Taishi Chair was very different from that recorded in the Song Dynasty. It was huge in shape and complicated in work. The armchairs and screen-back chairs were all called Taishi Chairs. The works from the Qianlong period were the most exquisite, and generally they were made of red sandalwood.
Made of high-end wood such as rosewood and mahogany, as well as inlaid porcelain, stone, enamel and other processes. Their common point is that the chair back is basically a screen type, with a right angle between the backrest plate, the armrest and the chair surface, and the appearance is solemn and rigorous.
The material is thick, exaggerated, and complicated. These characteristics are all designed to highlight the status and identity of the owner. They have completely deviated from comfort and tend to dignity. This is one of the typical characteristics of the Taishi Chair of the Qing Dynasty.
The Taishi Chair best reflects the shape characteristics of Qing Dynasty furniture. It has a wide body shape, and the backrest is connected to the armrest to form a three-panel, five-panel or multiple-panel screen. The Taishi Chair is the only chair named after an official position, and it was first used in
In the Song Dynasty, the original form was a chair similar to a chair. In the Qing Dynasty, the Taishi chair became a special term for armchairs and occupied a major position in people's lives.
The name of the Taishi Chair is very vivid. The first record of this name was mentioned in the Song Dynasty and the Song Dynasty Zhang Ruiyi's "Gui Er Collection": "Today's school chairs and ancient Hu beds, there are only selves, and the priests and attendants use them.
It was because Qin Shiyuan priests the country was lying on the ground, and they were lying on the ground, and they were lying on the ground. Jingyi and Wu Yuan flattered the emperor and planned to make forty lotus leaves and hold them to the country. They took them to the country, and the craftsmen immediately added them.
All the attendants used it, and then they called it the example of the Grand Master.”
The Qin Shiyuan mentioned in the article is also said to be Qin Hui, the treacherous minister who served as the Grand Tutor at that time. This record clearly tells us that Qin Hui sat there and raised his head, accidentally falling from the turban. Wu Yuan saw it and ordered someone to
A lotus leaf head support was made, and the craftsman placed it on the chair ring of Qin Hui and others. The Taishi Chair was born, and the name of the Taishi Chair was also spread. In addition to telling us the origin of the name of the Taishi Chair, this text also
It is clear that the Taishi Chair at that time was a ring chair with lotus leaf support. This kind of head-torn function was similar to the head rest on the backrest of the modern automobile and the plane. A treacherous minister and a flatterer accidentally left the history of China's furniture.
A legacy was made.
Interestingly, Yue Fei's grandson Yue Ke also mentioned the various relationships between Qin Hui and the Taishi Chair in "History of the Path", and clearly called the crossing with lotus leaves with the head of the head "Lotus Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Leaf Lea
Provide evidence for Zhang Ruiyi's statement.
In "Three Records of the Dust", Wang Mingqing, a Song Dynasty man, recorded the situation where other court officials used the Taishi Chair to "look up and sleep" at that time, and said that "all those who are capable of eunuchs use it." It can be seen that the name of the Taishi Chair" is very popular. Famous paintings in the Song Dynasty
The Grand Master Chair is depicted very clearly in "Spring Outing and Evening Returning". An official in the picture returns from spring, with more than ten servants gathering in front of the saddle and horse behind. One of them carries this Grand Master Chair with lotus leaves on his shoulders, which is used for the owner to rest at any time.
Then, then
Luo Tian finished recording and told Yuan Jie: "Move back."
Yuan Jie hurriedly moved the Grand Master chair back, with a smile on his face. His hippie and smiling face made Luo Tian very helpless. This fat man Yuan still had some habits of a rich second-generation, but fortunately he was very proud of his face.
It seemed that the wind was calm and did not take it seriously at all. I didn't know whether this would be good or bad for Fatty Yuan.
The Jiulong Cup is fake, the Taishi Chair is real, I finished watching two things at this moment. Luo Tian thought that Xu Qiaojun was still at home and was in a hurry to go back, so he quickly looked at the third thing again. This third thing had been placed by Yuan Jie.
On his desk, Luo Tian looked at him and saw a cup of steaming tea next to him. Fatty Yuan was trying to relieve himself. Luo Tian looked at him and shook his head: "Fatty, fat man, you have so much thoughts about it.
It’s better to say sorry.”
Yuan Jie immediately put his feet together and gave an inappropriate military salute: "I'm sorry, Luo Tian, I will never quarrel with the guests again, no matter how 38, the guests are!"
"The key is that you still took a look." Luo Tian said: "Okay, learn from the lessons in the future, don't tell me the consequences if you are not sure about it. No matter what the other party's temperament is, the client is God. I don't need to emphasize this sentence.
Is it right?"
"I received it, I received it." Yuan Jie said something now that Luo Tian said, so he just responded blindly, not daring to talk back at all.
Luo Tian then looked down at the things on the table. It was very small, with eight pieces in total, and they all lay there quietly. Luo Tian looked at it and was a little surprised. He recognized the money, but this was the first time he saw it with his own eyes:
This is the ancient Japanese coin, Kuanyong Tongbao.”