After the "drama controversy", Liu Mi still went her own way and did a few more dramas.
Li Guoli stopped talking about her. On the one hand, he was in love with Fang Yi, but on the other hand, the two of them didn't dare to go too far. They came back early, and sometimes waited before the crew opened.
Liu Mi is the kind of person who usually makes you not angry with her, but she will try her best to work on the edge of your anger to maximize her interests.
Li Guoli then complained to Fang Yi, "I think Liu Mi, an actor, is very smart... When I was filming "Liao Zhai"... I wasn't the one to direct that movie, it was another director who accidentally used Liu Mi.
Come back and tell me, Guo Li, there is a little girl from the capital, she is exquisite, very beautiful, and has aura, she wants me to pay attention to her."
"I asked Cai Yinong for her information that night."
"Fang Yi, you have to know that it is very rare for our director to say that a person has spiritual energy."
Fang Yi pictured Liu Mi in his mind and did not refute Li Guoli.
Li Guoli sighed and said, "It's a pity that she is unwilling to use her full strength. I don't know how she developed this habit. I'm afraid it will hurt Zhongyong, and the future will not be as good as today's performance."
Sometimes he would ask Fang Yi to look at Liu Mi in the camera while talking.
Liu Mi is very beautiful and quirky in the camera, but that's it, and she doesn't reflect anything deeper. From the current point of view, her average performance in this drama may not be comparable to that of Silly Baitian.
Up and down, but at certain peaks, Silly Baitian can still perform beyond normal, reflecting the performance quality of Yangxi Opera.
Li Guoli revealed these things to Fang Yi, probably with the intention of asking Fang Yi to tell Liu Mi that Tang Ren insisted on letting Liu Mi, an outsider from Rong Xingda, act in his signature series, which was also a special treat for Liu Mi.
value.
Liu Mi's manager, Sister Zeng, pays close attention to Fang Yi and will take the initiative to ask Fang Yi if he has time for the two of them to hang out.
Usually at this time, at least one of the group of best friends composed of Tangtang and Shi Shi would come with them. Although Hengdian is big and they are tired of shopping every day, a few girls are talking in front, while Fang Yi is thinking about his share in the back.
Mirror draft.
As for them, their voices will be lower.
Everyone has been to the antique street that Shi Shi wants to go to and the bar that Sha Baitian wants to go to, because they are all wealthy actors and live in big cities like the Magic City and Beijing. After going there a few times, they
It feels boring.
Time passes step by step.
Fang Yi wanted to find time to talk to Liu Mi about the serious matter of acting attitude, but every time Liu Mi would make up an excuse and do something else; Fang Yi was too lazy to look for Liu Mi, and Liu Mi was not ashamed and kept looking.
Fang Yi visited.
Fang Yi was annoyed and closed the door to avoid the guests. It was Yuan Hong, Hu Ge and others who came to see him, but when he opened the door, Liu Mi's little figure emerged from behind them.
What Li Guoli said is really right, maximizing benefits.
On this day, Li Guoli asked Fang Yi to go to the editing room to communicate again, and by the way, he talked about a major scene that Fang Yi would be filming tomorrow.
"Sword dance!"
Li Guoli said, "I specially created this section for you. When I saw your interview performance, I had an idea in my mind. I told Cai Yinong that I must let you have this section, and it must not be cut."
"Thank you, Director Li."
Li Guoli asked Fang Yi to watch his previous play.
Generally speaking, actors don't watch their own plays, and they won't watch them when they are released. They feel embarrassed. After Sun Li finished her performance in "Jade Goddess of Mercy", she was interviewed by the media and said, "It was so hard during the filming that I couldn't even get out of the play."
Too lazy to look."
Actor Zhou Jie was still active in the film and television industry before he fell into the rumors of "taking advantage of Baodao actresses". In an interview at the time, he also said bluntly, "Maybe the audience will find it sincere, but as actors, we all
I know it’s fake and I can’t stand it.”
Li Guoli mainly analyzes two kinds of plays by Fang Yi.
One is with people and has lines; the other is a one-man show without lines.
Li Guoli said, "You haven't failed many times in total. The most common ones are these two categories. As for the first category, I think you overacted. Maybe this kind of performance is very good in the movie and full of tension, but in the
Our crew, when put together with other people, including Hu Ge, it seems that you are working too hard and are not on the same level as the others."
"So, if it looks like something is wrong, I'll let you start over again and remind you to express your emotions more directly and don't set your own body language or anything like that. Our audience only looks at the face and rarely notices this."
Fang Yi expressed that he had learned a lesson.
"The second category is originally a difficulty for all actors. TV dramas generally rely on lines to promote the plot and express the characters' emotions. If it is a scene without lines, the actor's expression must convey the emotion as accurately as possible, otherwise the audience may misunderstand
, I don’t know what close-up means.”
Li Guoli showed Fang Yi some of the non-spoken scenes he was currently filming.
A simpler one, such as Xu Changqing meditating and falling into his inner demons, his expression must be painful; a slightly more difficult one, such as Xu Changqing's previous life, when he saw his wife deliberately making him jealous, he had to have a stoic side
, but also have jealous thoughts.
How did Fang Yi handle it at that time? There was no difference on his face, but he held the fly whisk in his hand, his veins popped out, and his body leaned forward slightly.
Li Guoli noticed it and asked someone to give him a close-up and said that he acted well. But then he told him, "Don't act like this in the future."
"Why don't you get up and yell, throw the whisk away, and say why I can't stand it, Miss Zixuan, I want to marry you... The filming methods of TV series and movies are very different. In movies, you spend money to be there.
Look, a TV show might just be about a housewife taking a glance while doing the cleaning. If you don’t move much, they won’t know what’s going on.”
Based on Director Li's advice, Fang Yi also adjusted the storyboards of his micro-film.
But Fang Yi's dragon-slaying skills are not useless.
"Xu Changqing's sword dance is a segment where you can show your acting skills. There is not a single line, but there are many words to say to Zixuan. It is in Xu Changqing's demeanor and in his sword."
Li Guoli also said, "Fang Yi, after filming this scene, if you have something to do, you can leave the crew. After everyone on the crew has finished shooting, we will inform you and you can come over depending on the situation."
It is most likely impossible for Fang Yi to come.
He went back to his room to think about how he would interpret it. The movements were all fixed, and the martial arts instructor called and showed them to the actors. They just had to imitate them one by one, but it was like a piano sheet. The effect would be completely different when played by ordinary people and played by Lang Lang.
.
"[Immersive] LV1: You will experience the character's emotions. Please train and upgrade to unlock more functions."
"Current level 1 [83/100]."
The new mask CD has been transferred again.
Li Guoli talks about the difficulties of acting without lines, and I will try it out tomorrow.
At this time, the door of the room banged. Fang Yi put on his clothes and came out to see, and found that it was Liu Mi.