Jiang Wen told Fang Yi the idea of the ending.
The stick figures on it are extremely abstract and cannot be easily understood. Jiang Wen always has to tell people in person: "First do this, then do this, then... do you understand?"
Old gangster Jiang Wen's face didn't turn red at all.
Fang Yi couldn't help laughing, but said, "I understand."
Because he was also thinking about it after joining the group. As long as he has been a director for one day, he will unconsciously become himself.
Jiang Wen was also happy. He knew that the painting was too abstract, "Do you really understand?"
"I really understand."
"Tell me what you think."
In the ending that Jiang Wen is thinking about now, the most brilliant part is no longer Huang Silang's reappearance, but when everyone thought that Zhang Mazi's work was going to be in vain, the person who responded to him suddenly appeared.
This is "the mountains are poor and the rivers are doubtful and there is no way out, and the willows are dark and the flowers are bright but there is another village." This is the desire to advance but first to suppress.
There is a paragraph like this in "The King of Comedy", and I have to mention this movie again because Zhou Xingxing, who was not born in a major, is really talented: When Yin Tianchou finally made up his mind, he said to Liu Piaopiao, "I will support you."
After that, the audience's emotions were aroused to the highest point. However, Liu Piaopiao's answer was quite cold.
"Take care of yourself first, fool."
I poured a basin of cold water on it.
The audience became disheartened and even resentful. A prostitute is a prostitute and does not know how to value other people's true feelings.
is that so?
As soon as the scene changed, the taxi was speeding, and the scenery outside the window quickly receded. It was obvious that Liu Piaopiao couldn't wait to leave.
At this point, the audience's hatred increased to another level.
prostitute!
Then, the director showed Liu Piaopiao full of tears.
It turned out that she didn't love him at all, but loved him too much. It turned out that she didn't leave quickly because she hated him, but because if she didn't leave, she would have to agree and would harm Yin Tianchou's future.
There is no need to say "I love you too, but we can't", no need to show off your acting skills and struggle. The director uses a clever narrative show to capture the audience's psychology, while also avoiding the actual acting skills of actor Liu Piaopiao.
Poor problem.
The audience will feel that I owe her and I feel sorry for her because I just slandered others so much.
I owed her something, so I remembered her. With this thought, the character Liu Piaopiao became loved by others.
The most classic thing is not the line "I support you", but the reaction after the line, which echoes the line.
——Fang Yi shared his thoughts with Jiang Wen. Jiang Wen was naturally very happy, "I thought about this section for three days and three nights. When I saw your appearance in the Republic of China in "The Founding of the People's Republic of China", I felt like
I have an idea, but I can’t express it. It’s like deciphering it, and now it’s finally solved.”
The two then decided on the details. Of course, Jiang Wen spoke and Fang Yi listened. Jiang Wen invited him as if he was asking for his opinion, but he couldn't really push his nose and face.
Then, when the sun rose as usual, at about 1 o'clock, the filming of the final scene began.
Two horses were brought to the scene, except for the one under Jiang Wen, and Fang Yi's white mare. Because this part was not in other people's scripts, Jiang Wen didn't have time to change it, so the leading actors found it strange.
After thinking about it for a while, it made sense that it was Jiang Wen.
Chen Kun's manager, Li Ying, sighed when she saw this: "As expected, they want to add drama to Fang Yi. They are the ones who are in charge of the drama. They protect their children at all times. They think they are the best acting group in the industry.
Forming cliques and looking down on others..."
Chen Kun frowned and said, "Okay, okay, if you keep talking, I won't be able to survive if others hear you."
"However, if Fang Yi performs well, you will not be as good. It's a zero-sum game. He gets one point more and you lose one point."
Chen Kun focused his eyes on Fang Yi, and gradually pursed his lips and said: "It has been a few years since I debuted, and I have also won the domestic Best Actor Award. Director Jiang has to take care of him and I can't control it, but I have a scene opposite Fang Yi, and that scene
"My character's expressiveness is greater than Fang Yi's. His lines and character are all weaker than mine, so he will definitely be overshadowed by me."
"It's not that he didn't perform well, it's that my character just took advantage... The world is like this, there is no fairness at all. Today he suppresses me, and tomorrow I will suppress him."
He added, "Last night, Liao Fan, Fang Yi and I found a place nearby to get acquainted formally. We chatted until early in the morning before we came back. Fang Yi is indeed a very gentleman, and he was polite to me.
, to Liao Fan, who is not famous, he is also very polite."
"I made money when I was twenty. I pretended to be older for a while. He was younger than me at that time, so it was really hard to hate him..."
Li Ying actually held Chen Kun's shoulders intimately, like a lover, and said: "Then keep up the good work. Since you have to rely on your ability, then rely on your ability. I believe in you."
There are two scenes at the end, one is when Zhang Mazi sees Huang Silang, and the other is when Zhang Mazi sees Liuzi.
Wong Silang is played by Hong Kong king Fa Ge. Fa Ge is not good at acting, but he is good enough to play opposite Jiang Wen. Fa Ge's problem is that he cannot speak Mandarin well and has an accent, but Jiang Wen insists that he perform in Mandarin.
Therefore, 54-year-old Fa Ge is actually the actor with the heaviest workload besides Jiang Wen. He has to first get the Cantonese script, figure out his feelings, and then memorize the Mandarin script word by word, and hire a teacher to correct his pronunciation.
Jiang Wen also likes to change plays. The lines he memorized today may not be used tomorrow, which makes Brother Fa very distressed.
What's so good about this first scene?
Fortunately, there are no lines.
Go through it once.
In order to avoid being photographed in vain, Huang Silang was not even shown clearly what he looked like, and he was deliberately made to wear the master's hat to cover his face.
The next scene is Fang Yi's turn.
While arranging the equipment, Jiang Wen had a plan in mind.
He decided to take two shots. One was of an empty horse with the reins still there, hinting that someone was coming; the other was of Fang Yi riding on the horse, which was of course more straightforward.
Jiang Wen did not tell Fang Yi, because this was an important part of the film. Once told, in order to keep the camera, Fang Yi might have to use all his strength to perform, and overdoing it would not be enough, and the effect would not be achieved.
After everything was arranged, they rode to both sides of the train. Fang Yi's skin was originally white and had not been blackened, but now in the strong sunlight, compared with the ginger lines, it was glowing white.
When Jiang Wen saw it, he couldn't help but laugh, "His, you won't need it later, you can use it directly, just like the gods."
"a!"
Both of them had no lines, and they all relied on the micro-expressions on their faces. Jiang Wen's confused brows spread, his eyes widened, and his cheek muscles trembled. Obviously, he saw something extraordinary.
Although Jiang Wen worked so hard, in this scene, Fang Yi only needed a normal smile, and his smile, with the inversion, lighting and many other factors, could overwhelm Jiang Wen's performance.
Even twenty years later, Fang Yi, with all his skills at full level, would not be able to defeat him now.
Because young people are full of vitality and are in their prime, like the sun at first o'clock in the morning, hope is pinned on him.
——Jiang Wen was in front of the monitor, looking at the previous footage, and didn't speak for a long time.
Sometimes I think I have a choice, this is okay, that is okay, but only after trying it do I realize that there is only one answer.
"Pass!"
Jiang Wen didn't want to lose this moment. uuReading www.uukanshu.com He closed his eyes, quietly recollected, and wrote this book. He was also imitating Zhang Mazi's state of mind at all times. Undoubtedly, he was filled with emotions now.
In fact, he was not the first to use this technique. In the 2005 film "Please Praise Me" starring Wang Zhiwen and Fan Wei, Fan Wei's father is a model worker and an advanced worker. He became ill from overwork for many years.
, I don’t want to be a drag on the collective when I get old, I lie quietly on the hospital bed and don’t cause trouble to the organization.
A beam of light shone through the window beside the bed, making the old man look like an out-of-place monk or ascetic. The intensity of the light was already surreal.
What does that mean?
That era is far away from us, and such people are gradually disappearing.
The assistant director waited for Jiang Wen to open his eyes and said, "Director Jiang, bring the horse and play it again? That horse is very obedient. Even if there is no one riding it, it will not move."
"That's it, if there is someone, someone must come, and it must be so straightforward, I want to ask them."
If it were shown in a cinema, what would the audience think? "Six Sons" are so holy. Do I want to be a "Six Sons", or should I feel ashamed that I am not worthy of being a "Six Sons"? What on earth would they think?
Jiang Wen shook his head, this was no longer something he could consider.