Father Lu Chuan is much more accomplished than his son. He eats the main theme, so he knows how powerful it is.
"China Screen" is a magazine hosted by China Film Group and directed by Mr. Ju. It was first published in 1958. As mentioned before, the content is relatively serious, and the characters on the page are usually producers, directors or key actors behind the film and television industry.
The magazine will introduce the current development status of the industry, popular movie trends, and in-depth interviews with some figures... Position yourself as an industry insider or a deep movie fan.
Because it is printed entirely with copper plates, it is very expensive to sell.
In the eighth issue of 2009, there was a special topic on "New Forces of Chinese Directors". There were 16 so-called "new forces" in total. Fang Yi had not yet come into his own at that time, so he was not included.
Since 10 years ago, there will be news about Fang Yi every few issues. He has been on the cover twice, both of which were artistic photos provided by the studio. The sales of these two issues are pretty good, and some fans who are collectors will go out of their way to buy second-hand.
Buy it on the market. For example, an unknown fan named Liu bought two issues under the pretext of understanding industry information.
The most recent issue of 2011 restarted the special topic "New Forces of Directors". When I opened it, Fang Yi was still not in it, but he was on the cover.
Because he is not a "new force", he is a single person.
——The cover is a poster for "Seventeen Again". It shows Fang Yi holding an umbrella. The picture is divided into two, and the umbrella leaves and handle are added to form a faint question mark. The title is "Classical and Industrial"
”.
Fang Yi did not show his face in this promotional poster, which is equivalent to his being on the back of the magazine. It is probably the first time this magazine has done so in decades.
This is mainly because of his high recognition, which is why the magazine dares to do this.
Last year, Fang Yi went back to school to do some errands and met Zhang Yi, his co-star in "Our Group". The two hadn't seen each other for a long time, and they were very affectionate. They went for a walk on the road outside the Yangtze River Theater. Soon after, they were on the news, but not much in the news.
Write Zhang Yi.
This is also a matter of awareness.
So much so that Zhang Yi said: "Fang Yi is taking a walk. This is news."
"Zhang Yi takes a walk, this is not news."
Fang Yi was amused at that time and asked how you can be on the news.
He seems to have also studied philosophy, saying: "I can't provide awareness, let alone entertainment, so this matter has no understanding value for the public; I must have a storyline to belong to the level of 'news', just
for example……"
His answer was "Zhang Yi stepped on dog poop while taking a walk."
Fang Yi: "This is too bad. Isn't there anything better?"
"Yes, Zhang Yi stepped on... while walking and met Duan Yihong."
"You have to be the worst, Zhang Yi."
Fang Yi learned the news while rushing for an announcement. Before going to Japan, he had two commercials to shoot for mobile communication cards and Rolex, so he was striking while the iron was hot.
While filming commercials, when I had time to touch up my makeup, I would read magazines.
"At the latest symposium held by China Film Group Corporation, Chairman Han Sanping published an editorial of tens of thousands of words, and the person who started it was the young director Fang Yi - it is obvious that the film and television industry is at a point of rapid evolution. I think
This does not need to be discussed again, because we have already made the same mistake. When "Hero" was released seven years ago, some media claimed that single-screen theaters will still be the mainstream of movie theaters in the future. A considerable part of the box office of "Hero" was only
The contribution of single-screen theaters with only a few dozen seats... ended up being quickly defeated by commercial multiplex theaters with low-cost services in just two or three years."
"China's top film talents are trying to provide their own visions of the future. We currently don't know which one is the final direction of development... Director Fang Yi is a relatively reliable person who dares to express his opinions. In the past two years, he has
His proposals have become reality to a certain extent. Film industrialization is his current topic, and he mentioned that the root of industrialization is the industrialization of talents."
"Han Sanping mentioned in his speech the details of China Film's promotion of film industrialization. In the past seven years, the China Film Development Special Fund pool has accumulated a total of 2 billion yuan. In the future, it is expected to increase at a rate of approximately 1 billion yuan per year... This amount of money, in addition to firm
We will continue to use it to support the development of main theme films, and we will also cooperate with local governments to support and subsidize industrial bases..."
"Standing at the edge of the storm, watching the waves wash away the sand, which ones are true insights and which ones cannot pass the test of the times... Director Fang Yi must be the person with the most complicated feelings. He is at the junction of the classical era and the industrial era. He is a trend-setter that connects the past and the future.
He is a witness to the intersection of classical art and the new wave, but where will this revolution go? The author has longing and sadness..."
Snapped!
Fang Yi put down the magazine and asked Sister Zhen: "When did I think about this? What about the classical era and the industrial era."
Sister Zhen said: "I praise you."
"Didn't you say that it's not okay to flatter or kill someone?"
"Then it's a matter of low-level trolls praising you or a big policy newspaper. Xinlang Bib has been updating your false information recently. Your reputation is still good. Don't you rely entirely on these big newspapers to clear up your source?"
Newspapers such as "Military Daily" and "Daily News" did indeed reprint it, removing the plot of the "China Screen" editor's self-expression and directly excerpting several key points mentioned by Han Sanping.
Among the many industrial bases that need to be supported and subsidized, Tongzhou Special Effects Industrial Park is expected to be the top priority in the future. Interestingly, the largest special effects company in the industrial park is Fangyi Base.
The industrialization of talents relies on Fang Yi’s talents.
Oh my god, what's going on? What a coincidence.
Fang Yi collaborated with Dayao on the communication card advertisement. The plot summary is that Dayao and he went through a lot of hardships, eh, went home and made dumplings and smashed them! Then they served dumplings and smashed them! Together they wished the people of the country New Year and shouted the lines:
"Love ties with China and connects the hearts of the world."
There is nothing new in the advertisement, but it did make Sister Zhen mention the "Spring Festival Gala".
"Fang Yi, we can't stop going forever."
Although Fang Yi was very popular in 2010, he was not invited to the Spring Festival Gala. But this year, even though he was really invited, he really didn’t have time to go.
This is not a matter of beheading. Hua Zai refused several times because of concerts, but the Spring Festival Gala has not continued to invite him.
Fang Yi replied: "Let's see who the director is next year - the director is different every year, so next year the director may not appreciate me or hire me."
"That's not necessarily the case. I say I should invite you every year."
After filming the commercial, Fang Yi and Dayao paid attention to each other's scarves, which were also Sou Fox scarves. Dayao invited Fang Yi to his home to drink red wine (there is a house in Beijing).
I originally thought it was to show Fang Yixiu his Magic City dance moves, but I didn’t expect that Dayao seemed to have failed too much in domestic catering investments. Now he became interested in technology stocks and exchanged investment experiences with Fang Yi.
Also, what does being a star have to do with basketball?
Fang Yi doesn't like to make random decisions for others and end things hastily.
He took the signed basketball given by Yao and stuffed it into his home. As he walked, the lights in his home were on. When he arrived at the door, he saw a pair of small leather shoes. Sure enough, they were Liu Yifei.
This is the first time someone has gone home. You know, Fang Yi wanted to stay in a hotel for ten or twenty years, because he rarely goes home, especially as a director.
Liu took a copy of the chicken soup novel "Walking with God" and stood on the steps waving:
"came back?"
"Have you not read this book before?"
"Pick it up and look at it again."
“Are you speechless by the news online?”
Liu Tianxian pursed his lips and raised his chin towards him, "As long as you know, I came to you to relieve my boredom."
"By the way, what feudal dross did you learn from that wife group this time?"
She moved her arms slightly, showing off her thin pajamas, and bit her lip.
Fang Yi understood, but showed off his basketball:
"I haven't released the ball yet, it's signed by Yao Ming."
"Let it go as you like, I'll come back to you in the morning."
Fang Yi lost the basketball and pretended to be surprised while taking off his shoes: "Is it going to be until the morning?"
She immediately laughed and said: "You have become nonsense, Fang Yi."