Chen Xunqi suggested: "How about replacing all the glass in the bathroom with sugar glass?"
Fang Yi reacted quickly: "Then smash them all?"
Chen Xunqi nodded, and his eldest brother Cheng let out a funny "haha" and felt very satisfied: "This is a good suggestion, it is very important to let the props show his violence."
Fang Yi was thinking about that scene in his mind, as if a scene had been filmed and played in front of him: Professor Guan caught him by surprise, jumped with his feet alternately, took butterfly steps, smashed the glass with one fist, and knocked the big man opposite him
He picked it up in the air and smashed it into the bathing pool, causing nosebleeds to stain the entire pool red.
Others immediately realized that Professor Guan was not easy to mess with, and immediately used the one-way transparent glass to hide themselves, so Professor Guan smashed all the obstacles in front of them and finally caught the person in front of the last glass... It's a bit complicated to say.
, but it only takes two or three seconds to shoot. The camera slides along with his fist on the slide rail. One glass after another is shattered and stuck in a rhythm. The enemies who are trying to dodge look more and more frightened... This is undoubtedly
A very cool shot.
However, Fang Yi felt it was a bit too much.
He shook his head slightly: "In our setting, Professor Guan is an agent with a red background. Now it looks like he has completely lost his mind and is doing it with brute force. We also need a place to show his elegance. He is
There is controlled madness, otherwise why are they called thugs in suits?"
The eldest brother Cheng didn't think Fang Yi was too busy. Good actors will strive for a wider performance space.
At this time, Chen Xunqi asked someone to bring the sugar glass, clamped it with both hands and asked Fang Yi to take action. Fang Yi threw a jab and the entire prop was shattered, it was so clean and crisp.
The eldest brother didn't say anything, but he blinked with satisfaction - after all, you talk so much and feel so happy. If you can't do it physically, it's all nonsense.
Other props were also brought up, such as a pseudo-cement wall made of plywood, a ceramic toilet with a hollow interior... There were not many of these things prepared, so Fang Yi knocked them with his knuckles and nodded, which meant that he would have no problem handling them.
Then several white stuntmen from the family class who were beaten also came and cooperated with Fang Yi in his movements. The main creator talked to me and finally finalized the shot:
Professor Guan was originally a one-to-one tormentor, but now he has been made a little more difficult. Just because he has a harder time fighting, his violent and angry side comes out, punching to the flesh, smashing various props... But don't go too far.
There must be something left to bring the audience back to their senses and let them know the rational side of this character.
How to display it?
One of the windows was not completely broken, and a figure could still be seen vaguely. Professor Guan was under this half of the glass, washing his wounds in a pool of blood, putting on his suit again, and fixing his hair. The camera zoomed out at this time.
Three strong men lay staggered.
Back to Professor Guan, his shirt had been torn due to force, exposing part of his chest muscles, so he buttoned up his suit and patiently covered up the traces of the fight, making himself look elegant again.
This shot is a bit pretentious, but it actually has a profound meaning.
Maybe if you are a novice viewer, you will think that Professor Guan is quite good at playing and pretending to be cool. Those who have watched the film a little more will know that it is actually implying that he has turned off his violent side again and covered it up.
Layers of clothing.
These small details can easily make the audience appreciate him and like him.
Fang Yi started to do tricks with Wu Xing, practicing his moves repeatedly, trying to achieve the best effect. Wu Xing's performance was very exaggerated, he turned over in the air with just a slight touch of fist, and flew out.
The effect was not good, Chen Xunqi said: "No, no, don't be so exaggerated, be close to actual combat, punch to the flesh - the exaggeration is in the destructive power of the props, don't react too much, too much is not enough."
So I rehearsed it a few more times, and now when I hit him with a punch, the martial artists would stagger a few steps, and then they would join the fight again.
Big brother Cheng watched the whole process and commented: "It's a bit similar to Donnie's style, but Fang Yi's overall body is leaner, and his speed is faster, maybe between Jet Li and Donnie. If you can fight
, you must have your own style."
Fang Yi, who was practicing his moves, turned around and said with a smile: "That's too much praise."
Brother Cheng was very sorry: "It's a pity that I know you don't look down on traditional kung fu movies anymore. You have your own way of filming... It's not just you, young people nowadays don't make movies very much."
Fang Yi was not easy to answer, so he just smiled.
Donnie is an international actor, and he is currently the leader of the Hong Kong film industry. I have mentioned the contribution of big figures to the production of Hong Kong films before, and mentioned that Cigar Du was criticized because Zhou Xingxing did not make his due contribution to the industry and only cared about making money.
He... On the contrary, International Dan is not as well-known as Zhou Xingxing, and he cannot take over the class of "Kung Fu Superstars" created by Bruce Lee, his eldest brother, but he has made great contributions to the development of fighting in Hong Kong films.
International Dan has worked hard to practice Muay Thai and modern fighting, especially adding Brazilian Jiu-Jitsu and lock techniques to the fights in Hong Kong movies, enriching the fighting types and extending the life of Kung Fu movies to a certain extent.
Because of his short stature (167cm), he often plays the role of evenly matched or even slightly weaker side, so close combat is one of his personal labels.
Modern fighting has proven that the most efficient way for a small man to defeat a big man is through wrestling.
In "The Fuse", in a fight scene between Shan Shan and Chang Wei, Jiudan introduced diving and throwing, flying body and wrist cross lock, chest throw (reverse flip throw), triangle lock, foot lock, naked choke... It can be
It is said to be an encyclopedic style of play, which has attracted global audiences, and the box office in mainland China and Southeast Asia is good.
It's a pity that this film still failed miserably in Hong Kong, and it basically declared the death of kung fu movies - it's not that the filming was bad, but that the audience was disgusted with it. Hong Kong audiences have seen it the most, and are the least willing to watch it.
The scene was slightly modified and various props were installed.
The main creators discussed the future of kung fu movies, and the conclusion was of course not very good. They couldn't help but focus on Fang Yi, and understood that he had to add special effects for his good intentions.
Where's Fang Yi? He's doing push-ups, and he doesn't respond at all.
This is to keep his muscles congested, so that the effect will be better when taking photos.
The eldest brother Cheng said: "The indoor video studio in Beijing was set up very quickly, but I haven't had time to see it on site. I think it's good to be fast, but the more important thing is the quality."
Fang Yi: "No...ha, ha, no problem."
The eldest brother Cheng deliberately teased him, "Why don't you take a rest? Director Fang is very tired."
Fang Yi: "Don't be tired, it's true that you hurry up and start filming."
Half an hour later, Fang Yi's hands were sore and his whole body was stronger than before. He immediately applied cold compresses to his neck and face, which quickly made these areas white and white. As he stood in the bathing pool, his eldest brother shouted: