"I am born with talent, but I still have to work hard to move forward - Fang Yi."
In September, perhaps because of the recent media hype, Fang Yi received an invitation from an interview program, "Interviews with Yang Lan."
The theme is the same as above, but the word "genius" still cannot be escaped.
No way, these two words are worth a lot of money now. The media always likes to portray some strong people, as if this person can single-handedly create the current situation.
Fortunately, the host Yang Lan will not try to dig out his "backstory." After receiving the invitation, Fang Yi agreed not to talk about relationship issues or the topic of DJ drones being used for military purposes in the Middle East. Other than that,
There are no taboos outside.
The use of drones for military purposes has made Wang Tao, a newly wealthy man, very distressed. It may prevent DJ from being listed on the market. He has recently distanced himself from the relationship between DJ and arms companies on various occasions, saying, "We are an agricultural company."
, but it doesn't seem to help.
Yang Lan was very professional and revised the interview script several times before settling on Fang Yi's artistic pursuits. The two parties reached an agreement and in the first week of September, they simply built a scene in their own studio in the Republic Era and hosted
Yang Lan had a one-on-one visit with Fang Yi here.
Fang Yi had a brief understanding of the program. Host Yang Lan hoped to work on serious and high-end interviews, and successively invited some business tycoons, domestic and foreign political figures, scientific giants, etc... It looked like the same thing. However,
This is also limited to this, the interview is not very in-depth, and there are rare interview scenes where guests are asked about their innermost feelings.
Whether it is a problem with the quality of Yang Lan's team or due to broadcast restrictions, no one can tell.
In addition, all talk shows have been retreating in recent years, and the audience no longer likes such programs. The TV station has a saying, "Even if variety shows have better ratings than talk shows, talk shows are the feelings of the TV station." I don't know this.
Which leader said it? Anyway, the talk show has been moved from the seven o'clock prime time slot to the nine o'clock slot, and now it has been moved to the eleven o'clock late night slot.
What's even more interesting is that TV stations seem to be eliminated as well.
Some TV stations use Chunqiu writing style to try to brainwash young people: "People who don't watch TV stations are immature people."
It implies that those who don’t watch TV are childish.
On the other hand, a survey conducted by the TV station leader CCTV's Sofuri Media Research shows that high-income viewers spend significantly less time watching TV than low-income people because high-income people have more entertainment options.
Simply put, watching television is classified as cheap entertainment.
But it is true that the average age of TV viewers continues to increase, which corresponds to the previous conclusion of "maturity", but the increase is a bit excessive, and the statistics are "senior viewers over sixty years old".
"The news is the same and becoming more and more subjective; the TV series makes me want to cry, the screenwriter's IQ is doubtful, the director's irresponsibility is outrageous, and most of the actors are big liars without real talent; apart from the talent show, the program is poaching people
In a private emotional talk show, all the hosts seemed to be drunk, slurred in speech, confused and self-righteous, and the audience in the audience collectively laughed unconsciously."
"Not watching TV can improve your IQ."
2012 was a very chaotic year, with the transition from the old to the new, and many things that we took for granted were far away from the public this year. In the past few years, Fang Yi would be crazy about interviews before and after the release of movies. When "Love Has an Afterlife" was released, he followed Yu Feihong.
He has accepted thirteen interviews in a single day, and the number has decreased year by year since then. This year, he only accepted CCTV's "First Lesson of School" at the beginning of the year, and now "Interview with Yang Lan".
Back to business.
Yang Lan's program team gave a close-up of the window view outside the Republic Era, and then they started shooting with two cameras and two lighting boards on the left and right.
"This year I have interviewed Ning Hao, Feng Dapao, Lu Chuan, Section Chief Jia, Guan Rui, Wang Xiaoshuai... so many directors, spanning several generations. But the one I want to interview most is you, not only because you are famous
, but also because the directors I mentioned, and even some celebrities outside the entertainment industry I interviewed, will also mention you."
Fang Yi smiled: "Why did you mention me?"
Yang Lan lowered his head and looked at the script: "I think he is good at making movies. He is good at other things, especially this!" He gestured with his thumbs up and said, "Look at us, we have only made movies in this life, and we are still not as good as others."
...I attended a film bureau seminar with him in 2010. I still remember that scene. At that time, I didn't know he would get up so quickly and be so tall, but I already felt that he was different from 'us'..."
Fang Yi interrupted: "This 'us' is Ning Hao?"
"You heard it, this is him. Do you know what Director Ning Hao said about you?"
"Just listening."
"Ning Hao said that you have a creator's intuition, but you don't rely purely on intuition. He thinks that you have a sense of precision in science and engineering. These two qualities are generally considered to be completely opposite. What do you think?"
Fang Yi probably understood what Ning Hao meant.
At that time, he, Ning Hao, and Lu Chuan, all three of them, as representatives of young directors, provided suggestions to Shangfeng. Only Fang Yi's suggestion of "supporting small and medium-cost films" was adopted because he provided low-cost and affordable films.
specific plans for implementation.
Go to the peak and pick up ready-made ones, just use them.
This is a bit convoluted, let’s use an analogy.
Literary and art workers often get stuck in empty big propositions that inspire them, and have no sense of practical feasibility, so they produce a bunch of shocking and lousy works and feel good about themselves. For example, in the selection of directors for the opening ceremony of the Beijing Olympic Games, Chen Kaige
He went up to talk for an hour, but the leaders couldn't understand what he said, so Chen Kaige began to recite the poem in a cadence: "Suddenly there was a message outside the sword to collect Jibei, and my clothes were filled with tears when I first heard it..."
Eliminated in the first round.
Director Li An provided a plan to build the opening ceremony into a large-scale immersive cinema. However, when it entered the second round, Li An's plan was considered unfeasible and "maybe technically unachievable", and he was not ready.
For the second plan, I also received a box lunch.
Zhang Yimou provided Option 1, Option 2 and Option 3.
The leader asked what about option four?
Zhang Yimou temporarily put together the first three plans and came up with plan four.
The leader is never satisfied and is insatiable, but he is taller than a short one and thinks that Zhang Yimou is at least decent.
Ning Hao was tortured by Zong Ju at that time. He had already realized that he could not look at two or three steps for one step. He just ignored it and thought that Fang Yi could prepare a plan by attending a seminar, so he felt something.
Yang Lan goes step by step:
"I know that the domestic film market is very difficult this year. There are many media pushing you to the front. This is a danger and an opportunity. I interviewed Dayao, and he said that the Chinese people seem to be unable to accept that their compatriots won second place. Such pressure is too much
...I have also seen the scene where Liu Xiang was criticized by thousands of people after the Beijing Olympics. He couldn't compete at the time, but he had to compete."
She said in a deep voice: "The public's love for public figures has many uncontrollable fantasies. No matter how good a person is, he cannot satisfy the ever-expanding fantasies. You will be exhausted both physically and mentally and feel that you cannot bear such an honor... Is there ever a day?"
"
Fang Yi: "The directing industry is quite special. Unlike professional sports, the environment is quite closed. Directors need to deal with a lot of people in various industries and understand the ways of the world... Therefore, mature directors have strong adjustment ability. Even if I have that day, I will not be able to do it."
I will just accept it calmly."
——His, Chen Kaige is not living a good life when he is like that. The director is very thick-skinned, this question is really boring.
Yang Lan asked again: "How did you come up with the idea of making a war film? In fact, very few young directors can achieve success in making war films. What prompted you to make the film to resist U.S. aggression and aid Korea?"
Fang Yi once again used the signboard "Once Upon a Time in China".