The long lens is often a very outstanding part of the shooting technique.
It refers to "a shot that continuously uses one lens to shoot the next scene, scene or section to complete a relatively complete sequence of shots without destroying the coherence of time and space in the development of the event."
The advantage is that the continuity and integrity of character actions and event development are guaranteed, so it can reflect reality more truly. As an audience, the sense of substitution and immersion will be stronger. The disadvantage is that the audience's sense of substitution and immersion will change.
Bad - wait, what's going on? Why can one thing have both positive and negative effects?
This is because a bad long lens has the opposite effect. It uses its long, boring and unimaginative few minutes to make the audience sit on pins and needles and lose the basic movie-watching experience. Therefore, in the past ten years, the overall trend of commercial movies is lens
It’s getting shorter and shorter. Take Fang Yi’s previous racing scenes as an example. The average shot length of the highway chase that “ends all drag racing scenes” in “The Matrix” is 3.2 seconds, while Hollywood’s masterpiece of racing in recent years, “Speed”
& Passion" dropped to 2.25 seconds.
This trend is still continuing. It is said that there are now commercial films with an average shot duration of 1.7 seconds, which can be said to have taken sharp editing to the extreme. The reason why the industry has developed like this is because the audience just accepts this and they vote with their feet.
Therefore, the long shot has become a high-risk, high-investment and not necessarily flattering technique, but precisely because of this characteristic, it has become a "show-off" that tests the director's scheduling ability and aesthetic level, making it particularly popular among academics. It is considered that it
It reflects the director's true technical level.
You are not awesome if you follow the trend. You have to go against the trend and succeed, then you are awesome.
A great director must have several good long shots in his career, even super long shots that last from one shot to the end.
A director wanted to try to use one lens for an entire movie, but it was so difficult that he gave up flying a fighter jet to go to school!
Fang Yi wanted to extend the shot in "I Come from the Future". The light source of one of the long shots mainly came from the firelight on the battlefield. Imagine that the beating firelight flickered on Wu Qianli's face, and he passed through it for some reason.
Throughout the battlefield, the fire became more and more intense and the battle became more and more fierce, but he turned around and rushed in, which showed Wu Qianli's inner change.
Don't let Wu Qianli scream, "I'm awake", that's too low-level.
Movies and TV series have different performance scales and require different arrangements.
What is the firelight at this time?
Is it the burnt comrades, the desolate village, the flames spitting out from the machine gun? Or the indescribable rage, the burst of courage, the birth of a warrior.
Such shots are not to please academics, but to serve the development of movies. Among many commercial film types, war films that require a sense of spatial realism are especially suitable for long shots. Many of the shocking long shots in film history are
It was contributed by war movies.
September 18th, the third day of the eighth lunar month.
It is suitable for offering sacrifices, encoffining, moving coffins, and getting haircuts.
The crew of "I Come from the Future" held the opening ceremony in Kuandian County at a special location: they chose the Martyrs Cemetery.
More than a dozen tombstones were brought to the site, engraved with characters from the movie. The tombstone stones cost 300 yuan each, an additional 5 yuan for the actors' portraits, and 15 yuan for a bouquet of flowers... those with lines in the play were included.
The main actors, and the actors bowed to these tombstones with their own portraits on them, and laid flowers.
In the words of director Fang Yi: "Although the characters are made-up, the events are adaptations of many people's experiences and are artistic realities. We worship Wu Qianli, Lei Gong, Mei Sheng, Yu Congrong... these people, we are also in
We worship our ancestors who have shed blood in history. Therefore, Wu Qianli people are also people who have lived."
"They did die decades ago, and now we have to remember them."
"We are not playing ourselves, but borrowing people's souls to retell the deeds of the past. The first thing is to thank them."
The opening ceremony was very unique, and the scene was very emotional. The whole set was filled with a sad atmosphere, and it happened to be a cloudy day with no sunshine. The actors came up to speak one by one, trying their best to control their emotions. From CCTV 6
A reporter from the police station recorded this episode with a camera.
First, Chen Jianbin touched his belly and knelt down: "I have finally lost weight, Mr. Cai, I will try to control my weight during the filming and never lose your style."
Jin Dong wrote a speech for "Mei Sheng" on the spot, crying and reading: "Your life is a glorious life, a life of songs and tears... I was excited all day last night and read a lot of banned books. Me would remeber
You (I will remember you), Meisheng, my grandpa Mei!"
Hu Jun had nothing to say. He stepped forward and gave a big gift. This man, who had been training since June, was completely into the show. Then he lay on the tombstone and sang "Yimeng Mountain Minor" to the tombstone:
"Everyone (that) said (hey) Yimeng Mountain is so beautiful. Yimeng (that) mountain (hey) has such beautiful scenery..."
He plays the role of Thunder God. This character is from Qilu in the setting. The song sung above is about missing the scenery of his hometown. In essence, it represents a type of volunteer army at that time. They volunteered to leave their hometown and come to the ice and snowy mountains and forests of Korea. It is because they love their hometown that they want to
Defend the enemy outside the country's gates.
It is not that the crew deliberately compiled such a setting. Frankly speaking, people are not grass and trees, and they will not regard death as home without reason. According to the letters and materials of the volunteers, many of them saw the destroyed villages after coming to North Korea.
The scene stirred up emotions, and I thought of my home that I had just settled into recently, which aroused a stronger will to fight.
Duan Yihong did not pray, but just watched solemnly from the side. First, Tan Ziwei is still alive and lying in the hospital. What are you praying for?
The second reason is that he believes in Buddhism and feels it is unlucky to hang a photo of himself up there to pray.
Wrong, that is quite unlucky. This drama cannot set a flag.
The filming in Kuandian County will not go smoothly. Meteorological experts believe that this year will encounter a severe cold wave that has not been seen in decades. The economic development here is lagging behind that of the capital, and the crew's support capabilities are limited.
Not to mention anything else, it took a long time just to pull the wires. I don’t know if it can hold up in the snow. If it rains and the temperature drops immediately, the condensed ice will drag down the wires.
The crew must either go to the city to rest or return to the original state.
He held the pendant on his chest and kept rubbing it. In his sight, Fang Yi was talking to the tombstone with "五千里" written on it. He could vaguely hear Fang Yi expressing his determination: "Don't worry, I will definitely not let you down. I have always been reliable in doing things."
…”
This... is really fascinating! Duan Yihong sighed with emotion.
He didn't know that Fang Yi had met Tan Zi in real life and had promised to make a good story. He just thought that Fang Yi was too involved in the drama and was talking to himself, which made him confused.
Considering that Fang Yi has lost weight now, I mean, Fang Yi writes stories, shoots stories, acts in stories, and then edits stories when he returns home. This is a four-pronged approach, even if he is much more involved than Hu Jun.
People say I was a lunatic when I was in school. How can I compare with a real lunatic on set?
Lao Duan shook his head, took a breath, and noticed a faint white smoke popping up, floating up a few centimeters and disappearing. He realized that winter was coming earlier than he expected.