Chi Feichi is not surprised at all by Ooka Hongye's confidence and arrogance in singing competitions.
There are roughly three groups of Japanese singing competition players: "campus club group", "professional singing group" and "individual group".
The campus club group has the largest number of people. There are many interest clubs in Japanese schools. Many schools have kata clubs. Club members will also participate in some large and small competitions. Elementary school clubs usually focus on participating in entertainment competitions. In junior high schools and high schools,
Some club members will participate in national competitions and officially become ranked competitive players.
Professional kata groups refer to people who join folk kata clubs. Those kata clubs are registered with the All-Japan Kata Association and are privately run. They usually recruit talented potential players or recruit capable competitive players.
In some singing clubs, there are people who have been celebrities and queens.
Such folk songs will have excellent teachers, and the training is more formal and professional than campus clubs. It is similar to a club that specializes in training professional tennis players and professional baseball players. What members usually do is competition training.
The individual group is those who have graduated from school and have not joined the singing club.
Of course, the Japanese environment is very concerned about a person's ability to integrate into a group. Even those who have graduated from school and are not qualified to join the big music club will get together to form a music club, which mainly accommodates hobbyists, so
There are not many real individual players in the Gepai competition.
Ooka Momiji has already joined a well-known kata club when she was in elementary school. She was taught by famous teachers since she was a child and received training in a highly competitive environment. She developed with the goal of participating in professional competitions. She also has extraordinary talent in kata. This year
She has been promoted to the A level. Her strength is not only much better than her peers in the campus club group, but also surpasses many competitive players in professional singing clubs. She is called a candidate for the next queen.
With such conditions, Ooka Momiji will certainly be confident that she will not lose to Toyama Kazuha, and even have the confidence to compete with the former queen of kata, Hattori Heiji's mother.
As far as the challenge rules are concerned, Class A is indeed qualified to challenge the Queen.
Feimo planned to participate in the kapai competition because he wanted to put a damper on Ooka Momiji's smooth competition.
One is an A-level player with both talent and experience, with many years of competition experience, and the other is a crow spirit who has just started playing music, or even just became a human being. In terms of singing and playing competition, no matter how talented Feimo is and how good his mind is,
It is also difficult to catch up and surpass Ooka Momiji in the short term.
If he had waited two or three years, Ooka Momiji might have become the queen of kata, and it would be too late for Feimo to add to his troubles.
The time Fei Mo set for himself was one year.
If you want to catch up with Ooka Momiji in one year, Feimo must have the brains and talent to surpass Ooka Momiji, and you must also have a teacher with excellent abilities, rich competition experience, and a teaching method suitable for Feimo.
The former is already available in Feimo.
After transforming into a human, Feimo did not adapt to his body at all. Instead, he used various trainings to adapt as quickly as possible. He used fighting methods to improve his control over the muscles of each part of the body, and immediately enrolled in elementary school to learn basic knowledge.
Complete it, and continue to study beyond the syllabus, so that you can master human knowledge as soon as possible.
As a human being, he is also a ruthless person who will not show any mercy when he is tortured.
In the process of adapting to the body and adapting to human society, Fei Mo discovered that his body has considerable potential. After completely adapting to the body, that potential has not been fully developed. It seems that there is still a lot of strength left. As long as he continues to train,
You can be better than ordinary people in every aspect.
Before finding a Ge Pai teacher, Fei Mo tried to get familiar with the Ge Pai by himself. He memorized the song "Hundred People" in the Ge Pai by heart. He memorized the style and every detail of the "Hundred Ge Pai".
Although his competitive skills are not as good as those of professional players when it comes to practicing cards and picking up cards, Feimo found that his reaction ability, calculation ability, and listening ability may be better than many professional players during training.
In terms of talent, Fei Mo will definitely not be weaker than Ooka Hongye or other people who are amazingly talented in the kata competition.
As for the last condition for catching up with Ooka Momiji - an excellent teacher, with the joint efforts of Mizunoya and Feimo, Feimo also obtained it.
Feimo had no intention of pursuing the game on his own from the beginning. After trying to get in touch with kapai, he told Mizunoya that he wanted to participate in kapai competition.
Before the old man could say anything, Mizuno Yoshikazu, who was gradually taking over the Mizuno family, his uncle who was not Mo Ming's identity immediately came forward in person and found Chidori Toru, who was once a famous singer.
Chidori Toru served as a celebrity for five consecutive years, but retired due to physical problems at the age of 30. Later, he founded a folk kata club in Kyoto with several friends who also loved kata, named Chidori Kai.
There are many members of the Chidori Club, and many of them come here to learn from Chidori Toru. However, Chidori Toru is not in good health and is not enthusiastic about recruiting disciples, and he does not have much energy to teach students.
But the Chidori Society did not decline because of this.
The friends who formed the Chidori Club together with Chidori Toru are also capable kata masters themselves. Although they have not become kata celebrities, they are still good at it whether they go out to participate in competitions or teach students.
With its development to this day, the Chidori Club ranks among the top in Kyoto and is one of the three famous kata clubs in Kyoto.
Mizuno Yoshikazu had some friendship with Chidori Toru. He brought Feimo there that day. He didn’t expect Chidori Toru to accept a disciple. He just hoped that Chidori Toru would let Feimo join the Chidori Club and allow Feimo to join the Chidori Club.
Accept training and ask Chidori Toru to introduce a suitable teacher to Fei Mo. The Mizuno family can hire this teacher to teach Fei Mo specifically.
Mizuno Yoshikazu was almost determined to be the future head of the Mizuno family, and he was an old acquaintance of Chidori Toru. He personally brought his children to visit. Chidori Toru would have felt that he was going too far even if he hesitated, so he immediately agreed to let Feimo join Chidori.
meeting.
However, regarding the introduction of the teacher, Chidori Toru did not rush to make a decision. He just asked Feimo to go to the training venue of the Chidori Club when he had time and participate in the singing competition class set up for children. He was free to go to the venue when there was no class.
Take a walk around, and as long as you don't disturb other people's training, you can also watch the duel between senior brothers and sisters.
In any competitive event, capable people will have their own competitive style, and talented young people will gradually form their own competitive style. The styles of the master and the apprentice do not necessarily have to be the same, but there must not be too obvious conflicts.
, the master follows his own style and teaches a disciple who does not suit his own style, which can easily bury the young man's talent and energy.
Chidori Toru didn't rush to recommend a teacher to Feimo when he didn't know enough about Feimo, which was a very responsible behavior.
Mizuno Yoshikazu didn't want Feimo to receive too professional training as soon as he arrived.
Not Mo Shota is only ten years old, which is a big problem for Mizuno Yoshikazu.
The singing competition involves a lot of boring training, which can easily make a ten-year-old child lose interest in singing.
Mizuno Yoshikazu's idea is to let the children join the kata and cultivate them for a period of time to make sure that the children are really interested in the kata, and then carry out systematic learning step by step. During this period, let the children participate in some competitions, and use large and small competitions to let them learn.
Children gain a sense of accomplishment from competitions. Once the child is willing to endure boring training for a sense of accomplishment, there will be no problem if the training becomes more difficult.
This is a very healthy way of growing up, and it is also a training method commonly used by aristocratic families. It does not harm the child's potential and is conducive to long-term development.
Feimo had already thought about this outcome and did not say anything wild on the spot. He agreed obediently and went to the children's group's singing class that day.
Feimo also met Tachibana Yukihei's granddaughter Tachibana Nase at that time.
However, Feimo's goal is not to cultivate interest in singing, nor to make friends with children who have the same grievances.
On the second day, Feimo finished the two-hour children's singing class and went to watch the training of the E-level group.
Taking advantage of the consecutive holidays during that holiday, Feimo went to watch the training of the E-class team for two days in succession. He summarized some skills through observation. After everyone else finished practicing and left, he asked Kuroki Yasuji to be his sparring partner and found it himself.
Had a Japanese-style room practice.
Many of the training sessions for the E-level group are basic skills training, but Feimo knows the importance of the basics. He can repeat the basic movements over and over again and practice them with full concentration for two or three hours before he stops paying attention.
Chidori Toru wanted to find a teacher for Fei Mo, so he would naturally pay attention to Fei Mo's learning situation.
A child with amazing concentration and enough patience to practice basic skills is surprising enough, but that child still practices by observing and imitating on his own, which makes Chidori feel uncomfortable and reflect on whether he should give guidance to the child.
.
After watching quietly for two days, Chidori Toru finally entered the room where Fei Mo practiced on the afternoon of the next day and offered to help Fei Mo check how his study progress was. If Fei Mo was unsure about anything, he could ask himself.
Feimo said that he wanted to simulate a one-on-one competitive match with Kuroki Yasuji, and asked Chidori Toru to help him see if there was anything he needed to pay attention to in actual combat.
It’s not surprising that beginners are always more interested in ‘fierce duels’ than basic training.
Chidori Toru was in a good mood and wanted to take the opportunity to observe Feimo's personal characteristics in the kata competition. He readily agreed and took the initiative to serve as the singer-reader for that game.
Chidori Toru later told Feimo about Feimo's performance that day - "There is no skill at all in placing cards. Although the card-picking skills are relatively proficient, that kind of card-picking skills are not suitable for a ten-year-old child."
His arms, even so, still show an ability that exceeds that of E-level and D-level players and is close to that of C-level players.'
That night, Chidori Tetsu, who was already in poor health, had some insomnia. He tossed and turned, and suddenly had a premonition that his life span might be greatly shortened due to worries.
He felt that Fei Mo had great potential to become a singing celebrity, and he was very optimistic about his character. He himself had experience in celebrity battles. If he was responsible for teaching Fei Mo, he could help Fei Mo ascend to the throne of celebrity earlier and more steadily, and cultivate "
Japan's youngest music celebrity'.
If it had been anyone else, it would have been a waste of Fei Mo's talent and potential, and Fei Mo and Chidori would have missed the honor of being the 'youngest celebrity'. If that happened, he would regret it until he died.
Eye.
Cultivating ‘Japan’s youngest music celebrity’ is also a goal worth striving for.
This is the first time since his retirement that he has regained the motivation he had in his early years.
In order to create a miraculous glory, he felt that it was worthwhile to work hard, just like he trained hard when he was young. With something to look forward to, he didn't care whether his life would be shortened by a few years.