When the car reached Suginami, Shinichi Iwahashi slowed down and, under Numata's command, stopped in front of an old house.
The residential houses in this area are all new and not old. They are neither very luxurious nor shabby. They look like a mid-to-high-end residential area where club officials and the like gather.
Iwahashi Shinichi stopped the car, got out of the car and opened the door for him.
Looking from the outside, the originally dark lights on the second floor of Numata's house lit up. After getting out of the car, Numata thought for a while and said to Shinichi Iwahashi, "Thank you for sending me back, agent-san. Maybe we will meet again later."
, it doesn’t hurt to get to know each other first now.”
This is true.
Since the Tokyo Music Industry Association also acts as an intermediary for performances, in the future, they will definitely deal with Shinichi Iwahashi and send performance invitations to Shinichi Mori through him.
Shinichi Mori is a big-name singer. If he hadn't taken the initiative to find a job, others would have found him. As the tide rises, so does Iwahashi Shinichi, his manager.
After exchanging business cards, Numata looked at it under the car lights and nodded, "It turns out to be Shinichi Iwahashi." He put the business card away and said, "Well, see you next time."
On Numata's business card, his full name is "Numata Toshiro" and his position is the deputy director of the sales department of Tokyo Music Industry Co., Ltd.
Shinichi Iwahashi collected his business card, walked Numata through the door, and then headed back home.
…
The autumn air is crisp and the wind is gentle and sunny.
When it comes to autumn, the first two sentences that pop up in Shinichi Iwahashi's mind are these two sentences. A standard opening line for an elementary school student's composition.
In the afternoon of the next day, after registering for going out, he walked out of the office and walked to the coffee shop he had arranged.
The weather was nice, and the asphalt road surface shone gray in the sun. Iwahashi Shinichi liked autumn very much. His literary talent was not that good and he couldn't describe the feeling. He just felt that everything seemed to sparkle when the autumn sun shone.
In the cafe, Miwa Yoshida arrived first. When she saw him coming in, she waved to him.
Iwahashi Shinichi pulled out his chair and just sat down when he heard her say: "Masato-san will be here in about ten minutes."
Without looking at the menu, he turned to the waiter who came over and said, "Give me coffee, please."
After ordering things, he asked: "Sang, the gentleman is coming too?"
"This afternoon, Masato-san went to record a radio program." Miwa Yoshida said, "It's from Tokof."
"He is a professional." In any case, although he was "downgraded" to be the bassist in the band of two rookies, Nakamura Masato is not completely unidentified in the music industry. There are some such jobs.
The coffee was served, Iwahashi Shinichi and Yoshida Miwa chatted for a while, then the store door was pushed open and Nakamura Masato came.
It's not a holiday, but in the middle of the afternoon, it's conspicuous enough for three adults to gather in a cafe and chat.
"Today is really rough." Masato Nakamura came over and said.
Other people's troubles are the source of one's happiness. Shinichi Iwahashi asked with interest: "What's that about?"
"Today I was doing a live show, but I didn't agree with my partner's musician and almost got into a fight." Masato Nakamura said with a wry smile: "Only one live show a year is enough. No more than one can handle."
"Anyway, it's a time when no one is listening, so it doesn't matter if we really get into an argument." Miwa Yoshida teased a bit evilly.
Iwahashi Shinichi interjected and sang along with her, "You can't say that. The more you make a mistake occasionally when no one is listening, it will make people feel bad."
Masato Nakamura made a funny move as if he was hit by something, "You two, please spare me."
After finishing the two-on-one bullying of Masato Nakamura, the three of them began to get down to the main topic of the day.
Yoshida Miwa conveyed what Sekimura said to her to the two of them, "Sekura-san asked me if I am willing to sign a long-term contract with kgreords. If I am willing, Watanabe Productions is willing to negotiate with them for me."
"I said," Yoshida Miwa looked at Iwahashi Shinichi, "Didn't Shinichi-kun tell me that Wanyumi-san from the office asked us to perform at the music festival? I told Sekimura-san about this."
At that time, after receiving the letter from Watanabe Manyumi, Iwahashi Shinichi immediately conveyed it to Yoshida Miwa and Nakamura Masato. The three of them agreed that this was a good opportunity.
"However, Guancun-san insisted that I think about it again and said that I should have my own opinions."
"I feel that I am very opinionated. My opinion is to trust Shinichi-kun." Miwa Yoshida said.
Iwahashi Shinichi smiled and said, "I'm so touched."
"Although Shinichi-kun's expression did not convey the word 'touched' at all." Miwa Yoshida joked with him.
"Just turn a blind eye, it's not good to be so strict." He then laughed.
I was thinking, while I was chatting with Watanabe Mayumi, praising him as a good manager, and asking Watanabe Mayumi not to let him go to start a band and bring down Yoshida Miwa. On the other hand, I was talking to Yoshida Miwa again, asking her not to take it too seriously.
He's such a dragster.
Brother, you are so stable, there is no delay at both ends.
People are very strange. When they are quite confident in themselves, they will ignore the wishes of others and the objective environment, and will be so stubborn that people find it incomprehensible.
In Sekimura's view, Miwa Yoshida, a promising singer-songwriter, can definitely become a singer like Miyuki Nakajima. Even if she doesn't know how to write music, she still has professionals to help her listen to music.
Sekimura considers herself to be quite discerning, so she cannot understand why Miwa Yoshida wants to seize Shinichi Iwahashi, a seemingly dispensable teammate, and refuses to let go, and stubbornly believes that Miwa Yoshida's behavior will drag her down.
.
This can be seen as a kind of arrogance of people with high status, but at the same time, it may not be an old-school and fixed thinking.
Shinichi Iwahashi and Miwa Yoshida had already passed the period of confirming to each other "As long as you can surrender, the golden ticket will be huge." At this time, they simply said: "I was about to say this."
"Since we are going to the music festival, let's compose some good songs, the kind of good songs that anyone who listens to will think we are great," said Iwahashi Shinichi.
He wields the hoe at his will. As long as he seizes this opportunity and completes the performance beautifully, whether it is poaching or debuting, everything can be solved easily.
"I agree," Miwa Yoshida said, "Let's finalize the music for the performance."
Masato Nakamura also raised his hand in approval, "I will use all my skills to compose a few good songs."
"Then," Shinichi Iwahashi took out his little notebook and started doing practical things, "Let's first confirm our respective itineraries and set a time to meet."
Autumn comes and autumn goes, autumn goes and autumn comes.
This time last year, he suggested to Miwa Yoshida to form a band to promote her. A year later, they finally had a band in place, and they had the closest opportunity.
