At the end of October, the final concert of Bushi Akira's tour was successfully held at the NHS Hall in Shibuya. At the same time, it also marked Miwa Yoshida's return to freedom.
After the performance, Watanabe Productions held a grand celebration party for Bushi Ming.
At the party, Guancun still refused to give up and seized the last opportunity to mobilize her.
This time, since the members had communicated with each other, Yoshida Miwa solemnly told Sekimura her answer: "I'm sorry, Sekimura-san, I cannot accept your kindness."
Although she refused, she felt that he took good care of her, so she couldn't help but confide in him sincerely, trying to gain understanding, "If what you said was to give our band a chance, then maybe it would be a different matter."
Guan Cun felt unbelievable, "Is there such a tacit understanding and trust between you?"
Miwa Yoshida nodded. She thought that Shinichi Iwahashi's understanding and support for her was a rainbow painted in her heart that never faded.
"Okay!" Guan Cun's expression cannot be said to be good or bad.
After a pause, as if to change the subject, he said to her: "The food at the party is quite good. We have invited the chef of the Prince Hotel to serve as the producer. Go enjoy it and celebrate with the people in the accompanying band, Yoshida
.”
Miwa Yoshida didn't think much about anything, bowed, walked farther away, and went to find Masato Nakamura.
"Did Sekimura-san persuade you again?" Masato Nakamura approached her and asked her.
"However, I seriously refuse Guancun-san this time."
Anyway, the contract has ended, she has regained her freedom, and Sekimura can't do anything to her. Miwa Yoshida thought to herself, from now on, everyone can go their own way.
…
Shinichi Iwahashi was prepared early. After the contract officially ended, he immediately found Miwa Yoshida a regular job singing demos in the recording studio, ensuring that she would have food to eat and would not have to look for another job.
After that, Shinichi Iwahashi asked for the timetables of his two teammates, compared them with the schedule in his hand, and drew out the times when the three of them could act at the same time. He returned to the underground music circle, communicated with the person in charge of Livehoe, and used these times.
Go to a show.
Whether it's Shinichi Iwahashi's plan for the band, or the positioning of Miwa Yoshida as the core figure, they are destined to never be a studio band. Her powerful stage performance, if left out of the scene
, the charm will be greatly reduced.
Therefore, for the sake of practicing for the next music festival and for the future of the band, they have to perform at Livehoe to hone their skills and improve their live standards.
After work and performances, the three people gathered in the recording studio where Yoshida Miwa worked part-time, rented their recording studio at a discount, and agreed on the songs to be performed at the music festival and the arrangement of the songs.
The three of them try their best to respect each other's ideas and not to become dictatorial. However, it is often unavoidable that they will have disputes on some issues and unknowingly quarrel.
At this point, the three-person band composition showed its advantages. Whenever two people were particularly at odds with each other, the third person could size up the situation and withdraw at the right time to break up the fight, ensuring that the situation would not turn into a pot of porridge.
In the past, when there was only one Shinichi Iwahashi and one Miwa Yoshida, the two of them often quarreled to the point where neither one ignored the other, but with the addition of Nakamura Masato, this situation never happened again.
Mixing mud is a natural skill that humans have.
It can be seen that the triangle relationship is indeed the most stable relationship.
What?
…
Ever since the dispute with the audience occurred and she was taken to see Yoshida Miwa's performance by Iwahashi Shinichi, Akamatsu Haruko was inspired. During this time, after performing, she has been hanging out in the underground music circle and watching various bands.
During the performance, I decided to not only be the lead singer, but also learn how to be an audience member.
Iwahashi Shinichi has always known about this. Not only that, when deciding on the lineup of underground musicians to perform at the music festival, he also found Akamatsu Haruko, consulted her opinions, and decided on a few good trees based on her suggestions.
seedling.
And now, after she found out that the band had reorganized and would continue to perform, Akamatsu Haruko took the initiative to ask Iwahashi Shinichi for a copy of the band's performance schedule, saying that she would go and watch it when she was free.
She admires Yoshida Miwa's Typhoon.
It wasn't a big deal. Akamatsu Haruko asked for it, so it didn't hurt to give it to her. Just in time, Iwahashi Shinichi confirmed with her that she had something to do, so they made an appointment to meet her.
After the things were done and it was getting late, Iwahashi Shinichi thought for a while and felt that it would be inappropriate to let her go back hungry after asking her to help, so he invited her, "Let's go get something to eat together."
Akamatsu Haruko looked at him and agreed. She followed him and was taken into a small restaurant in a back alley. The two faced each other and occupied a small table.
Iwahashi Shinichi browsed the menu, as if to liven up the atmosphere, and joked: "Follow me out, and you can only eat something cheap."
Akamatsu Haruko pursed her lips and smiled, and then scanned the menu posted next to the stairs.
Takenouchi Akihito entrusted Akamatsu Haruko to him, but in fact, Iwahashi Shinichi did not do anything special for Akamatsu Haruko. In his eyes, this young lady from Kansai is a somewhat distant existence. It is not because it is difficult to understand.
, but I don’t know how to understand her, and I don’t have the desire to understand her.
However, Akamatsu Haruko was quite interested in him, or to be precise, in his current job, and took the initiative to ask several related questions.
Iwahashi Shinichi answered, and even teased her: "Now, you probably know better than me what good singers there are in the underground music circle, and how good they are."
Akamatsu Haruko said, "But thanks to Iwahashi-san, he taught me the most important magic weapon to understand this circle."
She raised her gaze and looked at Iwahashi Shinichi, "That's how to be an audience."
Akamatsu Haruko discovered the advantages of being a musician on stage from being in the audience.
The small restaurant was doing a booming business, and while they were eating, several more customers came in one after another. As a result, it was no longer easy for the two of them to chat as if no one was around.
Shinichi Iwahashi ate all the set meals that were served, while Haruko Akamatsu only ate half of them.
"Doesn't it taste good?"
Akamatsu Haruko denied: "The portion is too big. You will feel full after eating these."
"This is true. It doesn't look inconspicuous, but it's quite a lot."
Iwahashi Shinichi paid the bill, and the two of them had a full meal, which cost more than three thousand yen. Akamatsu Haruko felt a little embarrassed to ask him to treat her.
"I invited you, so you should." Shin Iwahashi collected the change he had found.
When we walked out of the store, it was already completely dark. The back alley was dimly lit, illuminated by cheap neon signs. The young people distributing tissues printed with small advertisements were already on duty, constantly extending their hands to pedestrians passing by.
The two of them walked out of the alley one after the other. No one reached out to the young man who handed out tissues.
