As if giving a customary signal, Akina Nakamori said to him.
There it is again.
Iwahashi Shinichi found it very strange. Akina Nakamori said this sentence the first two times she said goodbye. Previously, she just responded casually and regarded it as a farewell without going into detail. But this time, he probably understood what she said.
meaning.
Thinking of this, he agreed as if responding to her secret signal, "Okay, see you next time."
The two looked at each other and smiled, quietly exchanging secrets and agreements in a place unknown to Nakata's recording engineer. Then, Shinichi Iwahashi left the recording studio.
This time, the two people still did not exchange contact information. Although they left an agreement to "see you next time", they did not agree on the time and place for the next meeting.
But whether it was Iwahashi Shinichi or Nakamori Akina, they probably did it intentionally in their hearts. This way, there was no specific agreement to see each other next time, and it probably became a tacit understanding.
There is no particular desire to meet, and there is no need to be bound by an agreement. There is a vague distance, and at the same time there is expectation for this kind of encounter, and there is also a wonderful mystery of not knowing what will happen next.
If you say this is taking a risk, I'm afraid it can be considered a risk.
…
Just as Iwahashi Shinichi left, Nakamori Akina's manager Omoto walked in.
"I was outside just now, and I met the staff member I've met several times before, the one I've talked to you several times." Ben asked casually, "It seems he left our recording studio?"
"Yes." Nakamori Akina nodded lightly, not wanting to mention Iwahashi Shinichi too much to others.
On the contrary, it was Nakata, the sound engineer, who spoke without any hesitation: "You're talking about Iwahashi-san, right?"
"The last name is Iwaqiao?" Daben looked confused.
Nakata continued talking on his own, "Despite his young age, he is not just a 'staff member', he is a real music producer, and he is currently producing new artists for our company."
Shinichi Iwahashi's analysis of the song "Hard to Break" just now convinced Nakata that he has a bright future, has a good impression of him, and is willing to say good things for him.
"Producer?" Daben felt surprised again and felt as if he was confused. "I met him at the TV station before. I thought he was from the TV station... He is so young."
Seeing the shocked expression on her manager's face, Akina Nakamori felt very happy for some reason and smiled heartily.
No one knows how many surprises this Iwahashi-san will bring to others...even she herself doesn't know.
…
Shinichi Iwahashi said goodbye to Akina Nakamori and Nakata, left Warner Pioneer's recording studio, and returned to his hometown in Yoyogi.
Compared with Warner Pioneer Recording Studio, Yoyogi's recording studio seems a bit shabby. However, the comfort of being in one's own territory is something that cannot be experienced at Warner Pioneer.
Cooperating with TV Asahi's program, he set up a line with Iwahashi Shinichi there. While discussing the program cooperation, he also took the opportunity to build a good relationship with the people in the production department, volunteered, and secured a job as a soundtrack for a lunchtime TV series.
For TV stations, unless it is a prime-time annual major production, they prefer to cooperate with small companies instead of working with famous artists, because the quality is high and the price is low.
As long as the atmosphere is in place, the audience won't care who wrote the soundtrack for the show they are watching.
Small things depend on hard work, big things depend on chance.
In Tokyo, which is so big, there are not a thousand but also five hundred music production companies. No one will notice his company, which has nothing, and then stifle it in the cradle. So, just do it in a down-to-earth manner.
.
After taking the order, he handed it over to Masato Nakamura.
Before joining him, Masato Nakamura, in addition to being a support musician, another important source of income was producing soundtracks. But in the past, he received orders from other companies, but now he only receives orders through genzo.
The basic process is that after the order is received, Masato Nakamura will try to write a few items, and then ask Shinichi Kamiwahashi to review it with him. If he feels it is suitable, he will send the sample to the TV production bureau. After passing the test,
Then start the formal production.
The significance of this kind of list is not only to make a meal, but also to accumulate one's own before the program is launched that determines whether one can turn around.
The progress was a little rushed, and everyone had their own things to do during the day. For several days, Shinichi Iwahashi and Masato Nakamura worked overtime at Yoyogi's recording studio. It often ended at four o'clock in the morning, and daylight came early in late summer.
, the sky has begun to turn blue.
Masato Nakamura was responsible for the finishing touches and organizing the music score. Shinichi Iwahashi went out to the convenience store to buy some things to fill his stomach and enjoy the scenery of Tokyo at four in the morning.
I have never even seen the scenery of Tokyo at four o'clock in the morning, how can I be the boss of superstars?
Masato Nakamura owns a second-hand Suzuki car that he bought for 100,000 yen. After eating, he goes home to catch up on his sleep.
Shinichi Iwahashi made an appointment with Warner Pioneer to record for Chisato Moritaka early in the morning. He was too lazy to take a ride home, so he took a rest in the recording studio.
After sleeping for less than four hours, when the alarm clock rang, I briefly freshened up, then changed places, and then went from Yoyogi to Shimbashi. I traveled between the two places, and started working early in the morning, and I had to squeeze in sardines with the office workers.
The canned car makes his air pressure not look too high.
…
Not only was Shinichi Iwahashi's pressure not very high, Chisato Moritaka, who came to the recording studio with his manager early in the morning, also had low pressure.
It was clearly a sunny day, but it felt like I was suffering from rainy day blues.
Early in the morning, her agent went to pick her up. On the way there, Sentaka Senri seemed a little unhappy. The agent saw this and didn't criticize her, pretending to let her worry go.
The source of Chisato Moritaka's troubles came from the transformation plan proposed by Shinichi Iwahashi that was conveyed to her by her previous agent.
Chisato Moritaka was quite repulsed by the new packaging method proposed by Shinichi Iwahashi, and protested to her agent on the spot, "Can I not do that?"
The agent's answer was unquestionable, "No. Let's try this first. In this situation, it won't work without making changes."
Chisato Moritaka, who is only eighteen years old, certainly has a stubborn and rebellious side in her heart. But the bad thing is that she is still young and does not know where the limits of resistance are when facing the "adults" of the company.
Therefore, after being unquestionably rejected, her momentum dropped first.
If your protest is invalid, you can only choose to accept it.
There are different types of agents, and Chisato Moritaka's agent is obviously the kind who just needs to convey what needs to be conveyed and let her accept it, and then pretends not to know anything else.