In fact, if we want to put all the gains in cultural undertakings, Ning Weimin's achievements this year are of course far more than that.
After all, as the saying goes, husband and wife are one.
Therefore, in addition to the money earned from industrial art and domestic film and television dramas in Japan, Matsumoto Keiko's personal career is of course closely related to him, especially since he is deeply involved in planning and planning, which can be regarded as a kind of his personal career.
extend.
And it has to be said that 1987 was a lucky year for them.
Because in fact, neither Ning Weimin nor Matsumoto Keiko, no one expected that because a 250-year-old like Ikuo Sufang would appear at the end of the year, they would believe in the promises of the Asian Sugar King family and foolishly compete with them.
In the end, after a series of battles, Zhou Fangyuxiong couldn't get any benefits.
Not only did Ning Weimin and Matsumoto Keiko take advantage of this matter to take over Taurus Palace and Burning Entertainment Agency.
And this guy can't help but beat him.
Ning Weimin was not allowed to really fight back, so he jumped into the "wheel of the times" and was "crushed to death".
Just like a toad seeking death just to make others laugh.
It can be said that if you act obscenely, you will die a despicable death.
But outsiders don’t know the inside story.
After Ikuo Suho's death, in view of his majesty during his lifetime, as well as the wonderful counterattack performance of Bifu Studio, and the revelation of the secretly photographed evidence.
A rumor began to circulate in the Japanese entertainment industry. It was said that Kiri Productions also used secret photography to get a hold on Yasuko Sawaguchi's life. On the condition that he changed his felony to a misdemeanor, he used Sawaguchi to perform a beauty trick to send Ikuo Shubo back to the West.
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In the end, Lian Zekou was sent to prison, killing two birds with one stone and completing the perfect revenge.
Anyway, regardless of whether the logic is self-consistent, many people firmly believe in it.
After all, no one who had expressed hostility to Matsumoto Keiko before had any good consequences.
Whether it was the director, his co-stars, or the media reporters, they were all in bad luck.
Now, coupled with the fact that Ikuo Subo, the leader of the "Japanese entertainment industry", has also lost his life, even Keiko Matsumoto held a press conference to clarify herself and explained that it had nothing to do with her, but no one believed it.
Nowadays, the Japanese entertainment industry is a bit afraid of Keiko Matsumoto. Even with these examples, no one wants to go against her again.
What's more, after taking the two companies Taurus Palace and Burning Arts into her pocket, Keiko Matsumoto's strength has greatly increased, and her status in the industry is now completely different.
Now she is not just the owner of a movie studio.
Instead, she has become a real industry giant with film and television production, music production and distribution capabilities, as well as many artist contracts and music copyrights. No entertainment agency can ignore her.
Although in terms of asset size, she cannot compare with the "Big Five" veterans in the film industry.
But compared with those TV entertainment agencies, she is a lot bigger and a level better.
Even an entertainment agency of the size of Johnny and Yanyin cannot compare with her.
It is not impossible to count her as the "sixth greatest" in the film industry.
The key is that she has no shortcomings in her career, which is terrible.
As an actress who comes from the film industry, she is a natural ally with Shochiku Pictures, who cultivated her, and she will never be excluded by the "big five" in the film industry.
Now it has absorbed the power of Burning Entertainment Agency, and with the signed contract, it has gained a foothold in TV program resources.
In addition, she also has funds and production capabilities, and in the film, television, drama and music industries, she has contracts with first-line stars such as Miura Tomokazu, Teresa Teng, Koizumi Kyoko, Go Yumi, Nagayama Yoko, as well as countless burning series
Many second- and third-tier stars and entertainers.
The original defect of a shallow root system was immediately made up for.
Over time, if she completely digests and absorbs the power of the Combustion Department and the Taurus Palace, and then adds some fresh blood into her system, who among the "Four Super" entertainment agencies in the TV Department can compete with her?
Therefore, Keiko Matsumoto has indeed become the most famous woman in the Japanese entertainment industry.
Not only most actors, models, singers, producers, and directors will greet her with respect and smiles when they see her.
Even the heads of the "Big Five" in the film industry, the bosses of various entertainment agencies, and the top executives of TV stations cannot underestimate her.
Regardless of whether you are willing or not, you must give full respect in person and acknowledge that the other party is entitled to share the pork.
Otherwise, NHK TV station would not take the initiative to invite Matsumoto Keiko and Teresa Teng to participate in this year's Red and White Song Concert just to repair the relationship.
Although Matsumoto Keiko gave up this opportunity to the original combustion artist Kyoko Koizumi, she was still grateful and grateful.
This move undoubtedly proves that NHK is showing goodwill to her. Therefore, the grievances caused by the change of roles with NHK are not impossible to sit down and discuss terms.
Of course, no matter what, all these advantages are still not enough to ensure that Keiko Matsumoto can continue to strengthen herself and develop her career smoothly as she wishes.
After all, there are also huge risks in the entertainment industry. If the investment is not careful, one misstep may completely collapse the business.
Otherwise, the "Big Five" would not invest less and less in making movies, and would become less and less interested in making big-budget movies.
Except for music albums, TV entertainment agencies do not engage in the production of film and television dramas at all, because they are afraid that huge investments will bring huge losses.
And whether it's a film or television drama or the music industry, in the end, excellent works will speak for themselves.
Without the prosperity of good works, no matter how prosperous it is, it will only be temporary, just like a building made of sand.
But the problem is that with the help of Ning Weimin, Matsumoto Keiko doesn't have to worry about these two problems at all, which is quite scary.
If nothing else, first of all, no one can compare with Keiko Matsumoto in terms of financial advantages.
It’s not that other colleagues in the industry are not as rich as her, it’s that they really can’t make money like her.
You must know that Ning Weimin, the "travel stock god", must inform his wife as soon as possible without reservation when it is time to enter the market to buy the bottom.
So let’s not forget that Matsumoto Keiko spent nearly 9 billion yen to buy Taurus Palace and Burning Entertainment with the 15.2 billion principal raised through bank loans.
But after she spent the money, she quickly asked Watanabe to invest the remaining six billion in the stock market.
According to Ning Weimin's instructions, allocate double the capital to hunt for the bottom.
Sure enough, it soon started to rise, and as long as it was a win, it now has a stock market value of 21 billion yen.
The money you spent will come back easily. This kind of speed of making money is equivalent to cheating. You completely treat the stock market as a cash machine. No entertainment agency or studio can compare with it.
If you also count the cooperation between Fog Studios, Shochiku Pictures and some independent theaters, the box office generated by the French film library will be used.
In addition to the benefits created by Matsumoto Office and Taurus through artists and copyrights at the end of the year, the funds she currently has at her disposal are nearly 22.4 billion yen.
Such a large amount of money is enough to make twenty major productions, so what else is there to worry about?
So Matsumoto Keiko has asked Okamoto Akira to start preparations for the next movie "The Wandering Princess" in advance.
This historical-themed movie was made to fulfill Fu Jie's wish and was based on the legacy and diary materials of Saga Hiroshi, who just passed away this year.
According to Ning Weimin's plan, he will definitely be able to take advantage of the huge sales of "The Last Emperor" filmed by Italian director Bernardo Bertolucci.
Therefore, this movie will still be directed by Yoshitaro Nomura, the script will be written by Shinobu Hashimoto, and it will cooperate with the three major film studios in the Republic.
And since it is expected to be a big scene and require more props, the budget is naturally higher than that of "Li Xianglan".
Akira Okamoto's rough calculation of the production cost is about 1.5 billion yen.
Keiko Matsumoto signed and approved the project without saying a word, and even generously prepared two more movies with a slightly smaller budget.
There is also a movie "The Bodyguard" with Yuka Miura as the male protagonist and Teresa Teng as the female protagonist, with an estimated investment of one billion yen.
The other is a love movie "The Love of Ghosts" with the handsome old man Utsui Ken as the male protagonist, with an estimated investment of 700 million yen.
Yes, that’s right, Ning Weimin plagiarized the ideas of both movies from American blockbuster movies.
Maybe this is his unique bad taste.
As a time traveler, Ning Weimin actually doesn't care at all whether these two movies are a hit or not. What he cares more about is that the two blockbuster movies that originally belonged to Hollywood in the United States disappeared and he replaced them with fakes.
In this case, "if there is any similarity" it is not a coincidence.
He will definitely use legal weapons to sue the bad guy first, so that Hollywood in the United States will bleed once and for all.
Don't talk nonsense, plagiarism is plagiarism.
Either you admit that the American franc does not protect cultural property rights, or you honestly pay compensation.
Don't say it's useless, everything else is bullshit!
And it has to be said that three movies were suddenly scheduled by Fog Studios, and even the movie with the smallest budget was considered a big production by other movie companies.
This kind of shooting plan is undoubtedly of great benefit to the emotional stability of the artists within Matsumoto Keiko's agency, and even the most impetuous people feel at ease.
Because what are artists most afraid of?
Isn't it just that there is no chance to get ahead?
Not only is Miura Tomokazu happy now, he finally has the opportunity to try to change his career, and he can also be a tough action movie actor, which really makes him excited.
Even Utsui Ken was overjoyed.
In fact, he never expected that Fog Studios would actually keep its word and be willing to allow him, an old actor who had basically transformed into a prime supporting role, to play the leading role again. He was even more grateful to the new owner.
Even newcomers and unknown artists are happy together.
Their most direct thought is that the boss is really not short of money.
Since there are so many movies to be made, it is to take care of their own people. How can they get a role with a few lines and a role? This is all an opportunity.
In addition, what is even more surprising is that as the new year approaches, Wu Studio has achieved another breakthrough in the filming of TV series.
After the filming of "Black Leather Notepad" was just completed, it will be broadcast on TBS TV station at 9pm prime time on December 4th.
This is the best time slot that the director of TBS gave as an apology and compensation, a prime time slot on weekends.
As a result, the first episode premiered, and it got off to a good start - an astonishing average time-sharing ratings of 27.01%.
It is completely worthy of the super luxurious cast and the good time slot of TBS.
You know, most TV series with a luxurious lineup, even if they have the advantage of prime time, the first-run ratings are usually only 189%. If they exceed 20%, they are considered excellent. If they exceed 25%, they are considered excellent.
It is extremely rare.
This undoubtedly means that the audience has extraordinary expectations and satisfaction for this TV series adapted from Matsumoto Seicho's masterpiece and starring many first-line actors.
According to Ning Weimin, it is not meaningless that so many bad things happened in the past.
Quality assurance sites have become a bonus for ratings and increased audience attention.
The rest depends on whether we can maintain this advantage. As long as the ratings don't collapse later, it will be a victory. It will basically be a 100% hit drama this year.
Sure enough, in the newspapers the next day, almost all drama critics from various media outlets gave positive reviews.
Although "Black Leather Notepad" has only aired one episode, because Seicho Matsumoto has a large readership and this is a well-known work, the plot direction can already be discussed.
Many people are satisfied with the fact that the heroine Motoko's greed for money is attributed to repaying the debts of her deceased parents.
And Andao accidentally saved Motoko from the robbers, so it was quite unexpected that the two got to know each other.
Most opinions believe that this partial change makes the hero and heroine seem less hateful, and they have more expectations for the subsequent plot development.
In addition, the most talked about part about this drama is Matsumoto Keiko's role as Mama-san, she is absolutely beautiful.
It fully demonstrated the kind of beauty that captivates the whole country, making the whole drama look very convincing.
Even the theater critics of the neutral faction did not criticize this aspect.
Without exception, they were all captivated by Keiko Matsumoto's grace in the play, and their praises were overwhelming. I highly recommend the audience to watch the play.
I think the last scene of the first episode alone, where Keiko Matsumoto puts on Mama-san’s kimono, is so stunning that this drama is worth following.
It can be said that the director truly captured the beauty of Ginza Mama-san, making this drama very convincing and beyond doubt.
The only worry is that they feel that a new problem has arisen - this drama may become a one-man show by Keiko Matsumoto!
That's how good my personal performance was.
Fortunately, the other actors are also big-name stars, otherwise it would be difficult to believe that other people's performances could balance hers.
Of course, at the same time, they also recognized the capabilities of Wu Productions in filming TV dramas and believed that the drama was one of the rare masterpieces in recent years in terms of the exquisiteness of its filming.
Even people in the cultural field rarely joined in the fun. Generally speaking, these people don't like "shallow fast-selling works" such as TV series.
But this time is different, because it is the work of Matsumoto Seicho, and many people who make a living by writing have unanimously praised it.
Even Matsumoto Seicho, a bad old man, called privately to express his congratulations to Matsumoto Keiko.
This old guy said that he completely fell in love with Matsumoto Keiko's peerless appearance, praising her Haraguchi Motoko for her "beauty and style that cannot be described in words and words", which is more impressive than the prototype character he painted.
Deep memory.
I am "amazed" that Fog Studios can produce such a work.
Needless to say, even though the first episode has only been released, it has been recognized by so many parties, including the original author, which is enough to make Matsumoto Keiko let go of her hanging heart.
What's more, Ning Weimin soon told her another piece of good news, saying that the Republic of China had agreed in principle to pass the review of the Japanese drama "Black Leather Notepad" and agree to broadcast it, so that translation work could begin in China.