418. The Sea and Seagulls Opened by Unnatural Ticket Deliverers
Pellman's concert tonight has come to an end.
Ruggiero announced the seminar program for the next five days, which will mainly focus on open piano concerts held by major universities starting the day after tomorrow.
The outstanding works among them will be selected by the conference and used as the focus of discussion in subsequent seminars.
After all the concerts, it is time to discuss specific proposals and revise the score versions. The main participants in this session are professors, performers and conductors from major universities.
This is a key project of this seminar.
The scores that need to be revised and corrected are not only the fingering and expression phrasing in Lach's piano works, but also issues such as the arrangement of the various parts in Lach's symphonic works.
The newly revised work will be distributed globally by the Tchaikovsky Conservatory of Music and the Moscow State Publishing House, and all major school groups participating in this event can appear in the editorial board's catalog.
This is an honor for every participant.
...
The applause did not stop after Ruggiero stepped down.
Regardless of whether Perlman will return or not, the applause is indispensable.
really.
After a while, the backstage door was pushed open again, but it was his disciple who came on stage.
This young man who looks to be only twenty years old has just proved that he can get such applause with his second song.
He walked to the piano without being humble or arrogant, and played a piece of Schumann's work with his unique sitting posture.
It's a piece by Schumann.
"Childhood Scene"
The whole concert ended in this nostalgic atmosphere.
...
...
"Horowitz often played scenes from his childhood in his later years, and I guess that's probably why."
It's 11:30 pm Moscow time.
In Shen Qingci's room, Qin Jian was sitting on the coffee table next to the sofa, listening carefully. There was an open bottle of vodka on the table.
...
After the concert, everyone returned to the manor on the bus.
As soon as Qin Jian arrived in the room, he dropped his backpack and rushed to He Jing's place. The two siblings chatted for a while. At eleven o'clock, Qin Jian said good night to He Jing and left, then sent a message to Shen Qingci, who happened to not be sleeping yet.
, he came directly to the door.
...
This is not the first time for the two of them to chat and drink in a foreign country.
Qin Jian really couldn't understand the final encore. Even if the other party played a Russian piece, Schumann's eight-pole song was really confusing.
However, after listening to Shen Qingci's guess, Qin Jian could probably understand something.
Although it was Perlman who asked his disciples to carry the ammunition, it probably also contains his memories of his teacher.
For a moment, both of them were a little embarrassed.
"boom."
There was a gentle sound of holding a cup.
"This vodka tastes too bad." Qin Jian frowned and complained. He had drank a lot of high-strength liquor, but he couldn't stand the taste of vodka.
On the contrary, Sheng Qingci looked like he was enjoying the drink and said, "Don't rush to swallow, you will get used to it slowly."
Putting down the glass, he continued: "I couldn't get used to drinking when I first came here. Later, one of my music history professors, who is from Poland, told me to hold it in my mouth for a while before swallowing."
Qin Jian tried it, then shook his head and said with a smile: "Mr. Shen, have you ever stayed here?"
Shen Qingci nodded, "Stayed at Glinka Conservatory of Music for fourteen months."
This was the first time Qin Jian heard the other party mention it, but seeing that Shen Qingci didn't say anything else, he didn't ask any more questions on this topic, but continued to bring the topic back to tonight's concert.
"Teacher Shen, I paid close attention to Perlman's performance tonight."
"Tell me."
Qin Jian briefly integrated the three points he compiled and said: "His performance contains a low level of dazzling skills. He pays great attention to body posture when playing, has a strong ability to shape the tone, and the tone of the music is very smooth.
"
Shen Qingci: "Continue."
Qin Jian spread his hands and said, "That's probably it. I plan to look for some of his works and listen to them later."
Shen Qingci somewhat appreciated Qin Jian's attitude, including his summary just now.
moment.
"In fact, what you said basically covers the performance characteristics of the Niegaozi school, but as for the 'smooth tone of music' you mentioned at the end - it is actually what this school advocates most."
After a pause, he continued.
"The Nietzsche school emphasizes that there must be a direct connection between every phrase, every paragraph, and every sound."
"So Niegaoz put forward the concept of 'living, living breathing' on the basis of ensuring the connection of music to replace the gaps between each sound."
Qin Jian thought for a moment, "Wouldn't this cause trouble with phrasing?"
He thought for a while, if a connection was established between all the notes, then in actual performance, the phrasing of the work would become an extremely troublesome matter, and there would even be no phrasing at all.
"Regarding the processing of phrasing, Niegaoz's suggestion is to first find the 'center point' of the current phrase. All the sounds in the phrase should be attracted to this center point, thereby completing the continuous and uninterrupted ups and downs of music.
"
Qin Jian understood what Shen Qingci said and understood it, but he kept the last question in his mind - Are there any disadvantages to this treatment?
This is not a question of authority, just his doubts.
Tonight's concert, aside from the last mistake of Perlman by La San, the performance given by the two masters and apprentices was almost full marks.
But just four works are not so convincing.
Qin Jian imagined that if Mozart was played in this way, the scene would be very interesting.
It is not unreasonable. It is precisely because he respects the fruits of experience left by his predecessors from the bottom of his heart that Qin Jian responded to this hesitation. If he had the opportunity, he would even want to experience and learn the techniques of this school personally.
"In the European music scene from the 18th century to the 19th century, classical music and romantic music were still the mainstream music at that time."
"But when people were still immersed in Mozart, Beethoven, Liszt, and Chopin, the classification of piano works had become more and more obvious. The continuous emergence of various new music genres led to more and more technical requirements for performers.
High, then came the birth of different schools of performance, different teaching methods, and different playing techniques."
"Do you understand what I mean?"
Qin Jian smiled and nodded, "Everything is under development."
As soon as he finished speaking, Shen Qingci smiled and waved his hand.
"'Stop talking and drink."
...
Half past two in the morning.
Before leaving.
"Wait for me in the restaurant at ten o'clock tomorrow morning." Shen Qingci said to Qin Jian.
Qin Jian answered vaguely: "Are you still called Xia Shu?"
Both of them looked a bit drunk.
"Whatever."
Shen Qingci entered the bathroom as he spoke, and Qin Jian staggered back to his room.
He felt very fulfilled today.
As for what Shen Qingci would take him to do tomorrow, his brain couldn't keep up.
...
Walking to the bed, Qin Jian threw himself on the bed.
Then came a whirlwind of events.
At this moment, in addition to not tasting good, Qin Jian discovered another shortcoming of vodka.