Seeing Jing Gao's trouble, Feng Wan, who was sitting behind Jing Gao, stood up and exchanged the white porcelain teacup in his hand for a cup of hot tea.
The beautiful and charming young woman rarely wore OL clothes today, but wore a black sweater and slim-fitting jeans. She showed off her height of 1.68 meters and her 34th-level figure, which was graceful and ups and downs.
She is big where she should be, and round where she should be round. Her movements are filled with the sexiness and charm of a young woman, and she is a top-notch beauty as gentle as jade!
Wanwan has a face value of 97 points and a figure of 96 points.
Song Nianyi sat next to Xie Shutong and mouthed: Shutong, you are a bit of a competitor! No matter in terms of appearance, figure, or style, they are all crushing. No wonder you threw yourself into my arms in the car, Brother Jing also
Can bear it.
Xie Shutong curled his lips in frustration, watching the admiration brought by this man's display of great power and the secret pleasure brought by actively kissing him disappear. A pair of slender legs quietly stretched out and kicked gently.
After a while Song Nianyi.
Song Nianyi glared angrily.
Jing Gao pondered for a moment and said: "We won't mention the historical reasons. Let's focus on how to solve it.
According to Mr. Song, there are currently too few outstanding screenwriters in the industry, which means that even if iQiyi publicly invites bids, it may not be able to get a good script. Let alone produce a series of exciting dramas like American dramas.
That kind of teamwork model of showrunners just doesn’t work.”
Song Fangjin smiled bitterly and spread his hands, "Yes. Mr. Jing, the Writers Guild of America has 12,000 official members. The Korean Broadcast Writers Association has more than a thousand resident writers, and there are also special screenwriter schools to train screenwriters every year.
, add new people in.
The Youyu Forum that Hailin and I organized in May, there are only about 20 screenwriters and media people in total. This is enough to spark discussion in the industry."
Wang Hailin added: "Mr. Jing, this is only a superficial phenomenon, there are more deep-seated reasons.
First, the laws and regulations are imperfect. Screenwriters cannot guarantee their own interests in the game with film and television companies, let alone their rights. Moreover, there are many problems with plagiarism, infringement, and authorship.
Second, we currently do not have a mature TV drama industry system. Being content-driven will encounter various problems, and ultimately we have to make compromises to ensure the completion of the work.
Third, the screenwriting system is extremely imperfect. There is currently a shortage of talent and an extreme shortage of reserve talents. There is no complete system for how to evaluate the level of a screenwriter.
In addition, many big screenwriters in China are used to writing dramas by themselves. Will they be able to adapt once it turns into teamwork? Personally, I create alone, and also with classmates and friends, but
The number of people is about one or two."
Jing Gao is somewhat dumbfounded. You screenwriters are all calling for a "drama-centered system", but in fact, whether you big-name screenwriters can adapt to teamwork is a problem! Is Ye Gong a good dragon?
Song Fangjin said sarcastically: "Mr. Jing, the current state of domestic film and television drama production is a mixed ownership system. Various production models are flourishing. Some relatively large-scale industrial projects must be producer-centered systems.
Directors are still the core and even scarce resources of Chinese films. The director-centered system still has its foundation and market. Some screenwriters may gain more and greater say, partially realizing the screenwriter-centered system."
Fang Shaofan, who was sitting next to Jing Gao, shook his head speechlessly. Are you deceiving Mr. Jing? Without the protection of relevant laws and regulations, the environment is not good, it is difficult to realize industrialization of production, and there is no talent.
There are indeed profound reasons why domestic TV dramas cannot achieve the "drama-centered system"!
In such a situation, I just talked about it in front of Mr. Jing, and even stood up to a bunch of iQiyi senior executives.
Dai Ying and Li Liying, the two female generals of iQiyi's content production department, had already lowered their heads, apparently snickering inwardly.
Just at this time, Gong Yu and Wang Xiaohui came in. Seeing that the atmosphere was a bit strange, they went to see their respective subordinates.
Chief Technology Officer Liu Wenfeng, Chief Marketing Officer Wang Xiangjun, and Senior Vice President Chen Xiao, who is responsible for purchasing videos, looked at their bosses, but they were hard-pressed to say anything. If they made fun of Mr. Jing in front of Mr. Jing, did they think they were living too comfortably?
Jing Gao calmly picked up the tea cup and took a sip of tea, and said: "Gong Yu, don't read it. We are talking about the difficulties faced by the implementation of drama center production."
Gong Yu and Wang Xiaohui looked at each other, both feeling a little gloating. My big boss, you know the problem! Who doesn’t want good things, but the problem is: the ideal is very full, and the reality is very skinny.
Of course, since they are both adults, their emotions will not be so obvious.
Jing Gao said: "Gong Yu, let's talk about your affairs first. Have you paid your meager salary?"
Gong Yu simply said: "It has been sent." He said to Song Fangjin and Wang Hailin: "Teacher Song, Teacher Wang can use the microbook to swipe it."
This is a bit of a retaliation. But as the dignified CEO of iQiyi, he was scolded by two screenwriters in front of his face. Isn’t he allowed to retaliate?
Jing Gao nodded, put down the teacup in his hand, and said: "Let's talk about iQiyi's procurement issues. Just now, Teacher Hai Lin and Teacher Song Fangjin mentioned to me the shortcomings of the current TV series purchase and sales system. Various problems!
I have no influence on the TV station. But iQiyi needs to change the current TV series purchase and sales system and adopt a model of American TV series titles and bidding."
Gong Yu pushed up his glasses and said simply: "Okay! I will convene the content production department to study how to implement it when I get back, and report the plan to you later."
Jing Gao looked at him with a half-smile, then looked around the crowd, and said in a clear voice: "Just now, teachers Wang and Song specifically talked about the reasons why drama-centered production is difficult to implement. However, this production model, no matter how difficult it is, is
All must be implemented.
When doing things and doing business, you must first do the right thing, and then do it right! Otherwise, it will be the opposite."
With that said, he said to Wang Hailin and Song Fangjin: "As for the problem of the lack of screenwriters in China, I don't think we require the three major departments (Chinese Drama, Beijing Film and Television, and Shanghai Drama) to expand their recruitment. This is too slow! We imitate the wireless training in Hong Kong Island back then.
The class recruits screenwriting students from the whole society and offers training courses ranging from three months to half a year.
Let us first spend a few years to solve the problem of insufficient screenwriters on the market. First solve the problem of quantity, and then deal with all the mud and sand, ruthlessly eliminate them, and solve the quality problem of screenwriters!
I need the cooperation of two teachers for this work. I will solve the problem of training funds. But the teaching force needs two teachers to solve. I also hope that the two teachers will not hesitate to impart their screenwriting experience.
In addition, if the students in these screenwriting training courses can write, complete the filming, and finally screen the TV series scripts, then the Screenwriters Association must recognize them as screenwriters and accept them into this circle."
Song Fangjin was a little hesitant and said: "Mr. Jing, we have to study at China National Theater for four years before we can become screenwriters. Can you do it in this crash course? Can you do it in three months or half a year?" He was afraid of damaging his reputation.
Jing Gao said with enthusiasm: "Teacher Song, since film and television dramas are industrial productions, they must be speeded up and produced on an assembly line.
This group of students is learning and practicing at the same time. Just like the wireless class back then, not everyone will become a big star. As long as we set the standards and strictly implement them. Under the cruel elimination mechanism, talented people will definitely stand out!
Every year, tens of thousands of people sign up for Deyun Club. The monthly income of ordinary crosstalk actors is less than 10,000 yuan. It is impossible that no one signs up for our screenwriting training class? Screenwriters can earn more from selling scripts than crosstalk actors."
Song Fangjin was slightly silent. He actually didn't agree. Think about it, a high school graduate who hasn't even watched a few movies can write a script after three months of training and half a year? Are you kidding! And you can't make common sense mistakes in the script.
of.
For example, Hai Lin and Yan Gang wrote The Legend of Chu and Han together. However, in the drama aired in 2013, there was a huge logical loophole. The "Three Character Classic" appeared in the lines. Which dynasty did the Three Character Classic belong to? Which dynasty did Chu and Han belong to?
Era?
In the end, Hailin was forced to post his original script online, determined not to let the crew be blamed.
So, will students in the training class cause similar accidents? This will directly ruin the screenwriter's job.
However, no matter what he thinks at this time. He is sitting here talking and suggesting that Jing Gao change the purchase and sale mechanism. He can't just pour cold water on it when the problem comes to an end, right?
Jing Gao looked at Wang Hailin.
Wang Hailin said simply: "Mr. Jing, as long as the TV series can be broadcast, whether it is on Youaiteng or major TV stations, there must be a writer signed by it. It will be useless even if our Screenwriters Association does not recognize it by then.
The key is to have works.”
Idakadao: "Okay. Let's move on to the second question. In aspects other than screenwriting, the TV drama production industry is not supporting the problem."
This chapter has been completed!